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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #237EFACE it is the complementary color #DC8105CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #237EFACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #237EFACE shade: #287EF5CE, #3990FFCE, #4AA2FFCE, #5BB4FFCE and #6CC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #237EFACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #237EFACE shade: #237EFACE, #126CE7CE, #015AD4CE, #0048C1CE and #0036AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #237EFACE shade: #237EFB, #2344FB, #3C23FB, #7623FB and #B023FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #237EFACE shade: #237EFB, #2344FB and #2323FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #237EFACE shade matches the following richer shades: #237EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #237EFACE shade: #237EFB, #3581E8, #4784D6, #5A87C4 and #6C89B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #237EFACE shade: #23F3FB, #23BAFB, #2380FB, #2347FB and #3923FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #237EFACE shade: #0457C7, #0568EF, #237EFB, #4C96FB and #74AEFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #237EFACE shade: #237EFA, #C823FB and #D7FB23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #237EFACE shade: #237EFA, #FB2380 and #80FB23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #237EFACE shade: #237EFA, #C823FB, #FB9D23 and #55FB23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #237EFACE shade: #237EFA, #FB23EC, #FB9D23 and #23FB31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 40 / 0 / 2

HEX #237EFACE

RGBA 35 126 250 0.81

HSLA 214.6, 0.96%, 0.56%, 0.81

LABA 54.22, 19.43, -68.95, 0.81

 

Complementary color

CMYK 0 / 34 / 79 / 11

HEX #DC8105CE

RGBA 220 129 5 0.81

HSLA 34.6, 0.96%, 0.44%, 0.81

LABA 62.45, 28.24, 67.99, 0.81

 

CMYK 68 / 39 / 0 / 3

HEX #287EF5CE

RGBA 40 126 245 0.81

HSLA 214.83, 0.91%, 0.56%, 0.81

LABA 53.99, 17.89, -66.55, 0.81

 

CMYK 63 / 35 / 0 / 0

HEX #3990FFCE

RGBA 57 144 255 0.81

HSLA 213.64, 1%, 0.61%, 0.81

LABA 59.92, 12.09, -62.5, 0.81

 

CMYK 57 / 30 / 0 / 0

HEX #4AA2FFCE

RGBA 74 162 255 0.81

HSLA 210.83, 1%, 0.65%, 0.81

LABA 65.37, 3.48, -53.78, 0.81

 

CMYK 52 / 24 / 0 / 0

HEX #5BB4FFCE

RGBA 91 180 255 0.81

HSLA 207.44, 1%, 0.68%, 0.81

LABA 70.93, -4.16, -44.97, 0.81

 

CMYK 47 / 18 / 0 / 0

HEX #6CC6FFCE

RGBA 108 198 255 0.81

HSLA 203.27, 1%, 0.71%, 0.81

LABA 76.56, -10.91, -36.16, 0.81

 

CMYK 70 / 40 / 0 / 2

HEX #237EFACE

RGBA 35 126 250 0.81

HSLA 214.6, 0.96%, 0.56%, 0.81

LABA 54.22, 19.43, -68.95, 0.81

 

CMYK 75 / 43 / 0 / 8

HEX #126CE7CE

RGBA 18 108 231 0.81

HSLA 214.65, 0.86%, 0.49%, 0.81

LABA 47.78, 22.65, -68.8, 0.81

 

CMYK 81 / 47 / 0 / 14

HEX #015AD4CE

RGBA 1 90 212 0.81

HSLA 214.69, 0.99%, 0.42%, 0.81

LABA 41.33, 26.36, -68.51, 0.81

 

CMYK 81 / 51 / 0 / 20

HEX #0048C1CE

RGBA 0 72 193 0.81

HSLA 217.62, 1%, 0.38%, 0.81

LABA 34.97, 30.72, -67.9, 0.81

 

CMYK 81 / 56 / 0 / 26

HEX #0036AECE

RGBA 0 54 174 0.81

HSLA 221.38, 1%, 0.34%, 0.81

LABA 28.63, 35.19, -67.09, 0.81

 

CMYK 86 / 50 / 0 / 2

HEX #237EFB

RGB 35 126 251

HSL 214.72, 0.96%, 0.56%

LAB 54.29, 19.81, -69.4

 

CMYK 86 / 73 / 0 / 2

HEX #2344FB

RGB 35 68 251

HSL 230.83, 0.96%, 0.56%

LAB 40.34, 55.41, -92.22

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 53 / 86 / 0 / 2

HEX #7623FB

RGB 118 35 251

HSL 263.06, 0.96%, 0.56%

LAB 41.25, 75.67, -90.54

 

CMYK 30 / 86 / 0 / 2

HEX #B023FB

RGB 176 35 251

HSL 279.17, 0.96%, 0.56%

LAB 48.76, 82.37, -77.93

 

CMYK 86 / 50 / 0 / 2

HEX #237EFB

RGB 35 126 251

HSL 214.72, 0.96%, 0.56%

LAB 54.29, 19.81, -69.4

 

CMYK 86 / 73 / 0 / 2

HEX #2344FB

RGB 35 68 251

HSL 230.83, 0.96%, 0.56%

LAB 40.34, 55.41, -92.22

 

CMYK 86 / 86 / 0 / 2

HEX #2323FB

RGB 35 35 251

HSL 240, 0.96%, 0.56%

LAB 35.05, 70.79, -101.01

 

CMYK 86 / 50 / 0 / 2

HEX #237EFB

RGB 35 126 251

HSL 214.72, 0.96%, 0.56%

LAB 54.29, 19.81, -69.4

 

CMYK 86 / 50 / 0 / 2

HEX #237EFB

RGB 35 126 251

HSL 214.72, 0.96%, 0.56%

LAB 54.29, 19.81, -69.4

 

CMYK 77 / 44 / 0 / 9

HEX #3581E8

RGB 53 129 232

HSL 214.53, 0.8%, 0.56%

LAB 54.33, 12.39, -58.76

 

CMYK 67 / 38 / 0 / 16

HEX #4784D6

RGB 71 132 214

HSL 214.41, 0.64%, 0.56%

LAB 54.76, 6.53, -47.93

 

CMYK 54 / 31 / 0 / 23

HEX #5A87C4

RGB 90 135 196

HSL 214.53, 0.47%, 0.56%

LAB 55.57, 2.38, -36.42

 

CMYK 39 / 23 / 0 / 30

HEX #6C89B2

RGB 108 137 178

HSL 215.14, 0.31%, 0.56%

LAB 56.38, 0.34, -24.83

 

CMYK 86 / 3 / 0 / 2

HEX #23F3FB

RGB 35 243 251

HSL 182.22, 0.96%, 0.56%

LAB 87.69, -42.89, -17.18

 

CMYK 86 / 26 / 0 / 2

HEX #23BAFB

RGB 35 186 251

HSL 198.06, 0.96%, 0.56%

LAB 71.17, -15.11, -42.53

 

CMYK 86 / 49 / 0 / 2

HEX #2380FB

RGB 35 128 251

HSL 214.17, 0.96%, 0.56%

LAB 54.82, 18.56, -68.53

 

CMYK 86 / 72 / 0 / 2

HEX #2347FB

RGB 35 71 251

HSL 230, 0.96%, 0.56%

LAB 40.94, 53.72, -91.23

 

CMYK 77 / 86 / 0 / 2

HEX #3923FB

RGB 57 35 251

HSL 246.11, 0.96%, 0.56%

LAB 36.06, 71.53, -99.31

 

CMYK 98 / 56 / 0 / 22

HEX #0457C7

RGB 4 87 199

HSL 214.46, 0.96%, 0.4%

LAB 39.52, 23.26, -63.96

 

CMYK 98 / 56 / 0 / 6

HEX #0568EF

RGB 5 104 239

HSL 214.62, 0.96%, 0.48%

LAB 47.19, 27.93, -74.26

 

CMYK 86 / 50 / 0 / 2

HEX #237EFB

RGB 35 126 251

HSL 214.72, 0.96%, 0.56%

LAB 54.29, 19.81, -69.4

 

CMYK 70 / 40 / 0 / 2

HEX #4C96FB

RGB 76 150 251

HSL 214.63, 0.96%, 0.64%

LAB 61.92, 9.4, -57.07

 

CMYK 54 / 31 / 0 / 1

HEX #74AEFC

RGB 116 174 252

HSL 214.41, 0.96%, 0.72%

LAB 70.19, 2.92, -44.45

 

CMYK 86 / 50 / 0 / 2

HEX #237EFA

RGB 35 126 250

HSL 214.6, 0.96%, 0.56%

LAB 54.22, 19.43, -68.95

 

CMYK 20 / 86 / 0 / 2

HEX #C823FB

RGB 200 35 251

HSL 285.83, 0.96%, 0.56%

LAB 52.34, 85.77, -71.94

 

CMYK 14 / 0 / 86 / 2

HEX #D7FB23

RGB 215 251 35

HSL 70, 0.96%, 0.56%

LAB 93.26, -35.4, 86.46

 

CMYK 86 / 50 / 0 / 2

HEX #237EFA

RGB 35 126 250

HSL 214.6, 0.96%, 0.56%

LAB 54.22, 19.43, -68.95

 

CMYK 0 / 86 / 49 / 2

HEX #FB2380

RGB 251 35 128

HSL 334.17, 0.96%, 0.56%

LAB 55.35, 80.07, 4.63

 

CMYK 49 / 0 / 86 / 2

HEX #80FB23

RGB 128 251 35

HSL 94.17, 0.96%, 0.56%

LAB 88.78, -65.73, 80.9

 

CMYK 86 / 50 / 0 / 2

HEX #237EFA

RGB 35 126 250

HSL 214.6, 0.96%, 0.56%

LAB 54.22, 19.43, -68.95

 

CMYK 20 / 86 / 0 / 2

HEX #C823FB

RGB 200 35 251

HSL 285.83, 0.96%, 0.56%

LAB 52.34, 85.77, -71.94

 

CMYK 0 / 37 / 86 / 2

HEX #FB9D23

RGB 251 157 35

HSL 33.89, 0.96%, 0.56%

LAB 72.72, 26.89, 71.07

 

CMYK 66 / 0 / 86 / 2

HEX #55FB23

RGB 85 251 35

HSL 106.11, 0.96%, 0.56%

LAB 87.51, -76.05, 79.3

 

CMYK 86 / 50 / 0 / 2

HEX #237EFA

RGB 35 126 250

HSL 214.6, 0.96%, 0.56%

LAB 54.22, 19.43, -68.95

 

CMYK 0 / 86 / 6 / 2

HEX #FB23EC

RGB 251 35 236

HSL 304.17, 0.96%, 0.56%

LAB 59.68, 91.78, -51.33

 

CMYK 0 / 37 / 86 / 2

HEX #FB9D23

RGB 251 157 35

HSL 33.89, 0.96%, 0.56%

LAB 72.72, 26.89, 71.07

 

CMYK 86 / 0 / 80 / 2

HEX #23FB31

RGB 35 251 49

HSL 123.89, 0.96%, 0.56%

LAB 86.79, -82.14, 75.2

 

Description

Color code: HEX #237EFACE | qconv.com Color code: HEX #237EFACE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 126 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 126 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 40 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 40% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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