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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23C2AF it is the complementary color #DC3D50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23C2AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #23C2AF: #28C2AA, #39D4BD, #4AE6D0, #5BF8E3 and #6CFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23C2AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #23C2AF: #23C2AF, #12B09C, #019E89, #008C76 and #007A63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 10 / 24

HEX #23C2AF

RGB 35 194 175

HSL 172.83, 0.69%, 0.45%

LAB 70.9, -42.96, -1.55

 

Complementary color

CMYK 0 / 72 / 64 / 14

HEX #DC3D50

RGB 220 61 80

HSL 352.83, 0.69%, 0.55%

LAB 50.84, 62, 26.34

 

CMYK 79 / 0 / 12 / 24

HEX #28C2AA

RGB 40 194 170

HSL 170.65, 0.66%, 0.46%

LAB 70.83, -43.87, 1.08

 

CMYK 73 / 0 / 11 / 17

HEX #39D4BD

RGB 57 212 189

HSL 171.1, 0.64%, 0.53%

LAB 77.06, -44.74, -0.07

 

CMYK 68 / 0 / 10 / 10

HEX #4AE6D0

RGB 74 230 208

HSL 171.54, 0.76%, 0.6%

LAB 83.23, -45.37, -1.12

 

CMYK 63 / 0 / 8 / 3

HEX #5BF8E3

RGB 91 248 227

HSL 171.97, 0.92%, 0.66%

LAB 89.35, -45.81, -2.09

 

CMYK 58 / 0 / 4 / 0

HEX #6CFFF6

RGB 108 255 246

HSL 176.33, 1%, 0.71%

LAB 92.29, -41.27, -7.57

 

CMYK 82 / 0 / 10 / 24

HEX #23C2AF

RGB 35 194 175

HSL 172.83, 0.69%, 0.45%

LAB 70.9, -42.96, -1.55

 

CMYK 90 / 0 / 11 / 31

HEX #12B09C

RGB 18 176 156

HSL 172.41, 0.81%, 0.38%

LAB 64.63, -41.58, -0.28

 

CMYK 99 / 0 / 13 / 38

HEX #019E89

RGB 1 158 137

HSL 171.97, 0.99%, 0.31%

LAB 58.29, -39.86, 1.12

 

CMYK 100 / 0 / 16 / 45

HEX #008C76

RGB 0 140 118

HSL 170.57, 1%, 0.27%

LAB 51.91, -37.44, 2.74

 

CMYK 100 / 0 / 19 / 52

HEX #007A63

RGB 0 122 99

HSL 168.69, 1%, 0.24%

LAB 45.39, -34.93, 4.46

 

CMYK 82 / 0 / 10 / 24

HEX #23C2AF

RGB 35 194 175

HSL 172.83, 0.69%, 0.45%

LAB 70.9, -42.96, -1.55

 

CMYK 82 / 3 / 0 / 24

HEX #23BCC1

RGB 35 188 193

HSL 181.9, 0.69%, 0.45%

LAB 69.59, -35.05, -13.34

 

CMYK 82 / 16 / 0 / 24

HEX #23A2C1

RGB 35 162 193

HSL 191.77, 0.69%, 0.45%

LAB 61.7, -22.24, -25.35

 

CMYK 82 / 30 / 0 / 24

HEX #2387C1

RGB 35 135 193

HSL 202.03, 0.69%, 0.45%

LAB 53.53, -7.44, -38.05

 

CMYK 82 / 44 / 0 / 24

HEX #236DC1

RGB 35 109 193

HSL 211.9, 0.69%, 0.45%

LAB 45.83, 8.33, -50.27

 

CMYK 82 / 0 / 10 / 24

HEX #23C2AF

RGB 35 194 175

HSL 172.83, 0.69%, 0.45%

LAB 70.9, -42.96, -1.55

 

CMYK 82 / 0 / 10 / 4

HEX #2CF5DD

RGB 44 245 221

HSL 172.84, 0.91%, 0.57%

LAB 87.51, -51.52, -1.74

 

CMYK 83 / 0 / 10 / 84

HEX #072925

RGB 7 41 37

HSL 172.94, 0.71%, 0.09%

LAB 14.2, -13.28, -0.94

 

CMYK 82 / 0 / 10 / 64

HEX #115C53

RGB 17 92 83

HSL 172.8, 0.69%, 0.21%

LAB 34.8, -24.17, -1.15

 

CMYK 82 / 0 / 10 / 44

HEX #1A8F81

RGB 26 143 129

HSL 172.82, 0.69%, 0.33%

LAB 53.44, -33.92, -1.36

 

CMYK 82 / 0 / 10 / 24

HEX #23C2AF

RGB 35 194 175

HSL 172.83, 0.69%, 0.45%

LAB 70.9, -42.96, -1.55

 

CMYK 76 / 82 / 0 / 24

HEX #2E23C1

RGB 46 35 193

HSL 244.18, 0.69%, 0.45%

LAB 28.47, 54.57, -78.59

 

CMYK 0 / 44 / 82 / 24

HEX #C16D23

RGB 193 109 35

HSL 28.1, 0.69%, 0.45%

LAB 54.44, 28.12, 52.57

 

CMYK 82 / 0 / 10 / 24

HEX #23C2AF

RGB 35 194 175

HSL 172.83, 0.69%, 0.45%

LAB 70.9, -42.96, -1.55

 

CMYK 11 / 82 / 0 / 24

HEX #AC23C1

RGB 172 35 193

HSL 292.03, 0.69%, 0.45%

LAB 43.98, 71.13, -52.6

 

CMYK 0 / 11 / 82 / 24

HEX #C1AC23

RGB 193 172 35

HSL 52.03, 0.69%, 0.45%

LAB 70.15, -6.1, 66.39

 

CMYK 82 / 0 / 10 / 24

HEX #23C2AF

RGB 35 194 175

HSL 172.83, 0.69%, 0.45%

LAB 70.9, -42.96, -1.55

 

CMYK 76 / 82 / 0 / 24

HEX #2E23C1

RGB 46 35 193

HSL 244.18, 0.69%, 0.45%

LAB 28.47, 54.57, -78.59

 

CMYK 0 / 82 / 71 / 24

HEX #C12338

RGB 193 35 56

HSL 352.03, 0.69%, 0.45%

LAB 42.5, 60.81, 29.29

 

CMYK 5 / 0 / 82 / 24

HEX #B7C123

RGB 183 193 35

HSL 63.8, 0.69%, 0.45%

LAB 75.03, -21.14, 70.26

 

CMYK 82 / 0 / 10 / 24

HEX #23C2AF

RGB 35 194 175

HSL 172.83, 0.69%, 0.45%

LAB 70.9, -42.96, -1.55

 

CMYK 52 / 82 / 0 / 24

HEX #5D23C1

RGB 93 35 193

HSL 262.03, 0.69%, 0.45%

LAB 32.66, 58.91, -71.53

 

CMYK 0 / 82 / 71 / 24

HEX #C12338

RGB 193 35 56

HSL 352.03, 0.69%, 0.45%

LAB 42.5, 60.81, 29.29

 

CMYK 30 / 0 / 82 / 24

HEX #87C123

RGB 135 193 35

HSL 82.03, 0.69%, 0.45%

LAB 71.83, -40.58, 66.22

 

Description

Color code: HEX #23C2AF | qconv.com Color code: HEX #23C2AF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 194 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 194 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 10 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 10% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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