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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #234C2D it is the complementary color #DCB3D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #234C2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #234C2D: #284C28, #395E3B, #4A704E, #5B8261 and #6C9474

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #234C2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #234C2D: #234C2D, #123A1A, #012807, #001600 and #000400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 41 / 70

HEX #234C2D

RGB 35 76 45

HSL 134.63, 0.37%, 0.22%

LAB 28.68, -22.37, 14.13

 

Complementary color

CMYK 0 / 19 / 5 / 14

HEX #DCB3D2

RGB 220 179 210

HSL 314.63, 0.37%, 0.78%

LAB 77.35, 19.95, -10.02

 

CMYK 47 / 0 / 47 / 70

HEX #284C28

RGB 40 76 40

HSL 120, 0.31%, 0.23%

LAB 28.83, -21.64, 17.44

 

CMYK 39 / 0 / 37 / 63

HEX #395E3B

RGB 57 94 59

HSL 123.24, 0.25%, 0.3%

LAB 36.35, -21.39, 16.01

 

CMYK 34 / 0 / 30 / 56

HEX #4A704E

RGB 74 112 78

HSL 126.32, 0.2%, 0.36%

LAB 43.65, -21.1, 14.74

 

CMYK 30 / 0 / 25 / 49

HEX #5B8261

RGB 91 130 97

HSL 129.23, 0.18%, 0.43%

LAB 50.75, -20.82, 13.6

 

CMYK 27 / 0 / 22 / 42

HEX #6C9474

RGB 108 148 116

HSL 132, 0.16%, 0.5%

LAB 57.68, -20.57, 12.56

 

CMYK 54 / 0 / 41 / 70

HEX #234C2D

RGB 35 76 45

HSL 134.63, 0.37%, 0.22%

LAB 28.68, -22.37, 14.13

 

CMYK 69 / 0 / 55 / 77

HEX #123A1A

RGB 18 58 26

HSL 132, 0.53%, 0.15%

LAB 20.94, -22.37, 15.77

 

CMYK 98 / 0 / 83 / 84

HEX #012807

RGB 1 40 7

HSL 129.23, 0.95%, 0.08%

LAB 12.86, -22.25, 15.65

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 100 / 0 / 100 / 98

HEX #000400

RGB 0 4 0

HSL 120, 1%, 0.01%

LAB 0.78, -1.6, 1.15

 

CMYK 54 / 0 / 41 / 70

HEX #234C2D

RGB 35 76 45

HSL 134.63, 0.37%, 0.22%

LAB 28.68, -22.37, 14.13

 

CMYK 54 / 0 / 33 / 70

HEX #234C33

RGB 35 76 51

HSL 143.41, 0.37%, 0.22%

LAB 28.81, -21.07, 10.55

 

CMYK 54 / 0 / 24 / 70

HEX #234C3A

RGB 35 76 58

HSL 153.66, 0.37%, 0.22%

LAB 28.98, -19.38, 6.34

 

CMYK 54 / 0 / 14 / 70

HEX #234C41

RGB 35 76 65

HSL 163.9, 0.37%, 0.22%

LAB 29.18, -17.52, 2.13

 

CMYK 54 / 0 / 5 / 70

HEX #234C48

RGB 35 76 72

HSL 174.15, 0.37%, 0.22%

LAB 29.4, -15.51, -2.05

 

CMYK 54 / 0 / 41 / 70

HEX #234C2D

RGB 35 76 45

HSL 134.63, 0.37%, 0.22%

LAB 28.68, -22.37, 14.13

 

CMYK 54 / 0 / 41 / 50

HEX #3A7F4B

RGB 58 127 75

HSL 134.78, 0.37%, 0.36%

LAB 47.73, -34.01, 21.81

 

CMYK 54 / 0 / 41 / 30

HEX #52B269

RGB 82 178 105

HSL 134.38, 0.38%, 0.51%

LAB 65.48, -44.44, 28.92

 

CMYK 54 / 0 / 41 / 10

HEX #69E588

RGB 105 229 136

HSL 135, 0.7%, 0.65%

LAB 82.28, -54.35, 35.09

 

CMYK 52 / 0 / 40 / 90

HEX #0C190F

RGB 12 25 15

HSL 133.85, 0.35%, 0.07%

LAB 7.3, -7.47, 4.33

 

CMYK 54 / 0 / 41 / 70

HEX #234C2D

RGB 35 76 45

HSL 134.63, 0.37%, 0.22%

LAB 28.68, -22.37, 14.13

 

CMYK 54 / 24 / 0 / 70

HEX #233A4C

RGB 35 58 76

HSL 206.34, 0.37%, 0.22%

LAB 23.36, -3.12, -13.79

 

CMYK 0 / 54 / 45 / 70

HEX #4C232A

RGB 76 35 42

HSL 349.76, 0.37%, 0.22%

LAB 19.66, 20.19, 4.34

 

CMYK 54 / 0 / 41 / 70

HEX #234C2D

RGB 35 76 45

HSL 134.63, 0.37%, 0.22%

LAB 28.68, -22.37, 14.13

 

CMYK 41 / 54 / 0 / 70

HEX #2D234C

RGB 45 35 76

HSL 254.63, 0.37%, 0.22%

LAB 16.9, 15.98, -23.85

 

CMYK 0 / 41 / 54 / 70

HEX #4C2D23

RGB 76 45 35

HSL 14.63, 0.37%, 0.22%

LAB 22.07, 12.99, 12.43

 

CMYK 54 / 0 / 41 / 70

HEX #234C2D

RGB 35 76 45

HSL 134.63, 0.37%, 0.22%

LAB 28.68, -22.37, 14.13

 

CMYK 54 / 24 / 0 / 70

HEX #233A4C

RGB 35 58 76

HSL 206.34, 0.37%, 0.22%

LAB 23.36, -3.12, -13.79

 

CMYK 0 / 54 / 12 / 70

HEX #4C2343

RGB 76 35 67

HSL 313.17, 0.37%, 0.22%

LAB 20.61, 24.34, -11.58

 

CMYK 0 / 30 / 54 / 70

HEX #4C3523

RGB 76 53 35

HSL 26.34, 0.37%, 0.22%

LAB 24.33, 7.78, 15.39

 

CMYK 54 / 0 / 41 / 70

HEX #234C2D

RGB 35 76 45

HSL 134.63, 0.37%, 0.22%

LAB 28.68, -22.37, 14.13

 

CMYK 54 / 39 / 0 / 70

HEX #232E4C

RGB 35 46 76

HSL 223.9, 0.37%, 0.22%

LAB 19.36, 5.14, -20.01

 

CMYK 0 / 54 / 12 / 70

HEX #4C2343

RGB 76 35 67

HSL 313.17, 0.37%, 0.22%

LAB 20.61, 24.34, -11.58

 

CMYK 0 / 14 / 54 / 70

HEX #4C4123

RGB 76 65 35

HSL 43.9, 0.37%, 0.22%

LAB 27.95, 0.06, 19.96

 

Description

Color code: HEX #234C2D | qconv.com Color code: HEX #234C2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 76 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 76 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 41 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 41% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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