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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23C6B6 it is the complementary color #DC3949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23C6B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #23C6B6: #28C6B1, #39D8C4, #4AEAD7, #5BFCEA and #6CFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23C6B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #23C6B6: #23C6B6, #12B4A3, #01A290, #00907D and #007E6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 8 / 22

HEX #23C6B6

RGB 35 198 182

HSL 174.11, 0.7%, 0.46%

LAB 72.31, -42.77, -3.29

 

Complementary color

CMYK 0 / 74 / 67 / 14

HEX #DC3949

RGB 220 57 73

HSL 354.11, 0.7%, 0.54%

LAB 50.24, 62.96, 29.75

 

CMYK 80 / 0 / 11 / 22

HEX #28C6B1

RGB 40 198 177

HSL 172.03, 0.66%, 0.47%

LAB 72.24, -43.71, -0.67

 

CMYK 74 / 0 / 9 / 15

HEX #39D8C4

RGB 57 216 196

HSL 172.45, 0.67%, 0.54%

LAB 78.44, -44.62, -1.8

 

CMYK 68 / 0 / 8 / 8

HEX #4AEAD7

RGB 74 234 215

HSL 172.88, 0.79%, 0.6%

LAB 84.59, -45.29, -2.83

 

CMYK 64 / 0 / 7 / 1

HEX #5BFCEA

RGB 91 252 234

HSL 173.29, 0.96%, 0.67%

LAB 90.68, -45.78, -3.77

 

CMYK 58 / 0 / 1 / 0

HEX #6CFFFD

RGB 108 255 253

HSL 179.18, 1%, 0.71%

LAB 92.49, -39.47, -10.91

 

CMYK 82 / 0 / 8 / 22

HEX #23C6B6

RGB 35 198 182

HSL 174.11, 0.7%, 0.46%

LAB 72.31, -42.77, -3.29

 

CMYK 90 / 0 / 9 / 29

HEX #12B4A3

RGB 18 180 163

HSL 173.7, 0.82%, 0.39%

LAB 66.07, -41.36, -2.05

 

CMYK 99 / 0 / 11 / 36

HEX #01A290

RGB 1 162 144

HSL 173.29, 0.99%, 0.32%

LAB 59.76, -39.61, -0.69

 

CMYK 100 / 0 / 13 / 44

HEX #00907D

RGB 0 144 125

HSL 172.08, 1%, 0.28%

LAB 53.41, -37.2, 0.88

 

CMYK 100 / 0 / 16 / 51

HEX #007E6A

RGB 0 126 106

HSL 170.48, 1%, 0.25%

LAB 46.93, -34.7, 2.54

 

CMYK 82 / 0 / 8 / 22

HEX #23C6B6

RGB 35 198 182

HSL 174.11, 0.7%, 0.46%

LAB 72.31, -42.77, -3.29

 

CMYK 82 / 6 / 0 / 22

HEX #23BCC7

RGB 35 188 199

HSL 184.02, 0.7%, 0.46%

LAB 69.79, -33.22, -16.34

 

CMYK 82 / 19 / 0 / 22

HEX #23A1C7

RGB 35 161 199

HSL 193.9, 0.7%, 0.46%

LAB 61.63, -19.69, -28.81

 

CMYK 82 / 33 / 0 / 22

HEX #2385C7

RGB 35 133 199

HSL 204.15, 0.7%, 0.46%

LAB 53.23, -4.06, -41.94

 

CMYK 82 / 47 / 0 / 22

HEX #236AC7

RGB 35 106 199

HSL 214.02, 0.7%, 0.46%

LAB 45.34, 12.56, -54.51

 

CMYK 82 / 0 / 8 / 22

HEX #23C6B6

RGB 35 198 182

HSL 174.11, 0.7%, 0.46%

LAB 72.31, -42.77, -3.29

 

CMYK 82 / 0 / 8 / 2

HEX #2CF9E5

RGB 44 249 229

HSL 174.15, 0.94%, 0.57%

LAB 88.9, -51.06, -3.89

 

CMYK 82 / 0 / 9 / 82

HEX #082D29

RGB 8 45 41

HSL 173.51, 0.7%, 0.1%

LAB 15.94, -14.01, -1.19

 

CMYK 82 / 0 / 8 / 62

HEX #116058

RGB 17 96 88

HSL 173.92, 0.7%, 0.22%

LAB 36.35, -24.62, -1.99

 

CMYK 82 / 0 / 8 / 42

HEX #1A9387

RGB 26 147 135

HSL 174.05, 0.7%, 0.34%

LAB 54.9, -34.03, -2.66

 

CMYK 82 / 0 / 8 / 22

HEX #23C6B6

RGB 35 198 182

HSL 174.11, 0.7%, 0.46%

LAB 72.31, -42.77, -3.29

 

CMYK 74 / 82 / 0 / 22

HEX #3323C7

RGB 51 35 199

HSL 245.85, 0.7%, 0.46%

LAB 29.49, 56.67, -80.42

 

CMYK 0 / 41 / 82 / 22

HEX #C77523

RGB 199 117 35

HSL 30, 0.7%, 0.46%

LAB 57.06, 26.33, 55.22

 

CMYK 82 / 0 / 8 / 22

HEX #23C6B6

RGB 35 198 182

HSL 174.11, 0.7%, 0.46%

LAB 72.31, -42.77, -3.29

 

CMYK 9 / 82 / 0 / 22

HEX #B623C7

RGB 182 35 199

HSL 293.78, 0.7%, 0.46%

LAB 46, 73.94, -52.75

 

CMYK 0 / 9 / 82 / 22

HEX #C7B623

RGB 199 182 35

HSL 53.78, 0.7%, 0.46%

LAB 73.36, -8.67, 69.36

 

CMYK 82 / 0 / 8 / 22

HEX #23C6B6

RGB 35 198 182

HSL 174.11, 0.7%, 0.46%

LAB 72.31, -42.77, -3.29

 

CMYK 74 / 82 / 0 / 22

HEX #3323C7

RGB 51 35 199

HSL 245.85, 0.7%, 0.46%

LAB 29.49, 56.67, -80.42

 

CMYK 0 / 82 / 74 / 22

HEX #C72333

RGB 199 35 51

HSL 354.15, 0.7%, 0.46%

LAB 43.63, 62.27, 33.92

 

CMYK 9 / 0 / 82 / 22

HEX #B6C723

RGB 182 199 35

HSL 66.22, 0.7%, 0.46%

LAB 76.63, -24.5, 71.6

 

CMYK 82 / 0 / 8 / 22

HEX #23C6B6

RGB 35 198 182

HSL 174.11, 0.7%, 0.46%

LAB 72.31, -42.77, -3.29

 

CMYK 50 / 82 / 0 / 22

HEX #6423C7

RGB 100 35 199

HSL 263.78, 0.7%, 0.46%

LAB 34.06, 61.27, -72.72

 

CMYK 0 / 82 / 74 / 22

HEX #C72333

RGB 199 35 51

HSL 354.15, 0.7%, 0.46%

LAB 43.63, 62.27, 33.92

 

CMYK 33 / 0 / 82 / 22

HEX #85C723

RGB 133 199 35

HSL 84.15, 0.7%, 0.46%

LAB 73.52, -43.91, 67.68

 

Description

Color code: HEX #23C6B6 | qconv.com Color code: HEX #23C6B6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 198 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 198 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 8 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 8% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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convert from Pantone®-number (Pantone 0000) to #RRGGBB

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to CMYK

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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