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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D62465 it is the complementary color #29DB9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D62465. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D62465 shade: #DB2460, #EC3673, #FD4886, #FF5A99 and #FF6CAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D62465. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D62465 shade: #D62465, #C51252, #B4003F, #A3002C and #920019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D62465 shade: #D62465, #D62435 and #D62424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D62465 shade: #D62465, #D62495, #D624C5, #B724D6 and #8724D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D62465 shade matches the following richer shades: #D62465 and #EA1060

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D62465 shade: #D62465, #C1386A, #AD4D70, #996175 and #85757B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D62465 shade: #D624C4, #D62495, #D62465, #D62436 and #D64224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D62465 shade: #8F1844, #B21E54, #D62465, #DF447D and #E56795

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D62465 shade: #D62465, #D6B824 and #24ACD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D62465 shade: #D62465, #65D624 and #2465D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D62465 shade: #D62465, #D6B824, #24D695 and #2442D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D62465 shade: #D62465, #BED624, #24D695 and #3C24D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

Complementary color

CMYK 81 / 0 / 30 / 14

HEX #29DB9A

RGB 41 219 154

HSL 158.09, 0.71%, 0.51%

LAB 78.15, -57.7, 20.05

 

CMYK 0 / 84 / 56 / 14

HEX #DB2460

RGB 219 36 96

HSL 340.33, 0.72%, 0.5%

LAB 48.47, 69.79, 13.45

 

CMYK 0 / 77 / 51 / 7

HEX #EC3673

RGB 236 54 115

HSL 339.89, 0.83%, 0.57%

LAB 53.72, 71.06, 9.72

 

CMYK 0 / 72 / 47 / 1

HEX #FD4886

RGB 253 72 134

HSL 339.45, 0.98%, 0.64%

LAB 59.19, 71.63, 6.64

 

CMYK 0 / 65 / 40 / 0

HEX #FF5A99

RGB 255 90 153

HSL 337.09, 1%, 0.68%

LAB 62.4, 67.43, 0.25

 

CMYK 0 / 58 / 33 / 0

HEX #FF6CAC

RGB 255 108 172

HSL 333.88, 1%, 0.71%

LAB 65.72, 62, -5.76

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 0 / 91 / 58 / 23

HEX #C51252

RGB 197 18 82

HSL 338.55, 0.83%, 0.42%

LAB 42.63, 66.64, 13.42

 

CMYK 0 / 100 / 65 / 29

HEX #B4003F

RGB 180 0 63

HSL 339, 1%, 0.35%

LAB 37.95, 63.44, 18.62

 

CMYK 0 / 100 / 73 / 36

HEX #A3002C

RGB 163 0 44

HSL 343.8, 1%, 0.32%

LAB 33.92, 58.36, 24.99

 

CMYK 0 / 100 / 83 / 43

HEX #920019

RGB 146 0 25

HSL 349.73, 1%, 0.29%

LAB 29.87, 53.34, 31.36

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 0 / 83 / 75 / 16

HEX #D62435

RGB 214 36 53

HSL 354.27, 0.71%, 0.49%

LAB 46.73, 66.24, 37.06

 

CMYK 0 / 83 / 83 / 16

HEX #D62424

RGB 214 36 36

HSL 0, 0.71%, 0.49%

LAB 46.56, 65.72, 46.24

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 0 / 83 / 30 / 16

HEX #D62495

RGB 214 36 149

HSL 321.91, 0.71%, 0.49%

LAB 49.16, 73.31, -17.9

 

CMYK 0 / 83 / 8 / 16

HEX #D624C5

RGB 214 36 197

HSL 305.73, 0.71%, 0.49%

LAB 51.37, 79.37, -42.72

 

CMYK 14 / 83 / 0 / 16

HEX #B724D6

RGB 183 36 214

HSL 289.55, 0.71%, 0.49%

LAB 47.22, 76.43, -59.45

 

CMYK 37 / 83 / 0 / 16

HEX #8724D6

RGB 135 36 214

HSL 273.37, 0.71%, 0.49%

LAB 40.03, 68.99, -71.45

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 0 / 93 / 59 / 8

HEX #EA1060

RGB 234 16 96

HSL 337.98, 0.87%, 0.49%

LAB 50.34, 76.56, 16.49

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 0 / 71 / 45 / 24

HEX #C1386A

RGB 193 56 106

HSL 338.1, 0.55%, 0.49%

LAB 45.92, 57.73, 3

 

CMYK 0 / 55 / 35 / 32

HEX #AD4D70

RGB 173 77 112

HSL 338.13, 0.38%, 0.49%

LAB 46.13, 42.94, -0.77

 

CMYK 0 / 37 / 24 / 40

HEX #996175

RGB 153 97 117

HSL 338.57, 0.22%, 0.49%

LAB 47.76, 25.62, -1.73

 

CMYK 0 / 12 / 8 / 48

HEX #85757B

RGB 133 117 123

HSL 337.5, 0.06%, 0.49%

LAB 50.85, 7.3, -1.02

 

CMYK 0 / 83 / 8 / 16

HEX #D624C4

RGB 214 36 196

HSL 306.07, 0.71%, 0.49%

LAB 51.32, 79.23, -42.22

 

CMYK 0 / 83 / 30 / 16

HEX #D62495

RGB 214 36 149

HSL 321.91, 0.71%, 0.49%

LAB 49.16, 73.31, -17.9

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 0 / 83 / 75 / 16

HEX #D62436

RGB 214 36 54

HSL 353.93, 0.71%, 0.49%

LAB 46.74, 66.27, 36.49

 

CMYK 0 / 69 / 83 / 16

HEX #D64224

RGB 214 66 36

HSL 10.11, 0.71%, 0.49%

LAB 49.88, 56.45, 49.26

 

CMYK 0 / 83 / 52 / 44

HEX #8F1844

RGB 143 24 68

HSL 337.82, 0.71%, 0.33%

LAB 31.6, 50.42, 5.4

 

CMYK 0 / 83 / 53 / 30

HEX #B21E54

RGB 178 30 84

HSL 338.11, 0.71%, 0.41%

LAB 39.64, 59.67, 7.41

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 0 / 70 / 44 / 13

HEX #DF447D

RGB 223 68 125

HSL 337.94, 0.71%, 0.57%

LAB 53.28, 63.81, 2.79

 

CMYK 0 / 55 / 35 / 10

HEX #E56795

RGB 229 103 149

HSL 338.1, 0.71%, 0.65%

LAB 60.36, 53.46, -0.89

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 0 / 14 / 83 / 16

HEX #D6B824

RGB 214 184 36

HSL 49.89, 0.71%, 0.49%

LAB 75.27, -3.15, 71.25

 

CMYK 83 / 20 / 0 / 16

HEX #24ACD6

RGB 36 172 214

HSL 194.16, 0.71%, 0.49%

LAB 65.54, -20.3, -31.09

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 53 / 0 / 83 / 16

HEX #65D624

RGB 101 214 36

HSL 98.09, 0.71%, 0.49%

LAB 76.67, -60.03, 69.71

 

CMYK 83 / 53 / 0 / 16

HEX #2465D6

RGB 36 101 214

HSL 218.09, 0.71%, 0.49%

LAB 44.99, 21.64, -63.67

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 0 / 14 / 83 / 16

HEX #D6B824

RGB 214 184 36

HSL 49.89, 0.71%, 0.49%

LAB 75.27, -3.15, 71.25

 

CMYK 83 / 0 / 30 / 16

HEX #24D695

RGB 36 214 149

HSL 158.09, 0.71%, 0.49%

LAB 76.46, -57.35, 20.33

 

CMYK 83 / 69 / 0 / 16

HEX #2442D6

RGB 36 66 214

HSL 229.89, 0.71%, 0.49%

LAB 36.23, 43.96, -78.01

 

CMYK 0 / 83 / 53 / 16

HEX #D62465

RGB 214 36 101

HSL 338.09, 0.71%, 0.49%

LAB 47.62, 68.88, 9.04

 

CMYK 11 / 0 / 83 / 16

HEX #BED624

RGB 190 214 36

HSL 68.09, 0.71%, 0.49%

LAB 81.38, -28.33, 75.65

 

CMYK 83 / 0 / 30 / 16

HEX #24D695

RGB 36 214 149

HSL 158.09, 0.71%, 0.49%

LAB 76.46, -57.35, 20.33

 

CMYK 72 / 83 / 0 / 16

HEX #3C24D6

RGB 60 36 214

HSL 248.09, 0.71%, 0.49%

LAB 31.98, 61.15, -84.99

 

Description

Color code: HEX #D62465 | qconv.com Color code: HEX #D62465 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 36 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 36 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 53% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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