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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24D697 it is the complementary color #DB2968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24D697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24D697 shade: #29D692, #3AE8A5, #4BFAB8, #5CFFCB and #6DFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24D697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24D697 shade: #24D697, #13C484, #02B271, #00A05E and #008E4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24D697 shade: #24D697, #24D667, #24D637, #41D624 and #71D624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24D697 shade: #24D697, #24D6C7, #24B5D6, #2485D6 and #2455D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24D697 shade matches the following richer shades: #24D697 and #10EA9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24D697 shade: #24D697, #38C191, #4DAD8B, #619985 and #75857F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24D697 shade: #24D636, #24D665, #24D695, #24D6C4 and #24B8D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24D697 shade: #188F65, #1EB27E, #24D697, #44DFA8 and #67E5B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24D697 shade: #24D697, #2442D6 and #D64E24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24D697 shade: #24D697, #9524D6 and #D69524

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24D697 shade: #24D697, #2442D6, #D62465 and #D6B824

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24D697 shade: #24D697, #3C24D6, #D62465 and #BED624

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

Complementary color

CMYK 0 / 81 / 53 / 14

HEX #DB2968

RGB 219 41 104

HSL 338.76, 0.71%, 0.51%

LAB 49.06, 69.21, 9.37

 

CMYK 81 / 0 / 32 / 16

HEX #29D692

RGB 41 214 146

HSL 156.42, 0.68%, 0.5%

LAB 76.46, -57.54, 21.92

 

CMYK 75 / 0 / 29 / 9

HEX #3AE8A5

RGB 58 232 165

HSL 156.9, 0.79%, 0.57%

LAB 82.56, -58.44, 20.44

 

CMYK 70 / 0 / 26 / 2

HEX #4BFAB8

RGB 75 250 184

HSL 157.37, 0.95%, 0.64%

LAB 88.6, -59.06, 19.08

 

CMYK 64 / 0 / 20 / 0

HEX #5CFFCB

RGB 92 255 203

HSL 160.86, 1%, 0.68%

LAB 90.83, -54.29, 12.49

 

CMYK 57 / 0 / 13 / 0

HEX #6DFFDE

RGB 109 255 222

HSL 166.44, 1%, 0.71%

LAB 91.71, -46.96, 4

 

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

CMYK 90 / 0 / 33 / 23

HEX #13C484

RGB 19 196 132

HSL 158.31, 0.82%, 0.42%

LAB 70.37, -55.52, 20.95

 

CMYK 99 / 0 / 37 / 30

HEX #02B271

RGB 2 178 113

HSL 157.84, 0.98%, 0.35%

LAB 64.2, -53.71, 22.71

 

CMYK 100 / 0 / 41 / 37

HEX #00A05E

RGB 0 160 94

HSL 155.25, 1%, 0.31%

LAB 57.99, -51.2, 24.67

 

CMYK 100 / 0 / 47 / 44

HEX #008E4B

RGB 0 142 75

HSL 151.69, 1%, 0.28%

LAB 51.67, -48.45, 26.71

 

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

CMYK 83 / 0 / 52 / 16

HEX #24D667

RGB 36 214 103

HSL 142.58, 0.71%, 0.49%

LAB 75.73, -65.8, 42.71

 

CMYK 83 / 0 / 74 / 16

HEX #24D637

RGB 36 214 55

HSL 126.4, 0.71%, 0.49%

LAB 75.29, -71.17, 62.37

 

CMYK 70 / 0 / 83 / 16

HEX #41D624

RGB 65 214 36

HSL 110.22, 0.71%, 0.49%

LAB 75.67, -68.28, 68.43

 

CMYK 47 / 0 / 83 / 16

HEX #71D624

RGB 113 214 36

HSL 94.04, 0.71%, 0.49%

LAB 77.12, -56.56, 70.28

 

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

CMYK 83 / 0 / 7 / 16

HEX #24D6C7

RGB 36 214 199

HSL 174.94, 0.71%, 0.49%

LAB 77.63, -44.93, -4.63

 

CMYK 83 / 15 / 0 / 16

HEX #24B5D6

RGB 36 181 214

HSL 191.12, 0.71%, 0.49%

LAB 68.22, -24.93, -26.95

 

CMYK 83 / 38 / 0 / 16

HEX #2485D6

RGB 36 133 214

HSL 207.3, 0.71%, 0.49%

LAB 54.03, 1.61, -49.15

 

CMYK 83 / 60 / 0 / 16

HEX #2455D6

RGB 36 85 214

HSL 223.48, 0.71%, 0.49%

LAB 40.78, 31.99, -70.54

 

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

CMYK 93 / 0 / 33 / 8

HEX #10EA9D

RGB 16 234 157

HSL 158.81, 0.87%, 0.49%

LAB 82.59, -64.12, 24.55

 

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

CMYK 71 / 0 / 25 / 24

HEX #38C191

RGB 56 193 145

HSL 158.98, 0.55%, 0.49%

LAB 70.19, -47.73, 13.8

 

CMYK 55 / 0 / 20 / 32

HEX #4DAD8B

RGB 77 173 139

HSL 158.75, 0.38%, 0.49%

LAB 64.43, -36.61, 9.01

 

CMYK 37 / 0 / 13 / 40

HEX #619985

RGB 97 153 133

HSL 158.57, 0.22%, 0.49%

LAB 58.99, -23.12, 4.7

 

CMYK 12 / 0 / 5 / 48

HEX #75857F

RGB 117 133 127

HSL 157.5, 0.06%, 0.49%

LAB 54.12, -7.08, 1.25

 

CMYK 83 / 0 / 75 / 16

HEX #24D636

RGB 36 214 54

HSL 126.07, 0.71%, 0.49%

LAB 75.29, -71.25, 62.7

 

CMYK 83 / 0 / 53 / 16

HEX #24D665

RGB 36 214 101

HSL 141.91, 0.71%, 0.49%

LAB 75.7, -66.09, 43.63

 

CMYK 83 / 0 / 30 / 16

HEX #24D695

RGB 36 214 149

HSL 158.09, 0.71%, 0.49%

LAB 76.46, -57.35, 20.33

 

CMYK 83 / 0 / 8 / 16

HEX #24D6C4

RGB 36 214 196

HSL 173.93, 0.71%, 0.49%

LAB 77.55, -45.75, -3.14

 

CMYK 83 / 14 / 0 / 16

HEX #24B8D6

RGB 36 184 214

HSL 190.11, 0.71%, 0.49%

LAB 69.12, -26.44, -25.58

 

CMYK 83 / 0 / 29 / 44

HEX #188F65

RGB 24 143 101

HSL 158.82, 0.71%, 0.33%

LAB 52.71, -41.55, 13.67

 

CMYK 83 / 0 / 29 / 30

HEX #1EB27E

RGB 30 178 126

HSL 158.92, 0.71%, 0.41%

LAB 64.66, -49.19, 16.34

 

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

CMYK 70 / 0 / 25 / 13

HEX #44DFA8

RGB 68 223 168

HSL 158.71, 0.71%, 0.57%

LAB 80.08, -52.93, 15.46

 

CMYK 55 / 0 / 19 / 10

HEX #67E5B9

RGB 103 229 185

HSL 159.05, 0.71%, 0.65%

LAB 83.14, -45.37, 10.96

 

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

CMYK 83 / 69 / 0 / 16

HEX #2442D6

RGB 36 66 214

HSL 229.89, 0.71%, 0.49%

LAB 36.23, 43.96, -78.01

 

CMYK 0 / 64 / 83 / 16

HEX #D64E24

RGB 214 78 36

HSL 14.16, 0.71%, 0.49%

LAB 51.69, 51.56, 50.88

 

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

CMYK 30 / 83 / 0 / 16

HEX #9524D6

RGB 149 36 214

HSL 278.09, 0.71%, 0.49%

LAB 42.01, 71.01, -68.13

 

CMYK 0 / 30 / 83 / 16

HEX #D69524

RGB 214 149 36

HSL 38.09, 0.71%, 0.49%

LAB 66.46, 15.48, 63.77

 

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

CMYK 83 / 69 / 0 / 16

HEX #2442D6

RGB 36 66 214

HSL 229.89, 0.71%, 0.49%

LAB 36.23, 43.96, -78.01

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 0 / 14 / 83 / 16

HEX #D6B824

RGB 214 184 36

HSL 49.89, 0.71%, 0.49%

LAB 75.27, -3.15, 71.25

 

CMYK 83 / 0 / 29 / 16

HEX #24D697

RGB 36 214 151

HSL 158.76, 0.71%, 0.49%

LAB 76.5, -56.91, 19.33

 

CMYK 72 / 83 / 0 / 16

HEX #3C24D6

RGB 60 36 214

HSL 248.09, 0.71%, 0.49%

LAB 31.98, 61.15, -84.99

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 11 / 0 / 83 / 16

HEX #BED624

RGB 190 214 36

HSL 68.09, 0.71%, 0.49%

LAB 81.38, -28.33, 75.65

 

Description

Color code: HEX #24D697 | qconv.com Color code: HEX #24D697 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 214 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 214 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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