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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #224B98 it is the complementary color #DDB467. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #224B98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #224B98 shade: #274B93, #385DA6, #496FB9, #5A81CC and #6B93DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #224B98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #224B98 shade: #224B98, #113985, #002772, #00155F and #00034C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #224B98 shade: #224A96, #222B96, #382296, #572296 and #772296

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #224B98 shade: #224A96, #222B96 and #222296

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #224B98 shade matches the following richer shades: #224A96, #1346A4 and #0441B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #224B98 shade: #224A96, #314F87, #405378, #4F5869 and #5D5C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #224B98 shade: #228896, #226996, #224A96, #222C96 and #372296

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #224B98 shade: #132952, #1A3974, #224A96, #2A5BB7 and #386ED2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #224B98 shade: #224B98, #842296 and #799622

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #224B98 shade: #224B98, #96224A and #4A9622

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #224B98 shade: #224B98, #842296, #966D22 and #339622

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #224B98 shade: #224B98, #962284, #966D22 and #229633

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 51 / 0 / 40

HEX #224B98

RGB 34 75 152

HSL 219.15, 0.63%, 0.36%

LAB 33.22, 14.41, -46.3

 

Complementary color

CMYK 0 / 19 / 53 / 13

HEX #DDB467

RGB 221 180 103

HSL 39.15, 0.63%, 0.64%

LAB 75.45, 5.62, 44.5

 

CMYK 73 / 49 / 0 / 42

HEX #274B93

RGB 39 75 147

HSL 220, 0.58%, 0.36%

LAB 33.07, 13.12, -43.5

 

CMYK 66 / 44 / 0 / 35

HEX #385DA6

RGB 56 93 166

HSL 219.82, 0.5%, 0.44%

LAB 40.28, 11.18, -43.31

 

CMYK 61 / 40 / 0 / 27

HEX #496FB9

RGB 73 111 185

HSL 219.64, 0.44%, 0.51%

LAB 47.35, 9.69, -43.13

 

CMYK 56 / 37 / 0 / 20

HEX #5A81CC

RGB 90 129 204

HSL 219.47, 0.53%, 0.58%

LAB 54.27, 8.52, -43

 

CMYK 52 / 34 / 0 / 13

HEX #6B93DF

RGB 107 147 223

HSL 219.31, 0.64%, 0.65%

LAB 61.06, 7.56, -42.89

 

CMYK 78 / 51 / 0 / 40

HEX #224B98

RGB 34 75 152

HSL 219.15, 0.63%, 0.36%

LAB 33.22, 14.41, -46.3

 

CMYK 87 / 57 / 0 / 48

HEX #113985

RGB 17 57 133

HSL 219.31, 0.77%, 0.29%

LAB 25.98, 17.35, -46.38

 

CMYK 100 / 66 / 0 / 55

HEX #002772

RGB 0 39 114

HSL 219.47, 1%, 0.22%

LAB 18.65, 21.04, -46.31

 

CMYK 100 / 78 / 0 / 63

HEX #00155F

RGB 0 21 95

HSL 226.74, 1%, 0.19%

LAB 11.71, 25.9, -45.28

 

CMYK 100 / 96 / 0 / 70

HEX #00034C

RGB 0 3 76

HSL 237.63, 1%, 0.15%

LAB 5.3, 28.88, -42.93

 

CMYK 77 / 51 / 0 / 41

HEX #224A96

RGB 34 74 150

HSL 219.31, 0.63%, 0.36%

LAB 32.79, 14.3, -45.79

 

CMYK 77 / 71 / 0 / 41

HEX #222B96

RGB 34 43 150

HSL 235.34, 0.63%, 0.36%

LAB 24.54, 35.11, -59.23

 

CMYK 63 / 77 / 0 / 41

HEX #382296

RGB 56 34 150

HSL 251.38, 0.63%, 0.36%

LAB 24.28, 42.8, -59.61

 

CMYK 42 / 77 / 0 / 41

HEX #572296

RGB 87 34 150

HSL 267.41, 0.63%, 0.36%

LAB 27.77, 47.44, -53.75

 

CMYK 21 / 77 / 0 / 41

HEX #772296

RGB 119 34 150

HSL 283.97, 0.63%, 0.36%

LAB 32.41, 53.4, -46

 

CMYK 77 / 51 / 0 / 41

HEX #224A96

RGB 34 74 150

HSL 219.31, 0.63%, 0.36%

LAB 32.79, 14.3, -45.79

 

CMYK 77 / 71 / 0 / 41

HEX #222B96

RGB 34 43 150

HSL 235.34, 0.63%, 0.36%

LAB 24.54, 35.11, -59.23

 

CMYK 77 / 77 / 0 / 41

HEX #222296

RGB 34 34 150

HSL 240, 0.63%, 0.36%

LAB 22.61, 40.52, -62.43

 

CMYK 77 / 51 / 0 / 41

HEX #224A96

RGB 34 74 150

HSL 219.31, 0.63%, 0.36%

LAB 32.79, 14.3, -45.79

 

CMYK 88 / 57 / 0 / 36

HEX #1346A4

RGB 19 70 164

HSL 218.9, 0.79%, 0.36%

LAB 32.26, 21.24, -55.13

 

CMYK 98 / 64 / 0 / 30

HEX #0441B3

RGB 4 65 179

HSL 219.09, 0.96%, 0.36%

LAB 31.95, 29.99, -64.61

 

CMYK 77 / 51 / 0 / 41

HEX #224A96

RGB 34 74 150

HSL 219.31, 0.63%, 0.36%

LAB 32.79, 14.3, -45.79

 

CMYK 64 / 41 / 0 / 47

HEX #314F87

RGB 49 79 135

HSL 219.07, 0.47%, 0.36%

LAB 33.97, 7.64, -34.69

 

CMYK 47 / 31 / 0 / 53

HEX #405378

RGB 64 83 120

HSL 219.64, 0.3%, 0.36%

LAB 35.27, 3.47, -23.34

 

CMYK 25 / 16 / 0 / 59

HEX #4F5869

RGB 79 88 105

HSL 219.23, 0.14%, 0.36%

LAB 37.23, 0.67, -10.92

 

CMYK 0 / 1 / 3 / 64

HEX #5D5C5A

RGB 93 92 90

HSL 40, 0.02%, 0.36%

LAB 39.1, -0.01, 1.28

 

CMYK 77 / 9 / 0 / 41

HEX #228896

RGB 34 136 150

HSL 187.24, 0.63%, 0.36%

LAB 52.01, -23.12, -15.66

 

CMYK 77 / 30 / 0 / 41

HEX #226996

RGB 34 105 150

HSL 203.28, 0.63%, 0.36%

LAB 42.22, -5.72, -30.77

 

CMYK 77 / 51 / 0 / 41

HEX #224A96

RGB 34 74 150

HSL 219.31, 0.63%, 0.36%

LAB 32.79, 14.3, -45.79

 

CMYK 77 / 71 / 0 / 41

HEX #222C96

RGB 34 44 150

HSL 234.83, 0.63%, 0.36%

LAB 24.78, 34.48, -58.85

 

CMYK 63 / 77 / 0 / 41

HEX #372296

RGB 55 34 150

HSL 250.86, 0.63%, 0.36%

LAB 24.19, 42.68, -59.76

 

CMYK 77 / 50 / 0 / 68

HEX #132952

RGB 19 41 82

HSL 219.05, 0.62%, 0.2%

LAB 17.15, 7.47, -27.64

 

CMYK 78 / 51 / 0 / 55

HEX #1A3974

RGB 26 57 116

HSL 219.33, 0.63%, 0.28%

LAB 24.97, 11.26, -37.28

 

CMYK 77 / 51 / 0 / 41

HEX #224A96

RGB 34 74 150

HSL 219.31, 0.63%, 0.36%

LAB 32.79, 14.3, -45.79

 

CMYK 77 / 50 / 0 / 28

HEX #2A5BB7

RGB 42 91 183

HSL 219.15, 0.63%, 0.44%

LAB 40.24, 16.82, -53.44

 

CMYK 73 / 48 / 0 / 18

HEX #386ED2

RGB 56 110 210

HSL 218.96, 0.63%, 0.52%

LAB 47.81, 16.48, -56.81

 

CMYK 78 / 51 / 0 / 40

HEX #224B98

RGB 34 75 152

HSL 219.15, 0.63%, 0.36%

LAB 33.22, 14.41, -46.3

 

CMYK 12 / 77 / 0 / 41

HEX #842296

RGB 132 34 150

HSL 290.69, 0.63%, 0.36%

LAB 34.5, 56.04, -42.53

 

CMYK 19 / 0 / 77 / 41

HEX #799622

RGB 121 150 34

HSL 75, 0.63%, 0.36%

LAB 58.03, -26.33, 53.6

 

CMYK 78 / 51 / 0 / 40

HEX #224B98

RGB 34 75 152

HSL 219.15, 0.63%, 0.36%

LAB 33.22, 14.41, -46.3

 

CMYK 0 / 77 / 51 / 41

HEX #96224A

RGB 150 34 74

HSL 339.31, 0.63%, 0.36%

LAB 34.24, 49.92, 5.41

 

CMYK 51 / 0 / 77 / 41

HEX #4A9622

RGB 74 150 34

HSL 99.31, 0.63%, 0.36%

LAB 55.47, -43.86, 50.25

 

CMYK 78 / 51 / 0 / 40

HEX #224B98

RGB 34 75 152

HSL 219.15, 0.63%, 0.36%

LAB 33.22, 14.41, -46.3

 

CMYK 12 / 77 / 0 / 41

HEX #842296

RGB 132 34 150

HSL 290.69, 0.63%, 0.36%

LAB 34.5, 56.04, -42.53

 

CMYK 0 / 27 / 77 / 41

HEX #966D22

RGB 150 109 34

HSL 38.79, 0.63%, 0.36%

LAB 48.93, 9.03, 45.84

 

CMYK 66 / 0 / 77 / 41

HEX #339622

RGB 51 150 34

HSL 111.21, 0.63%, 0.36%

LAB 54.69, -50.03, 49.23

 

CMYK 78 / 51 / 0 / 40

HEX #224B98

RGB 34 75 152

HSL 219.15, 0.63%, 0.36%

LAB 33.22, 14.41, -46.3

 

CMYK 0 / 77 / 12 / 41

HEX #962284

RGB 150 34 132

HSL 309.31, 0.63%, 0.36%

LAB 36.54, 56.96, -28.02

 

CMYK 0 / 27 / 77 / 41

HEX #966D22

RGB 150 109 34

HSL 38.79, 0.63%, 0.36%

LAB 48.93, 9.03, 45.84

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

Description

Color code: HEX #224B98 | qconv.com Color code: HEX #224B98 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 75 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 75 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 51 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 51% 0% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - Universidad Braulio ...
Link: http://www.ubrauliocarrillocr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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