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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #229633 it is the complementary color #DD69CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #229633. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #229633 shade: #27962E, #38A841, #49BA54, #5ACC67 and #6BDE7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #229633. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #229633 shade: #229633, #118420, #00720D, #006000 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #229633 shade: #229633, #309622, #4F9622, #6F9622 and #8E9622

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #229633 shade: #229633, #229652, #229671, #229690 and #227C96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #229633 shade matches the following richer shades: #229633, #13A428 and #04B31E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #229633 shade: #229633, #31873D, #407848, #4F6952 and #5D5A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #229633 shade: #509622, #319622, #229631, #229650 and #22966F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #229633 shade: #13521C, #1A7427, #229633, #2AB73E and #38D24F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #229633 shade: #229633, #226F96 and #962241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #229633 shade: #229633, #312296 and #963122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #229633 shade: #229633, #226F96, #962286 and #964922

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #229633 shade: #229633, #224C96, #962286 and #966B22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

Complementary color

CMYK 0 / 52 / 8 / 13

HEX #DD69CC

RGB 221 105 204

HSL 308.79, 0.63%, 0.64%

LAB 61.51, 57.81, -30.76

 

CMYK 74 / 0 / 69 / 41

HEX #27962E

RGB 39 150 46

HSL 123.78, 0.59%, 0.37%

LAB 54.49, -51.38, 44.3

 

CMYK 67 / 0 / 61 / 34

HEX #38A841

RGB 56 168 65

HSL 124.82, 0.5%, 0.44%

LAB 60.98, -52.4, 43.19

 

CMYK 61 / 0 / 55 / 27

HEX #49BA54

RGB 73 186 84

HSL 125.84, 0.45%, 0.51%

LAB 67.41, -52.95, 41.89

 

CMYK 56 / 0 / 50 / 20

HEX #5ACC67

RGB 90 204 103

HSL 126.84, 0.53%, 0.58%

LAB 73.76, -53.21, 40.54

 

CMYK 52 / 0 / 45 / 13

HEX #6BDE7A

RGB 107 222 122

HSL 127.83, 0.64%, 0.65%

LAB 80.05, -53.27, 39.2

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

CMYK 87 / 0 / 76 / 48

HEX #118420

RGB 17 132 32

HSL 127.83, 0.77%, 0.29%

LAB 47.91, -49.78, 42.97

 

CMYK 100 / 0 / 89 / 55

HEX #00720D

RGB 0 114 13

HSL 126.84, 1%, 0.22%

LAB 41.32, -46.98, 42.84

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

CMYK 68 / 0 / 77 / 41

HEX #309622

RGB 48 150 34

HSL 112.76, 0.63%, 0.36%

LAB 54.61, -50.68, 49.12

 

CMYK 47 / 0 / 77 / 41

HEX #4F9622

RGB 79 150 34

HSL 96.72, 0.63%, 0.36%

LAB 55.68, -42.28, 50.52

 

CMYK 26 / 0 / 77 / 41

HEX #6F9622

RGB 111 150 34

HSL 80.17, 0.63%, 0.36%

LAB 57.37, -30.47, 52.74

 

CMYK 5 / 0 / 77 / 41

HEX #8E9622

RGB 142 150 34

HSL 64.14, 0.63%, 0.36%

LAB 59.6, -17.24, 55.62

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

CMYK 77 / 0 / 45 / 41

HEX #229652

RGB 34 150 82

HSL 144.83, 0.63%, 0.36%

LAB 54.83, -47.08, 27.07

 

CMYK 77 / 0 / 25 / 41

HEX #229671

RGB 34 150 113

HSL 160.86, 0.63%, 0.36%

LAB 55.43, -40.42, 10.68

 

CMYK 77 / 0 / 4 / 41

HEX #229690

RGB 34 150 144

HSL 176.9, 0.63%, 0.36%

LAB 56.25, -31.95, -5.82

 

CMYK 77 / 17 / 0 / 41

HEX #227C96

RGB 34 124 150

HSL 193.45, 0.63%, 0.36%

LAB 48.21, -16.7, -21.47

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

CMYK 88 / 0 / 76 / 36

HEX #13A428

RGB 19 164 40

HSL 128.69, 0.79%, 0.36%

LAB 58.83, -58.94, 51.03

 

CMYK 98 / 0 / 83 / 30

HEX #04B31E

RGB 4 179 30

HSL 128.91, 0.96%, 0.36%

LAB 63.64, -64.89, 58.71

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

CMYK 64 / 0 / 55 / 47

HEX #31873D

RGB 49 135 61

HSL 128.37, 0.47%, 0.36%

LAB 49.88, -41.99, 32.03

 

CMYK 47 / 0 / 40 / 53

HEX #407848

RGB 64 120 72

HSL 128.57, 0.3%, 0.36%

LAB 45.62, -29.56, 20.78

 

CMYK 25 / 0 / 22 / 59

HEX #4F6952

RGB 79 105 82

HSL 126.92, 0.14%, 0.36%

LAB 41.81, -14.71, 9.87

 

CMYK 0 / 3 / 0 / 64

HEX #5D5A5D

RGB 93 90 93

HSL 300, 0.02%, 0.36%

LAB 38.6, 1.83, -1.3

 

CMYK 47 / 0 / 77 / 41

HEX #509622

RGB 80 150 34

HSL 96.21, 0.63%, 0.36%

LAB 55.72, -41.95, 50.58

 

CMYK 67 / 0 / 77 / 41

HEX #319622

RGB 49 150 34

HSL 112.24, 0.63%, 0.36%

LAB 54.64, -50.47, 49.16

 

CMYK 77 / 0 / 67 / 41

HEX #229631

RGB 34 150 49

HSL 127.76, 0.63%, 0.36%

LAB 54.42, -51.87, 42.91

 

CMYK 77 / 0 / 47 / 41

HEX #229650

RGB 34 150 80

HSL 143.79, 0.63%, 0.36%

LAB 54.8, -47.44, 28.1

 

CMYK 77 / 0 / 26 / 41

HEX #22966F

RGB 34 150 111

HSL 159.83, 0.63%, 0.36%

LAB 55.38, -40.91, 11.75

 

CMYK 77 / 0 / 66 / 68

HEX #13521C

RGB 19 82 28

HSL 128.57, 0.62%, 0.2%

LAB 30.05, -32.22, 25.58

 

CMYK 78 / 0 / 66 / 55

HEX #1A7427

RGB 26 116 39

HSL 128.67, 0.63%, 0.28%

LAB 42.55, -42.4, 34.29

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

CMYK 77 / 0 / 66 / 28

HEX #2AB73E

RGB 42 183 62

HSL 128.51, 0.63%, 0.44%

LAB 65.52, -60.27, 49.52

 

CMYK 73 / 0 / 62 / 18

HEX #38D24F

RGB 56 210 79

HSL 128.96, 0.63%, 0.52%

LAB 74.51, -65.17, 52.32

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

CMYK 77 / 26 / 0 / 41

HEX #226F96

RGB 34 111 150

HSL 200.17, 0.63%, 0.36%

LAB 44.1, -9.3, -27.82

 

CMYK 0 / 77 / 57 / 41

HEX #962241

RGB 150 34 65

HSL 343.97, 0.63%, 0.36%

LAB 34, 49.18, 10.94

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

CMYK 67 / 77 / 0 / 41

HEX #312296

RGB 49 34 150

HSL 247.76, 0.63%, 0.36%

LAB 23.67, 41.97, -60.64

 

CMYK 0 / 67 / 77 / 41

HEX #963122

RGB 150 49 34

HSL 7.76, 0.63%, 0.36%

LAB 35.59, 41.47, 32.29

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

CMYK 77 / 26 / 0 / 41

HEX #226F96

RGB 34 111 150

HSL 200.17, 0.63%, 0.36%

LAB 44.1, -9.3, -27.82

 

CMYK 0 / 77 / 11 / 41

HEX #962286

RGB 150 34 134

HSL 308.28, 0.63%, 0.36%

LAB 36.65, 57.26, -29.09

 

CMYK 0 / 51 / 77 / 41

HEX #964922

RGB 150 73 34

HSL 20.17, 0.63%, 0.36%

LAB 40.19, 29.5, 37.13

 

CMYK 77 / 0 / 66 / 41

HEX #229633

RGB 34 150 51

HSL 128.79, 0.63%, 0.36%

LAB 54.44, -51.65, 42.05

 

CMYK 77 / 49 / 0 / 41

HEX #224C96

RGB 34 76 150

HSL 218.28, 0.63%, 0.36%

LAB 33.37, 12.94, -44.84

 

CMYK 0 / 77 / 11 / 41

HEX #962286

RGB 150 34 134

HSL 308.28, 0.63%, 0.36%

LAB 36.65, 57.26, -29.09

 

CMYK 0 / 29 / 77 / 41

HEX #966B22

RGB 150 107 34

HSL 37.76, 0.63%, 0.36%

LAB 48.4, 10.18, 45.33

 

Description

Color code: HEX #229633 | qconv.com Color code: HEX #229633 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 150 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 150 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 66 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 66% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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