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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2561C3 it is the complementary color #DA9E3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2561C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2561C3: #2A61BE, #3B73D1, #4C85E4, #5D97F7 and #6EA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2561C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2561C3: #2561C3, #144FB0, #033D9D, #002B8A and #001977

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 50 / 0 / 24

HEX #2561C3

RGB 37 97 195

HSL 217.22, 0.68%, 0.45%

LAB 42.59, 17, -56.64

 

Complementary color

CMYK 0 / 28 / 72 / 15

HEX #DA9E3C

RGB 218 158 60

HSL 37.22, 0.68%, 0.55%

LAB 69.24, 13.27, 57.58

 

CMYK 78 / 49 / 0 / 25

HEX #2A61BE

RGB 42 97 190

HSL 217.7, 0.64%, 0.45%

LAB 42.4, 15.59, -54.04

 

CMYK 72 / 45 / 0 / 18

HEX #3B73D1

RGB 59 115 209

HSL 217.6, 0.62%, 0.53%

LAB 49.25, 13.37, -53.93

 

CMYK 67 / 42 / 0 / 11

HEX #4C85E4

RGB 76 133 228

HSL 217.5, 0.74%, 0.6%

LAB 56, 11.59, -53.8

 

CMYK 62 / 39 / 0 / 3

HEX #5D97F7

RGB 93 151 247

HSL 217.4, 0.91%, 0.67%

LAB 62.66, 10.14, -53.67

 

CMYK 57 / 34 / 0 / 0

HEX #6EA9FF

RGB 110 169 255

HSL 215.59, 1%, 0.72%

LAB 68.69, 5.46, -48.45

 

CMYK 81 / 50 / 0 / 24

HEX #2561C3

RGB 37 97 195

HSL 217.22, 0.68%, 0.45%

LAB 42.59, 17, -56.64

 

CMYK 89 / 55 / 0 / 31

HEX #144FB0

RGB 20 79 176

HSL 217.31, 0.8%, 0.38%

LAB 35.74, 20.05, -56.62

 

CMYK 98 / 61 / 0 / 38

HEX #033D9D

RGB 3 61 157

HSL 217.4, 0.96%, 0.31%

LAB 28.88, 23.76, -56.43

 

CMYK 100 / 69 / 0 / 46

HEX #002B8A

RGB 0 43 138

HSL 221.3, 1%, 0.27%

LAB 22.17, 28.3, -55.75

 

CMYK 100 / 79 / 0 / 53

HEX #001977

RGB 0 25 119

HSL 227.39, 1%, 0.23%

LAB 15.63, 32.78, -54.52

 

CMYK 81 / 50 / 0 / 24

HEX #2561C3

RGB 37 97 195

HSL 217.22, 0.68%, 0.45%

LAB 42.59, 17, -56.64

 

CMYK 81 / 64 / 0 / 25

HEX #2446C0

RGB 36 70 192

HSL 226.92, 0.68%, 0.45%

LAB 35.13, 33.44, -67.04

 

CMYK 81 / 77 / 0 / 25

HEX #242CC0

RGB 36 44 192

HSL 236.92, 0.68%, 0.45%

LAB 29.37, 49.16, -76.53

 

CMYK 72 / 81 / 0 / 25

HEX #3624C0

RGB 54 36 192

HSL 246.92, 0.68%, 0.45%

LAB 29.04, 54.37, -77.05

 

CMYK 58 / 81 / 0 / 25

HEX #5024C0

RGB 80 36 192

HSL 256.92, 0.68%, 0.45%

LAB 31.28, 56.76, -73.25

 

CMYK 81 / 50 / 0 / 24

HEX #2561C3

RGB 37 97 195

HSL 217.22, 0.68%, 0.45%

LAB 42.59, 17, -56.64

 

CMYK 81 / 50 / 0 / 4

HEX #2F7AF6

RGB 47 122 246

HSL 217.39, 0.92%, 0.57%

LAB 53.14, 21.33, -68.47

 

CMYK 81 / 50 / 0 / 84

HEX #08152A

RGB 8 21 42

HSL 217.06, 0.68%, 0.1%

LAB 6.82, 2.81, -15.9

 

CMYK 81 / 51 / 0 / 64

HEX #122E5D

RGB 18 46 93

HSL 217.6, 0.68%, 0.22%

LAB 19.53, 8.35, -31.16

 

CMYK 81 / 50 / 0 / 44

HEX #1B4890

RGB 27 72 144

HSL 216.92, 0.68%, 0.34%

LAB 31.54, 12.42, -44.16

 

CMYK 81 / 50 / 0 / 24

HEX #2561C3

RGB 37 97 195

HSL 217.22, 0.68%, 0.45%

LAB 42.59, 17, -56.64

 

CMYK 15 / 81 / 0 / 25

HEX #A424C0

RGB 164 36 192

HSL 289.23, 0.68%, 0.45%

LAB 42.7, 69.26, -54.14

 

CMYK 18 / 0 / 81 / 25

HEX #9EC024

RGB 158 192 36

HSL 73.08, 0.68%, 0.45%

LAB 72.95, -31.05, 67.49

 

CMYK 81 / 50 / 0 / 24

HEX #2561C3

RGB 37 97 195

HSL 217.22, 0.68%, 0.45%

LAB 42.59, 17, -56.64

 

CMYK 0 / 81 / 50 / 25

HEX #C02460

RGB 192 36 96

HSL 336.92, 0.68%, 0.45%

LAB 43.23, 62.82, 5.32

 

CMYK 50 / 0 / 81 / 25

HEX #60C024

RGB 96 192 36

HSL 96.92, 0.68%, 0.45%

LAB 69.69, -53.37, 63.33

 

CMYK 81 / 50 / 0 / 24

HEX #2561C3

RGB 37 97 195

HSL 217.22, 0.68%, 0.45%

LAB 42.59, 17, -56.64

 

CMYK 15 / 81 / 0 / 25

HEX #A424C0

RGB 164 36 192

HSL 289.23, 0.68%, 0.45%

LAB 42.7, 69.26, -54.14

 

CMYK 0 / 31 / 81 / 25

HEX #C08424

RGB 192 132 36

HSL 36.92, 0.68%, 0.45%

LAB 59.74, 15.13, 56.9

 

CMYK 66 / 0 / 81 / 25

HEX #41C024

RGB 65 192 36

HSL 108.85, 0.68%, 0.45%

LAB 68.72, -61.22, 62.08

 

CMYK 81 / 50 / 0 / 24

HEX #2561C3

RGB 37 97 195

HSL 217.22, 0.68%, 0.45%

LAB 42.59, 17, -56.64

 

CMYK 0 / 81 / 9 / 25

HEX #C024AE

RGB 192 36 174

HSL 306.92, 0.68%, 0.45%

LAB 46.34, 71.74, -37.47

 

CMYK 0 / 31 / 81 / 25

HEX #C08424

RGB 192 132 36

HSL 36.92, 0.68%, 0.45%

LAB 59.74, 15.13, 56.9

 

CMYK 81 / 0 / 72 / 25

HEX #24C036

RGB 36 192 54

HSL 126.92, 0.68%, 0.45%

LAB 68.27, -64.64, 55.59

 

Description

Color code: HEX #2561C3 | qconv.com Color code: HEX #2561C3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 97 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 97 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 50 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 50% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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