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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #585350 it is the complementary color #A7ACAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #585350. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #585350: #5D534B, #6E655E, #7F7771, #908984 and #A19B97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #585350. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #585350: #585350, #47413D, #362F2A, #251D17 and #140B04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

Complementary color

CMYK 5 / 2 / 0 / 31

HEX #A7ACAF

RGB 167 172 175

HSL 202.5, 0.05%, 0.67%

LAB 70.05, -1.17, -2.16

 

CMYK 0 / 11 / 19 / 64

HEX #5D534B

RGB 93 83 75

HSL 26.67, 0.11%, 0.33%

LAB 36.03, 2.61, 6.18

 

CMYK 0 / 8 / 15 / 57

HEX #6E655E

RGB 110 101 94

HSL 26.25, 0.08%, 0.4%

LAB 43.4, 2.25, 5.24

 

CMYK 0 / 6 / 11 / 50

HEX #7F7771

RGB 127 119 113

HSL 25.71, 0.06%, 0.47%

LAB 50.57, 1.95, 4.39

 

CMYK 0 / 5 / 8 / 44

HEX #908984

RGB 144 137 132

HSL 25, 0.05%, 0.54%

LAB 57.55, 1.68, 3.6

 

CMYK 0 / 4 / 6 / 37

HEX #A19B97

RGB 161 155 151

HSL 24, 0.05%, 0.61%

LAB 64.37, 1.45, 2.86

 

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

CMYK 0 / 8 / 14 / 72

HEX #47413D

RGB 71 65 61

HSL 24, 0.08%, 0.26%

LAB 28, 1.74, 3.36

 

CMYK 0 / 13 / 22 / 79

HEX #362F2A

RGB 54 47 42

HSL 25, 0.13%, 0.19%

LAB 19.98, 2.14, 4.37

 

CMYK 0 / 22 / 38 / 85

HEX #251D17

RGB 37 29 23

HSL 25.71, 0.23%, 0.12%

LAB 11.51, 2.72, 5.6

 

CMYK 0 / 45 / 80 / 92

HEX #140B04

RGB 20 11 4

HSL 26.25, 0.67%, 0.05%

LAB 3.58, 2.17, 3.77

 

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

CMYK 0 / 5 / 10 / 65

HEX #58544F

RGB 88 84 79

HSL 33.33, 0.05%, 0.33%

LAB 35.95, 0.62, 3.5

 

CMYK 0 / 3 / 10 / 65

HEX #58554F

RGB 88 85 79

HSL 40, 0.05%, 0.33%

LAB 36.25, 0.01, 3.93

 

CMYK 0 / 1 / 10 / 65

HEX #58574F

RGB 88 87 79

HSL 53.33, 0.05%, 0.33%

LAB 36.85, -1.22, 4.79

 

CMYK 0 / 0 / 10 / 65

HEX #58584F

RGB 88 88 79

HSL 60, 0.05%, 0.33%

LAB 37.15, -1.82, 5.22

 

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

CMYK 0 / 6 / 9 / 45

HEX #8B837E

RGB 139 131 126

HSL 23.08, 0.05%, 0.52%

LAB 55.31, 2.08, 3.77

 

CMYK 0 / 6 / 9 / 25

HEX #BEB3AD

RGB 190 179 173

HSL 21.18, 0.12%, 0.71%

LAB 73.68, 2.86, 4.45

 

CMYK 0 / 6 / 9 / 5

HEX #F1E3DB

RGB 241 227 219

HSL 21.82, 0.44%, 0.9%

LAB 91.12, 3.43, 5.6

 

CMYK 0 / 5 / 8 / 85

HEX #252322

RGB 37 35 34

HSL 20, 0.04%, 0.14%

LAB 13.89, 0.7, 1

 

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

CMYK 6 / 0 / 10 / 65

HEX #53584F

RGB 83 88 79

HSL 93.33, 0.05%, 0.33%

LAB 36.71, -3.89, 4.54

 

CMYK 10 / 9 / 0 / 65

HEX #4F5058

RGB 79 80 88

HSL 233.33, 0.05%, 0.33%

LAB 34.2, 1.41, -4.82

 

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

CMYK 10 / 0 / 6 / 65

HEX #4F5853

RGB 79 88 83

HSL 146.67, 0.05%, 0.33%

LAB 36.49, -4.65, 1.69

 

CMYK 6 / 10 / 0 / 65

HEX #534F58

RGB 83 79 88

HSL 266.67, 0.05%, 0.33%

LAB 34.26, 3.6, -4.69

 

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

CMYK 6 / 0 / 10 / 65

HEX #53584F

RGB 83 88 79

HSL 93.33, 0.05%, 0.33%

LAB 36.71, -3.89, 4.54

 

CMYK 10 / 3 / 0 / 65

HEX #4F5558

RGB 79 85 88

HSL 200, 0.05%, 0.33%

LAB 35.72, -1.69, -2.57

 

CMYK 5 / 10 / 0 / 65

HEX #544F58

RGB 84 79 88

HSL 273.33, 0.05%, 0.33%

LAB 34.36, 4, -4.54

 

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

CMYK 8 / 0 / 10 / 65

HEX #51584F

RGB 81 88 79

HSL 106.67, 0.05%, 0.33%

LAB 36.54, -4.7, 4.27

 

CMYK 10 / 3 / 0 / 65

HEX #4F5558

RGB 79 85 88

HSL 200, 0.05%, 0.33%

LAB 35.72, -1.69, -2.57

 

CMYK 1 / 10 / 0 / 65

HEX #574F58

RGB 87 79 88

HSL 293.33, 0.05%, 0.33%

LAB 34.65, 5.19, -4.08

 

Description

Color code: HEX #585350 | qconv.com Color code: HEX #585350 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 83 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 83 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 9 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 9% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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