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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #226087 it is the complementary color #DD9F78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #226087. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #226087 shade: #276082, #387295, #4984A8, #5A96BB and #6BA8CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #226087. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #226087 shade: #226087, #114E74, #003C61, #002A4E and #00183B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #226087 shade: #226087, #224487, #222987, #352287 and #512287

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #226087 shade: #226087, #224487, #222987 and #222287

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #226087 shade matches the following richer shades: #226087, #146394 and #0666A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #226087 shade: #226087, #2F5D79, #3D596B, #4B565E and #585350

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #226087 shade: #228777, #227B87, #226087, #224587 and #222A87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #226087 shade: #113145, #194866, #226087, #2A77A8 and #328FC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #226087 shade: #226087, #5D2287 and #878522

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #226087 shade: #226087, #872260 and #608722

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #226087 shade: #226087, #5D2287, #874822 and #4C8722

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #226087 shade: #226087, #7B2287, #874822 and #2D8722

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

Complementary color

CMYK 0 / 28 / 46 / 13

HEX #DD9F78

RGB 221 159 120

HSL 23.17, 0.6%, 0.67%

LAB 70.54, 18.42, 29.45

 

CMYK 70 / 26 / 0 / 49

HEX #276082

RGB 39 96 130

HSL 202.42, 0.54%, 0.33%

LAB 38.57, -6.89, -24.43

 

CMYK 62 / 23 / 0 / 42

HEX #387295

RGB 56 114 149

HSL 202.58, 0.45%, 0.4%

LAB 45.7, -7.84, -24.7

 

CMYK 57 / 21 / 0 / 34

HEX #4984A8

RGB 73 132 168

HSL 202.74, 0.39%, 0.47%

LAB 52.67, -8.51, -24.96

 

CMYK 52 / 20 / 0 / 27

HEX #5A96BB

RGB 90 150 187

HSL 202.89, 0.42%, 0.54%

LAB 59.5, -9.01, -25.21

 

CMYK 48 / 18 / 0 / 19

HEX #6BA8CE

RGB 107 168 206

HSL 203.03, 0.5%, 0.61%

LAB 66.2, -9.39, -25.47

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 85 / 33 / 0 / 55

HEX #114E74

RGB 17 78 116

HSL 203.03, 0.74%, 0.26%

LAB 31.41, -4.1, -27.03

 

CMYK 100 / 38 / 0 / 62

HEX #003C61

RGB 0 60 97

HSL 202.89, 1%, 0.19%

LAB 23.98, -1.77, -26.69

 

CMYK 100 / 46 / 0 / 69

HEX #002A4E

RGB 0 42 78

HSL 207.69, 1%, 0.15%

LAB 16.53, 2.33, -25.96

 

CMYK 100 / 59 / 0 / 77

HEX #00183B

RGB 0 24 59

HSL 215.59, 1%, 0.12%

LAB 8.73, 7.05, -25.29

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 75 / 50 / 0 / 47

HEX #224487

RGB 34 68 135

HSL 219.8, 0.6%, 0.33%

LAB 29.97, 12.43, -41.13

 

CMYK 75 / 70 / 0 / 47

HEX #222987

RGB 34 41 135

HSL 235.84, 0.6%, 0.33%

LAB 22.57, 30.9, -53.17

 

CMYK 61 / 75 / 0 / 47

HEX #352287

RGB 53 34 135

HSL 251.29, 0.6%, 0.33%

LAB 22.48, 37.7, -53.26

 

CMYK 40 / 75 / 0 / 47

HEX #512287

RGB 81 34 135

HSL 267.92, 0.6%, 0.33%

LAB 25.69, 42.47, -47.88

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 75 / 50 / 0 / 47

HEX #224487

RGB 34 68 135

HSL 219.8, 0.6%, 0.33%

LAB 29.97, 12.43, -41.13

 

CMYK 75 / 70 / 0 / 47

HEX #222987

RGB 34 41 135

HSL 235.84, 0.6%, 0.33%

LAB 22.57, 30.9, -53.17

 

CMYK 75 / 75 / 0 / 47

HEX #222287

RGB 34 34 135

HSL 240, 0.6%, 0.33%

LAB 20.96, 35.33, -55.83

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 86 / 33 / 0 / 42

HEX #146394

RGB 20 99 148

HSL 202.97, 0.76%, 0.33%

LAB 39.93, -4.3, -33.2

 

CMYK 96 / 37 / 0 / 36

HEX #0666A2

RGB 6 102 162

HSL 203.08, 0.93%, 0.33%

LAB 41.45, -1.44, -39.15

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 61 / 23 / 0 / 53

HEX #2F5D79

RGB 47 93 121

HSL 202.7, 0.44%, 0.33%

LAB 37.51, -6.7, -20.55

 

CMYK 43 / 17 / 0 / 58

HEX #3D596B

RGB 61 89 107

HSL 203.48, 0.27%, 0.33%

LAB 36.36, -5.21, -13.6

 

CMYK 20 / 9 / 0 / 63

HEX #4B565E

RGB 75 86 94

HSL 205.26, 0.11%, 0.33%

LAB 35.91, -2.35, -6.09

 

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

CMYK 75 / 0 / 12 / 47

HEX #228777

RGB 34 135 119

HSL 170.5, 0.6%, 0.33%

LAB 50.69, -32.14, 0.44

 

CMYK 75 / 9 / 0 / 47

HEX #227B87

RGB 34 123 135

HSL 187.13, 0.6%, 0.33%

LAB 47.31, -21.24, -14

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 75 / 49 / 0 / 47

HEX #224587

RGB 34 69 135

HSL 219.21, 0.6%, 0.33%

LAB 30.27, 11.75, -40.65

 

CMYK 75 / 69 / 0 / 47

HEX #222A87

RGB 34 42 135

HSL 235.25, 0.6%, 0.33%

LAB 22.81, 30.25, -52.77

 

CMYK 75 / 29 / 0 / 73

HEX #113145

RGB 17 49 69

HSL 203.08, 0.6%, 0.17%

LAB 18.99, -4.07, -15.91

 

CMYK 75 / 29 / 0 / 60

HEX #194866

RGB 25 72 102

HSL 203.38, 0.61%, 0.25%

LAB 28.9, -4.76, -22.11

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 75 / 29 / 0 / 34

HEX #2A77A8

RGB 42 119 168

HSL 203.33, 0.6%, 0.41%

LAB 47.64, -6.42, -32.87

 

CMYK 75 / 29 / 0 / 21

HEX #328FC9

RGB 50 143 201

HSL 203.05, 0.6%, 0.49%

LAB 56.62, -7.54, -37.7

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 31 / 75 / 0 / 47

HEX #5D2287

RGB 93 34 135

HSL 275.05, 0.6%, 0.33%

LAB 27.35, 44.84, -45.1

 

CMYK 0 / 1 / 75 / 47

HEX #878522

RGB 135 133 34

HSL 58.81, 0.6%, 0.33%

LAB 54.07, -11.39, 50.24

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 0 / 75 / 29 / 47

HEX #872260

RGB 135 34 96

HSL 323.17, 0.6%, 0.33%

LAB 32.12, 48.03, -12.32

 

CMYK 29 / 0 / 75 / 47

HEX #608722

RGB 96 135 34

HSL 83.17, 0.6%, 0.33%

LAB 51.76, -29.42, 47

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 31 / 75 / 0 / 47

HEX #5D2287

RGB 93 34 135

HSL 275.05, 0.6%, 0.33%

LAB 27.35, 44.84, -45.1

 

CMYK 0 / 47 / 75 / 47

HEX #874822

RGB 135 72 34

HSL 22.57, 0.6%, 0.33%

LAB 37.66, 23.62, 33.77

 

CMYK 44 / 0 / 75 / 47

HEX #4C8722

RGB 76 135 34

HSL 95.05, 0.6%, 0.33%

LAB 50.66, -36.98, 45.54

 

CMYK 75 / 29 / 0 / 47

HEX #226087

RGB 34 96 135

HSL 203.17, 0.6%, 0.33%

LAB 38.65, -5.84, -27.35

 

CMYK 9 / 75 / 0 / 47

HEX #7B2287

RGB 123 34 135

HSL 292.87, 0.6%, 0.33%

LAB 32.04, 51.28, -37.31

 

CMYK 0 / 47 / 75 / 47

HEX #874822

RGB 135 72 34

HSL 22.57, 0.6%, 0.33%

LAB 37.66, 23.62, 33.77

 

CMYK 67 / 0 / 75 / 47

HEX #2D8722

RGB 45 135 34

HSL 113.47, 0.6%, 0.33%

LAB 49.5, -46, 43.99

 

Description

Color code: HEX #226087 | qconv.com Color code: HEX #226087 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 96 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 96 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 29 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 29% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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