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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #220884 it is the complementary color #DDF77B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #220884. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #220884: #27087F, #381A92, #492CA5, #5A3EB8 and #6B50CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #220884. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #220884: #220884, #110071, #00005E, #00004B and #000038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 94 / 0 / 48

HEX #220884

RGB 34 8 132

HSL 252.58, 0.89%, 0.27%

LAB 16.4, 46.56, -61.48

 

Complementary color

CMYK 11 / 0 / 50 / 3

HEX #DDF77B

RGB 221 247 123

HSL 72.58, 0.89%, 0.73%

LAB 93.16, -26.28, 56.19

 

CMYK 69 / 94 / 0 / 50

HEX #27087F

RGB 39 8 127

HSL 255.63, 0.88%, 0.26%

LAB 16.19, 45.47, -58.64

 

CMYK 62 / 82 / 0 / 43

HEX #381A92

RGB 56 26 146

HSL 255, 0.7%, 0.34%

LAB 22.5, 45.52, -60.08

 

CMYK 56 / 73 / 0 / 35

HEX #492CA5

RGB 73 44 165

HSL 254.38, 0.58%, 0.41%

LAB 29.25, 44.43, -60.53

 

CMYK 51 / 66 / 0 / 28

HEX #5A3EB8

RGB 90 62 184

HSL 253.77, 0.5%, 0.48%

LAB 36.14, 42.99, -60.54

 

CMYK 47 / 61 / 0 / 20

HEX #6B50CB

RGB 107 80 203

HSL 253.17, 0.54%, 0.55%

LAB 43.03, 41.54, -60.36

 

CMYK 74 / 94 / 0 / 48

HEX #220884

RGB 34 8 132

HSL 252.58, 0.89%, 0.27%

LAB 16.4, 46.56, -61.48

 

CMYK 85 / 100 / 0 / 56

HEX #110071

RGB 17 0 113

HSL 249.03, 1%, 0.22%

LAB 11.36, 43.74, -57.73

 

CMYK 100 / 100 / 0 / 63

HEX #00005E

RGB 0 0 94

HSL 240, 1%, 0.18%

LAB 7.3, 38.07, -51.95

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 100 / 100 / 0 / 78

HEX #000038

RGB 0 0 56

HSL 240, 1%, 0.11%

LAB 2.58, 18.12, -33.09

 

CMYK 74 / 94 / 0 / 48

HEX #220884

RGB 34 8 132

HSL 252.58, 0.89%, 0.27%

LAB 16.4, 46.56, -61.48

 

CMYK 60 / 95 / 0 / 49

HEX #340782

RGB 52 7 130

HSL 261.95, 0.9%, 0.27%

LAB 17.89, 47.57, -57.69

 

CMYK 45 / 95 / 0 / 49

HEX #480782

RGB 72 7 130

HSL 271.71, 0.9%, 0.27%

LAB 20.6, 49.58, -53.12

 

CMYK 28 / 95 / 0 / 49

HEX #5D0782

RGB 93 7 130

HSL 281.95, 0.9%, 0.27%

LAB 23.97, 52.36, -47.47

 

CMYK 13 / 95 / 0 / 49

HEX #710782

RGB 113 7 130

HSL 291.71, 0.9%, 0.27%

LAB 27.5, 55.52, -41.57

 

CMYK 74 / 94 / 0 / 48

HEX #220884

RGB 34 8 132

HSL 252.58, 0.89%, 0.27%

LAB 16.4, 46.56, -61.48

 

CMYK 74 / 94 / 0 / 28

HEX #2F0BB7

RGB 47 11 183

HSL 252.56, 0.89%, 0.38%

LAB 24.52, 60.11, -79.23

 

CMYK 74 / 94 / 0 / 8

HEX #3C0EEA

RGB 60 14 234

HSL 252.55, 0.89%, 0.49%

LAB 32.29, 72.85, -95.96

 

CMYK 73 / 93 / 0 / 88

HEX #08021E

RGB 8 2 30

HSL 252.86, 0.88%, 0.06%

LAB 1.71, 7.24, -14.54

 

CMYK 74 / 94 / 0 / 68

HEX #150551

RGB 21 5 81

HSL 252.63, 0.88%, 0.17%

LAB 7.79, 31.94, -42.24

 

CMYK 74 / 94 / 0 / 48

HEX #220884

RGB 34 8 132

HSL 252.58, 0.89%, 0.27%

LAB 16.4, 46.56, -61.48

 

CMYK 0 / 95 / 38 / 49

HEX #820751

RGB 130 7 81

HSL 323.9, 0.9%, 0.27%

LAB 28.09, 51.88, -8.7

 

CMYK 75 / 0 / 95 / 49

HEX #208207

RGB 32 130 7

HSL 107.8, 0.9%, 0.27%

LAB 47.35, -48.45, 49.56

 

CMYK 74 / 94 / 0 / 48

HEX #220884

RGB 34 8 132

HSL 252.58, 0.89%, 0.27%

LAB 16.4, 46.56, -61.48

 

CMYK 0 / 75 / 95 / 49

HEX #822007

RGB 130 32 7

HSL 12.2, 0.9%, 0.27%

LAB 28.89, 40.67, 38.29

 

CMYK 95 / 0 / 75 / 49

HEX #078220

RGB 7 130 32

HSL 132.2, 0.9%, 0.27%

LAB 47.12, -49.99, 42.14

 

CMYK 74 / 94 / 0 / 48

HEX #220884

RGB 34 8 132

HSL 252.58, 0.89%, 0.27%

LAB 16.4, 46.56, -61.48

 

CMYK 0 / 95 / 38 / 49

HEX #820751

RGB 130 7 81

HSL 323.9, 0.9%, 0.27%

LAB 28.09, 51.88, -8.7

 

CMYK 19 / 0 / 95 / 49

HEX #698207

RGB 105 130 7

HSL 72.2, 0.9%, 0.27%

LAB 50.67, -24.27, 53.64

 

CMYK 95 / 0 / 57 / 49

HEX #078238

RGB 7 130 56

HSL 143.9, 0.9%, 0.27%

LAB 47.36, -47.05, 31.38

 

CMYK 74 / 94 / 0 / 48

HEX #220884

RGB 34 8 132

HSL 252.58, 0.89%, 0.27%

LAB 16.4, 46.56, -61.48

 

CMYK 0 / 95 / 66 / 49

HEX #82072C

RGB 130 7 44

HSL 341.95, 0.9%, 0.27%

LAB 26.96, 48.78, 14.69

 

CMYK 19 / 0 / 95 / 49

HEX #698207

RGB 105 130 7

HSL 72.2, 0.9%, 0.27%

LAB 50.67, -24.27, 53.64

 

CMYK 95 / 0 / 28 / 49

HEX #07825D

RGB 7 130 93

HSL 161.95, 0.9%, 0.27%

LAB 48.01, -39.49, 11.7

 

Description

Color code: HEX #220884 | qconv.com Color code: HEX #220884 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 8 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 8 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 94 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 94% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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