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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #219329 it is the complementary color #DE6CD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #219329. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #219329 shade: #269324, #37A537, #48B74A, #59C95D and #6ADB70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #219329. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #219329 shade: #219329, #108116, #006F03, #005D00 and #004B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #219329 shade: #219129, #379121, #569121, #749121 and #919121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #219329 shade: #219129, #219147, #219166, #219184 and #218191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #219329 shade matches the following richer shades: #219129, #13A01C and #04AE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #219329 shade: #219129, #2F8335, #3E7542, #4C664E and #5B585B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #219329 shade: #569121, #389121, #219129, #219147 and #219164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #219329 shade: #124E16, #19701F, #219129, #29B332 and #34D13F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #219329 shade: #219329, #217391 and #912147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #219329 shade: #219329, #292191 and #912921

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #219329 shade: #219329, #217391, #91218A and #913F21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #219329 shade: #219329, #215291, #91218A and #916121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 72 / 42

HEX #219329

RGB 33 147 41

HSL 124.21, 0.63%, 0.35%

LAB 53.33, -51.82, 45.09

 

Complementary color

CMYK 0 / 51 / 4 / 13

HEX #DE6CD6

RGB 222 108 214

HSL 304.21, 0.63%, 0.65%

LAB 62.6, 58.34, -34.69

 

CMYK 74 / 0 / 76 / 42

HEX #269324

RGB 38 147 36

HSL 118.92, 0.61%, 0.36%

LAB 53.39, -51.44, 47.12

 

CMYK 67 / 0 / 67 / 35

HEX #37A537

RGB 55 165 55

HSL 120, 0.5%, 0.43%

LAB 59.89, -52.64, 46.41

 

CMYK 61 / 0 / 60 / 28

HEX #48B74A

RGB 72 183 74

HSL 121.08, 0.44%, 0.5%

LAB 66.32, -53.32, 45.31

 

CMYK 56 / 0 / 54 / 21

HEX #59C95D

RGB 89 201 93

HSL 122.14, 0.51%, 0.57%

LAB 72.69, -53.65, 44.04

 

CMYK 52 / 0 / 49 / 14

HEX #6ADB70

RGB 106 219 112

HSL 123.19, 0.61%, 0.64%

LAB 78.98, -53.77, 42.74

 

CMYK 78 / 0 / 72 / 42

HEX #219329

RGB 33 147 41

HSL 124.21, 0.63%, 0.35%

LAB 53.33, -51.82, 45.09

 

CMYK 88 / 0 / 83 / 49

HEX #108116

RGB 16 129 22

HSL 123.19, 0.78%, 0.28%

LAB 46.8, -49.68, 45.36

 

CMYK 100 / 0 / 97 / 56

HEX #006F03

RGB 0 111 3

HSL 121.62, 1%, 0.22%

LAB 40.21, -46.55, 44.3

 

CMYK 100 / 0 / 100 / 64

HEX #005D00

RGB 0 93 0

HSL 120, 1%, 0.18%

LAB 33.62, -41.23, 39.79

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 77 / 0 / 72 / 43

HEX #219129

RGB 33 145 41

HSL 124.29, 0.63%, 0.35%

LAB 52.66, -51.15, 44.39

 

CMYK 62 / 0 / 77 / 43

HEX #379121

RGB 55 145 33

HSL 108.21, 0.63%, 0.35%

LAB 53.14, -47.35, 48.09

 

CMYK 41 / 0 / 77 / 43

HEX #569121

RGB 86 145 33

HSL 91.61, 0.63%, 0.35%

LAB 54.38, -37.84, 49.73

 

CMYK 20 / 0 / 77 / 43

HEX #749121

RGB 116 145 33

HSL 75.54, 0.63%, 0.35%

LAB 56.16, -26.04, 52.05

 

CMYK 0 / 0 / 77 / 43

HEX #919121

RGB 145 145 33

HSL 60, 0.63%, 0.35%

LAB 58.4, -13.32, 54.94

 

CMYK 77 / 0 / 72 / 43

HEX #219129

RGB 33 145 41

HSL 124.29, 0.63%, 0.35%

LAB 52.66, -51.15, 44.39

 

CMYK 77 / 0 / 51 / 43

HEX #219147

RGB 33 145 71

HSL 140.36, 0.63%, 0.35%

LAB 52.98, -47.27, 30.56

 

CMYK 77 / 0 / 30 / 43

HEX #219166

RGB 33 145 102

HSL 156.96, 0.63%, 0.35%

LAB 53.53, -41.08, 14.26

 

CMYK 77 / 0 / 9 / 43

HEX #219184

RGB 33 145 132

HSL 173.04, 0.63%, 0.35%

LAB 54.28, -33.23, -1.84

 

CMYK 77 / 11 / 0 / 43

HEX #218191

RGB 33 129 145

HSL 188.57, 0.63%, 0.35%

LAB 49.58, -21.22, -16.43

 

CMYK 77 / 0 / 72 / 43

HEX #219129

RGB 33 145 41

HSL 124.29, 0.63%, 0.35%

LAB 52.66, -51.15, 44.39

 

CMYK 88 / 0 / 83 / 37

HEX #13A01C

RGB 19 160 28

HSL 123.83, 0.79%, 0.35%

LAB 57.43, -58.56, 53.55

 

CMYK 98 / 0 / 91 / 32

HEX #04AE10

RGB 4 174 16

HSL 124.24, 0.96%, 0.35%

LAB 61.94, -64.09, 60.27

 

CMYK 77 / 0 / 72 / 43

HEX #219129

RGB 33 145 41

HSL 124.29, 0.63%, 0.35%

LAB 52.66, -51.15, 44.39

 

CMYK 64 / 0 / 60 / 49

HEX #2F8335

RGB 47 131 53

HSL 124.29, 0.47%, 0.35%

LAB 48.38, -41.99, 34.28

 

CMYK 47 / 0 / 44 / 54

HEX #3E7542

RGB 62 117 66

HSL 124.36, 0.31%, 0.35%

LAB 44.43, -29.83, 22.61

 

CMYK 25 / 0 / 24 / 60

HEX #4C664E

RGB 76 102 78

HSL 124.62, 0.15%, 0.35%

LAB 40.56, -14.98, 10.5

 

CMYK 0 / 3 / 0 / 64

HEX #5B585B

RGB 91 88 91

HSL 300, 0.02%, 0.35%

LAB 37.77, 1.84, -1.31

 

CMYK 41 / 0 / 77 / 43

HEX #569121

RGB 86 145 33

HSL 91.61, 0.63%, 0.35%

LAB 54.38, -37.84, 49.73

 

CMYK 61 / 0 / 77 / 43

HEX #389121

RGB 56 145 33

HSL 107.68, 0.63%, 0.35%

LAB 53.17, -47.1, 48.13

 

CMYK 77 / 0 / 72 / 43

HEX #219129

RGB 33 145 41

HSL 124.29, 0.63%, 0.35%

LAB 52.66, -51.15, 44.39

 

CMYK 77 / 0 / 51 / 43

HEX #219147

RGB 33 145 71

HSL 140.36, 0.63%, 0.35%

LAB 52.98, -47.27, 30.56

 

CMYK 77 / 0 / 31 / 43

HEX #219164

RGB 33 145 100

HSL 155.89, 0.63%, 0.35%

LAB 53.49, -41.55, 15.34

 

CMYK 77 / 0 / 72 / 69

HEX #124E16

RGB 18 78 22

HSL 124, 0.63%, 0.19%

LAB 28.47, -31.62, 26.86

 

CMYK 78 / 0 / 72 / 56

HEX #19701F

RGB 25 112 31

HSL 124.14, 0.64%, 0.27%

LAB 41.05, -42.03, 36.3

 

CMYK 77 / 0 / 72 / 43

HEX #219129

RGB 33 145 41

HSL 124.29, 0.63%, 0.35%

LAB 52.66, -51.15, 44.39

 

CMYK 77 / 0 / 72 / 30

HEX #29B332

RGB 41 179 50

HSL 123.91, 0.63%, 0.43%

LAB 64.11, -60.27, 52.83

 

CMYK 75 / 0 / 70 / 18

HEX #34D13F

RGB 52 209 63

HSL 124.2, 0.63%, 0.51%

LAB 73.99, -67.05, 58.24

 

CMYK 78 / 0 / 72 / 42

HEX #219329

RGB 33 147 41

HSL 124.21, 0.63%, 0.35%

LAB 53.33, -51.82, 45.09

 

CMYK 77 / 21 / 0 / 43

HEX #217391

RGB 33 115 145

HSL 196.07, 0.63%, 0.35%

LAB 45.12, -13.54, -23.28

 

CMYK 0 / 77 / 51 / 43

HEX #912147

RGB 145 33 71

HSL 339.64, 0.63%, 0.35%

LAB 33.05, 48.52, 5.55

 

CMYK 78 / 0 / 72 / 42

HEX #219329

RGB 33 147 41

HSL 124.21, 0.63%, 0.35%

LAB 53.33, -51.82, 45.09

 

CMYK 72 / 77 / 0 / 43

HEX #292191

RGB 41 33 145

HSL 244.29, 0.63%, 0.35%

LAB 22.31, 40.04, -59.8

 

CMYK 0 / 72 / 77 / 43

HEX #912921

RGB 145 41 33

HSL 4.29, 0.63%, 0.35%

LAB 33.38, 43.06, 30.21

 

CMYK 78 / 0 / 72 / 42

HEX #219329

RGB 33 147 41

HSL 124.21, 0.63%, 0.35%

LAB 53.33, -51.82, 45.09

 

CMYK 77 / 21 / 0 / 43

HEX #217391

RGB 33 115 145

HSL 196.07, 0.63%, 0.35%

LAB 45.12, -13.54, -23.28

 

CMYK 0 / 77 / 5 / 43

HEX #91218A

RGB 145 33 138

HSL 303.75, 0.63%, 0.35%

LAB 35.87, 57.06, -32.84

 

CMYK 0 / 57 / 77 / 43

HEX #913F21

RGB 145 63 33

HSL 16.07, 0.63%, 0.35%

LAB 37.27, 32.73, 34.37

 

CMYK 78 / 0 / 72 / 42

HEX #219329

RGB 33 147 41

HSL 124.21, 0.63%, 0.35%

LAB 53.33, -51.82, 45.09

 

CMYK 77 / 43 / 0 / 43

HEX #215291

RGB 33 82 145

HSL 213.75, 0.63%, 0.35%

LAB 34.81, 6.82, -39.51

 

CMYK 0 / 77 / 5 / 43

HEX #91218A

RGB 145 33 138

HSL 303.75, 0.63%, 0.35%

LAB 35.87, 57.06, -32.84

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

Description

Color code: HEX #219329 | qconv.com Color code: HEX #219329 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 147 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 147 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 72 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 72% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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