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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2499D0 it is the complementary color #DB662F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2499D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2499D0 shade: #2999CB, #3AABDE, #4BBDF1, #5CCFFF and #6DE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2499D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2499D0 shade: #2499D0, #1387BD, #0275AA, #006397 and #005184

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2499D0 shade: #2499D0, #246BD0, #243CD0, #3A24D0 and #6924D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2499D0 shade: #2499D0, #246BD0, #243CD0 and #2424D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2499D0 shade matches the following richer shades: #2499D0 and #10A0E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2499D0 shade: #2499D0, #3892BC, #4C8BA8, #608394 and #737C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2499D0 shade: #24D0AA, #24C7D0, #2499D0, #246CD0 and #243ED0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2499D0 shade: #186589, #1E7FAD, #2499D0, #40ABDD and #63BAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2499D0 shade: #2499D0, #7D24D0 and #D0C124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2499D0 shade: #2499D0, #D02499 and #99D024

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2499D0 shade: #2499D0, #7D24D0, #D05A24 and #77D024

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2499D0 shade: #2499D0, #B024D0, #D05A24 and #44D024

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

Complementary color

CMYK 0 / 53 / 79 / 14

HEX #DB662F

RGB 219 102 47

HSL 19.19, 0.7%, 0.52%

LAB 56.85, 42.59, 50.99

 

CMYK 80 / 25 / 0 / 20

HEX #2999CB

RGB 41 153 203

HSL 198.52, 0.66%, 0.48%

LAB 59.49, -13.44, -34.35

 

CMYK 74 / 23 / 0 / 13

HEX #3AABDE

RGB 58 171 222

HSL 198.66, 0.71%, 0.55%

LAB 65.98, -14.86, -34.78

 

CMYK 69 / 22 / 0 / 5

HEX #4BBDF1

RGB 75 189 241

HSL 198.8, 0.86%, 0.62%

LAB 72.39, -15.99, -35.17

 

CMYK 64 / 19 / 0 / 0

HEX #5CCFFF

RGB 92 207 255

HSL 197.67, 1%, 0.68%

LAB 78.53, -18.41, -33.15

 

CMYK 57 / 12 / 0 / 0

HEX #6DE1FF

RGB 109 225 255

HSL 192.33, 1%, 0.71%

LAB 84.13, -24.56, -24.52

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 90 / 29 / 0 / 26

HEX #1387BD

RGB 19 135 189

HSL 199.06, 0.82%, 0.41%

LAB 53.1, -10.1, -36.45

 

CMYK 99 / 31 / 0 / 33

HEX #0275AA

RGB 2 117 170

HSL 198.93, 0.98%, 0.34%

LAB 46.5, -7.59, -35.88

 

CMYK 100 / 34 / 0 / 41

HEX #006397

RGB 0 99 151

HSL 200.66, 1%, 0.3%

LAB 39.85, -4.3, -35.15

 

CMYK 100 / 39 / 0 / 48

HEX #005184

RGB 0 81 132

HSL 203.18, 1%, 0.26%

LAB 33.03, -0.68, -34.43

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 83 / 49 / 0 / 18

HEX #246BD0

RGB 36 107 208

HSL 215.23, 0.7%, 0.48%

LAB 46.24, 15.48, -58.23

 

CMYK 83 / 71 / 0 / 18

HEX #243CD0

RGB 36 60 208

HSL 231.63, 0.7%, 0.48%

LAB 34.32, 45.46, -77.7

 

CMYK 72 / 83 / 0 / 18

HEX #3A24D0

RGB 58 36 208

HSL 247.67, 0.7%, 0.48%

LAB 31.15, 59.31, -82.9

 

CMYK 50 / 83 / 0 / 18

HEX #6924D0

RGB 105 36 208

HSL 264.07, 0.7%, 0.48%

LAB 35.63, 63.73, -75.34

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 83 / 49 / 0 / 18

HEX #246BD0

RGB 36 107 208

HSL 215.23, 0.7%, 0.48%

LAB 46.24, 15.48, -58.23

 

CMYK 83 / 71 / 0 / 18

HEX #243CD0

RGB 36 60 208

HSL 231.63, 0.7%, 0.48%

LAB 34.32, 45.46, -77.7

 

CMYK 83 / 83 / 0 / 18

HEX #2424D0

RGB 36 36 208

HSL 240, 0.7%, 0.48%

LAB 29.89, 58.11, -85.03

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 93 / 30 / 0 / 11

HEX #10A0E3

RGB 16 160 227

HSL 199.05, 0.87%, 0.48%

LAB 62.34, -10.4, -43.29

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 70 / 22 / 0 / 26

HEX #3892BC

RGB 56 146 188

HSL 199.09, 0.54%, 0.48%

LAB 57.1, -12.9, -29.59

 

CMYK 55 / 17 / 0 / 34

HEX #4C8BA8

RGB 76 139 168

HSL 198.91, 0.38%, 0.48%

LAB 54.9, -11.8, -21.52

 

CMYK 35 / 11 / 0 / 42

HEX #608394

RGB 96 131 148

HSL 199.62, 0.21%, 0.48%

LAB 52.79, -7.88, -13.08

 

CMYK 10 / 3 / 0 / 50

HEX #737C80

RGB 115 124 128

HSL 198.46, 0.05%, 0.48%

LAB 51.4, -2.48, -3.33

 

CMYK 83 / 0 / 18 / 18

HEX #24D0AA

RGB 36 208 170

HSL 166.74, 0.7%, 0.48%

LAB 75.07, -50.08, 7.21

 

CMYK 83 / 4 / 0 / 18

HEX #24C7D0

RGB 36 199 208

HSL 183.14, 0.7%, 0.48%

LAB 73.4, -35.58, -15.8

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 83 / 48 / 0 / 18

HEX #246CD0

RGB 36 108 208

HSL 214.88, 0.7%, 0.48%

LAB 46.52, 14.84, -57.78

 

CMYK 83 / 70 / 0 / 18

HEX #243ED0

RGB 36 62 208

HSL 230.93, 0.7%, 0.48%

LAB 34.75, 44.27, -76.98

 

CMYK 82 / 26 / 0 / 46

HEX #186589

RGB 24 101 137

HSL 199.12, 0.7%, 0.32%

LAB 40.09, -9.37, -26.32

 

CMYK 83 / 27 / 0 / 32

HEX #1E7FAD

RGB 30 127 173

HSL 199.3, 0.7%, 0.4%

LAB 50.06, -10.6, -32

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 71 / 23 / 0 / 13

HEX #40ABDD

RGB 64 171 221

HSL 199.11, 0.7%, 0.56%

LAB 66.09, -14.42, -34.06

 

CMYK 56 / 18 / 0 / 11

HEX #63BAE3

RGB 99 186 227

HSL 199.22, 0.7%, 0.64%

LAB 71.77, -14.65, -28.47

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 40 / 83 / 0 / 18

HEX #7D24D0

RGB 125 36 208

HSL 271.05, 0.7%, 0.48%

LAB 38.16, 66.29, -71.1

 

CMYK 0 / 7 / 83 / 18

HEX #D0C124

RGB 208 193 36

HSL 54.77, 0.7%, 0.48%

LAB 77.09, -10.39, 72.57

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 0 / 83 / 26 / 18

HEX #D02499

RGB 208 36 153

HSL 319.19, 0.7%, 0.48%

LAB 48.22, 72.43, -21.83

 

CMYK 26 / 0 / 83 / 18

HEX #99D024

RGB 153 208 36

HSL 79.19, 0.7%, 0.48%

LAB 77.29, -40.3, 71.18

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 40 / 83 / 0 / 18

HEX #7D24D0

RGB 125 36 208

HSL 271.05, 0.7%, 0.48%

LAB 38.16, 66.29, -71.1

 

CMYK 0 / 57 / 83 / 18

HEX #D05A24

RGB 208 90 36

HSL 18.84, 0.7%, 0.48%

LAB 52.78, 43.9, 51.49

 

CMYK 43 / 0 / 83 / 18

HEX #77D024

RGB 119 208 36

HSL 91.05, 0.7%, 0.48%

LAB 75.55, -52.37, 68.98

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 15 / 83 / 0 / 18

HEX #B024D0

RGB 176 36 208

HSL 288.84, 0.7%, 0.48%

LAB 45.7, 74.2, -58.5

 

CMYK 0 / 57 / 83 / 18

HEX #D05A24

RGB 208 90 36

HSL 18.84, 0.7%, 0.48%

LAB 52.78, 43.9, 51.49

 

CMYK 67 / 0 / 83 / 18

HEX #44D024

RGB 68 208 36

HSL 108.84, 0.7%, 0.48%

LAB 73.85, -65.82, 66.81

 

Description

Color code: HEX #2499D0 | qconv.com Color code: HEX #2499D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 153 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 153 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 26 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 26% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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