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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #230C7C it is the complementary color #DCF383. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #230C7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #230C7C: #280C77, #391E8A, #4A309D, #5B42B0 and #6C54C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #230C7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #230C7C: #230C7C, #120069, #010056, #000043 and #000030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 90 / 0 / 51

HEX #230C7C

RGB 35 12 124

HSL 252.32, 0.82%, 0.27%

LAB 15.88, 42.97, -57.26

 

Complementary color

CMYK 9 / 0 / 46 / 5

HEX #DCF383

RGB 220 243 131

HSL 72.32, 0.82%, 0.73%

LAB 92.11, -23.99, 51.2

 

CMYK 66 / 90 / 0 / 53

HEX #280C77

RGB 40 12 119

HSL 255.7, 0.82%, 0.26%

LAB 15.73, 41.91, -54.29

 

CMYK 59 / 78 / 0 / 46

HEX #391E8A

RGB 57 30 138

HSL 255, 0.64%, 0.33%

LAB 22.42, 41.34, -55.22

 

CMYK 53 / 69 / 0 / 38

HEX #4A309D

RGB 74 48 157

HSL 254.31, 0.53%, 0.4%

LAB 29.42, 39.99, -55.39

 

CMYK 48 / 63 / 0 / 31

HEX #5B42B0

RGB 91 66 176

HSL 253.64, 0.45%, 0.47%

LAB 36.47, 38.51, -55.26

 

CMYK 45 / 57 / 0 / 24

HEX #6C54C3

RGB 108 84 195

HSL 252.97, 0.48%, 0.55%

LAB 43.46, 37.1, -55.02

 

CMYK 72 / 90 / 0 / 51

HEX #230C7C

RGB 35 12 124

HSL 252.32, 0.82%, 0.27%

LAB 15.88, 42.97, -57.26

 

CMYK 83 / 100 / 0 / 59

HEX #120069

RGB 18 0 105

HSL 250.29, 1%, 0.21%

LAB 10.17, 41.6, -54.45

 

CMYK 99 / 100 / 0 / 66

HEX #010056

RGB 1 0 86

HSL 240.7, 1%, 0.17%

LAB 6.13, 35.18, -48.47

 

CMYK 100 / 100 / 0 / 74

HEX #000043

RGB 0 0 67

HSL 240, 1%, 0.13%

LAB 3.66, 25.29, -39.29

 

CMYK 100 / 100 / 0 / 81

HEX #000030

RGB 0 0 48

HSL 240, 1%, 0.09%

LAB 1.93, 13.55, -28.19

 

CMYK 72 / 90 / 0 / 51

HEX #230C7C

RGB 35 12 124

HSL 252.32, 0.82%, 0.27%

LAB 15.88, 42.97, -57.26

 

CMYK 58 / 90 / 0 / 51

HEX #350C7D

RGB 53 12 125

HSL 261.77, 0.82%, 0.27%

LAB 17.92, 44.83, -54.45

 

CMYK 42 / 90 / 0 / 51

HEX #480C7D

RGB 72 12 125

HSL 271.86, 0.82%, 0.27%

LAB 20.52, 47.1, -50.07

 

CMYK 27 / 90 / 0 / 51

HEX #5B0C7D

RGB 91 12 125

HSL 281.95, 0.82%, 0.27%

LAB 23.56, 49.92, -44.98

 

CMYK 12 / 90 / 0 / 51

HEX #6E0C7D

RGB 110 12 125

HSL 292.04, 0.82%, 0.27%

LAB 26.9, 53.18, -39.41

 

CMYK 72 / 90 / 0 / 51

HEX #230C7C

RGB 35 12 124

HSL 252.32, 0.82%, 0.27%

LAB 15.88, 42.97, -57.26

 

CMYK 72 / 90 / 0 / 31

HEX #3111AF

RGB 49 17 175

HSL 252.15, 0.82%, 0.38%

LAB 24.16, 56.52, -75.04

 

CMYK 72 / 90 / 0 / 11

HEX #4016E2

RGB 64 22 226

HSL 252.35, 0.82%, 0.49%

LAB 32.16, 69.24, -91.6

 

CMYK 73 / 91 / 0 / 91

HEX #060216

RGB 6 2 22

HSL 252, 0.83%, 0.05%

LAB 1.27, 4.44, -8.88

 

CMYK 71 / 90 / 0 / 71

HEX #150749

RGB 21 7 73

HSL 252.73, 0.83%, 0.16%

LAB 7.16, 28, -37.72

 

CMYK 72 / 90 / 0 / 51

HEX #230C7C

RGB 35 12 124

HSL 252.32, 0.82%, 0.27%

LAB 15.88, 42.97, -57.26

 

CMYK 0 / 90 / 36 / 51

HEX #7D0C50

RGB 125 12 80

HSL 323.89, 0.82%, 0.27%

LAB 27.3, 49.68, -9.33

 

CMYK 73 / 0 / 90 / 51

HEX #227D0C

RGB 34 125 12

HSL 108.32, 0.82%, 0.27%

LAB 45.68, -46.2, 47.14

 

CMYK 72 / 90 / 0 / 51

HEX #230C7C

RGB 35 12 124

HSL 252.32, 0.82%, 0.27%

LAB 15.88, 42.97, -57.26

 

CMYK 0 / 73 / 90 / 51

HEX #7D220C

RGB 125 34 12

HSL 11.68, 0.82%, 0.27%

LAB 28.2, 38.2, 35.23

 

CMYK 90 / 0 / 73 / 51

HEX #0C7D22

RGB 12 125 34

HSL 131.68, 0.82%, 0.27%

LAB 45.44, -47.8, 39.61

 

CMYK 72 / 90 / 0 / 51

HEX #230C7C

RGB 35 12 124

HSL 252.32, 0.82%, 0.27%

LAB 15.88, 42.97, -57.26

 

CMYK 0 / 90 / 36 / 51

HEX #7D0C50

RGB 125 12 80

HSL 323.89, 0.82%, 0.27%

LAB 27.3, 49.68, -9.33

 

CMYK 18 / 0 / 90 / 51

HEX #667D0C

RGB 102 125 12

HSL 72.21, 0.82%, 0.27%

LAB 48.91, -22.95, 51.17

 

CMYK 90 / 0 / 54 / 51

HEX #0C7D39

RGB 12 125 57

HSL 143.89, 0.82%, 0.27%

LAB 45.69, -44.76, 28.84

 

CMYK 72 / 90 / 0 / 51

HEX #230C7C

RGB 35 12 124

HSL 252.32, 0.82%, 0.27%

LAB 15.88, 42.97, -57.26

 

CMYK 0 / 90 / 63 / 51

HEX #7D0C2E

RGB 125 12 46

HSL 341.95, 0.82%, 0.27%

LAB 26.22, 46.62, 12.14

 

CMYK 18 / 0 / 90 / 51

HEX #667D0C

RGB 102 125 12

HSL 72.21, 0.82%, 0.27%

LAB 48.91, -22.95, 51.17

 

CMYK 90 / 0 / 27 / 51

HEX #0C7D5B

RGB 12 125 91

HSL 161.95, 0.82%, 0.27%

LAB 46.31, -37.58, 10.5

 

Description

Color code: HEX #230C7C | qconv.com Color code: HEX #230C7C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 12 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 12 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 90 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 90% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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