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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22DE22 it is the complementary color #DD21DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22DE22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #22DE22: #27DE1D, #38F030, #49FF43, #5AFF56 and #6BFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22DE22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #22DE22: #22DE22, #11CC0F, #00BA00, #00A800 and #009600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 85 / 13

HEX #22DE22

RGB 34 222 34

HSL 120, 0.74%, 0.5%

LAB 77.7, -74.9, 70.54

 

Complementary color

CMYK 0 / 85 / 0 / 13

HEX #DD21DD

RGB 221 33 221

HSL 300, 0.74%, 0.5%

LAB 53.69, 84.69, -52.71

 

CMYK 82 / 0 / 87 / 13

HEX #27DE1D

RGB 39 222 29

HSL 116.89, 0.77%, 0.49%

LAB 77.73, -74.62, 71.64

 

CMYK 77 / 0 / 80 / 6

HEX #38F030

RGB 56 240 48

HSL 117.5, 0.86%, 0.56%

LAB 83.64, -76.91, 72.63

 

CMYK 71 / 0 / 74 / 0

HEX #49FF43

RGB 73 255 67

HSL 118.09, 1%, 0.63%

LAB 88.61, -77.72, 71.86

 

CMYK 65 / 0 / 66 / 0

HEX #5AFF56

RGB 90 255 86

HSL 118.58, 1%, 0.67%

LAB 89.09, -73.2, 65.71

 

CMYK 58 / 0 / 59 / 0

HEX #6BFF69

RGB 107 255 105

HSL 119.2, 1%, 0.71%

LAB 89.7, -67.74, 58.76

 

CMYK 85 / 0 / 85 / 13

HEX #22DE22

RGB 34 222 34

HSL 120, 0.74%, 0.5%

LAB 77.7, -74.9, 70.54

 

CMYK 92 / 0 / 93 / 20

HEX #11CC0F

RGB 17 204 15

HSL 119.37, 0.86%, 0.43%

LAB 71.78, -71.81, 68.78

 

CMYK 100 / 0 / 100 / 27

HEX #00BA00

RGB 0 186 0

HSL 120, 1%, 0.36%

LAB 65.84, -67.99, 65.62

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 85 / 0 / 85 / 13

HEX #22DE22

RGB 34 222 34

HSL 120, 0.74%, 0.5%

LAB 77.7, -74.9, 70.54

 

CMYK 85 / 0 / 71 / 13

HEX #21DD40

RGB 33 221 64

HSL 129.89, 0.74%, 0.5%

LAB 77.52, -72.78, 61.47

 

CMYK 85 / 0 / 57 / 13

HEX #21DD60

RGB 33 221 96

HSL 140.11, 0.74%, 0.5%

LAB 77.8, -69.3, 48.49

 

CMYK 85 / 0 / 43 / 13

HEX #21DD7F

RGB 33 221 127

HSL 150, 0.74%, 0.5%

LAB 78.21, -64.46, 34.02

 

CMYK 85 / 0 / 29 / 13

HEX #21DD9E

RGB 33 221 158

HSL 159.89, 0.74%, 0.5%

LAB 78.76, -58.23, 18.77

 

CMYK 85 / 0 / 85 / 13

HEX #22DE22

RGB 34 222 34

HSL 120, 0.74%, 0.5%

LAB 77.7, -74.9, 70.54

 

CMYK 83 / 0 / 83 / 93

HEX #031203

RGB 3 18 3

HSL 120, 0.71%, 0.04%

LAB 4.14, -6.78, 4.85

 

CMYK 84 / 0 / 84 / 73

HEX #0B450B

RGB 11 69 11

HSL 120, 0.73%, 0.16%

LAB 24.8, -30.69, 28

 

CMYK 85 / 0 / 85 / 53

HEX #127812

RGB 18 120 18

HSL 120, 0.74%, 0.27%

LAB 43.66, -46.83, 43.65

 

CMYK 85 / 0 / 85 / 33

HEX #1AAB1A

RGB 26 171 26

HSL 120, 0.74%, 0.39%

LAB 61.15, -61.3, 57.52

 

CMYK 85 / 0 / 85 / 13

HEX #22DE22

RGB 34 222 34

HSL 120, 0.74%, 0.5%

LAB 77.7, -74.9, 70.54

 

CMYK 85 / 17 / 0 / 13

HEX #21B8DD

RGB 33 184 221

HSL 191.81, 0.74%, 0.5%

LAB 69.34, -24.36, -29.07

 

CMYK 0 / 85 / 51 / 13

HEX #DD216C

RGB 221 33 108

HSL 336.06, 0.74%, 0.5%

LAB 48.94, 71.77, 6.79

 

CMYK 85 / 0 / 85 / 13

HEX #22DE22

RGB 34 222 34

HSL 120, 0.74%, 0.5%

LAB 77.7, -74.9, 70.54

 

CMYK 85 / 85 / 0 / 13

HEX #2121DD

RGB 33 33 221

HSL 240, 0.74%, 0.5%

LAB 30.95, 63.07, -90.78

 

CMYK 0 / 85 / 85 / 13

HEX #DD2121

RGB 221 33 33

HSL 0, 0.74%, 0.5%

LAB 47.71, 68.2, 49.29

 

CMYK 85 / 0 / 85 / 13

HEX #22DE22

RGB 34 222 34

HSL 120, 0.74%, 0.5%

LAB 77.7, -74.9, 70.54

 

CMYK 85 / 17 / 0 / 13

HEX #21B8DD

RGB 33 184 221

HSL 191.81, 0.74%, 0.5%

LAB 69.34, -24.36, -29.07

 

CMYK 0 / 85 / 0 / 13

HEX #DD21DD

RGB 221 33 221

HSL 300, 0.74%, 0.5%

LAB 53.69, 84.69, -52.71

 

CMYK 0 / 68 / 85 / 13

HEX #DD4621

RGB 221 70 33

HSL 11.81, 0.74%, 0.5%

LAB 51.68, 57.13, 52.67

 

CMYK 85 / 0 / 85 / 13

HEX #22DE22

RGB 34 222 34

HSL 120, 0.74%, 0.5%

LAB 77.7, -74.9, 70.54

 

CMYK 85 / 43 / 0 / 13

HEX #217FDD

RGB 33 127 221

HSL 210, 0.74%, 0.5%

LAB 52.64, 7.67, -55.31

 

CMYK 0 / 85 / 0 / 13

HEX #DD21DD

RGB 221 33 221

HSL 300, 0.74%, 0.5%

LAB 53.69, 84.69, -52.71

 

CMYK 0 / 43 / 85 / 13

HEX #DD7F21

RGB 221 127 33

HSL 30, 0.74%, 0.5%

LAB 62.22, 30.16, 61.51

 

Description

Color code: HEX #22DE22 | qconv.com Color code: HEX #22DE22 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 222 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 222 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 85 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 85% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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