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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #916121 it is the complementary color #6E9EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #916121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #916121 shade: #96611C, #A7732F, #B88542, #C99755 and #DAA968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #916121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #916121 shade: #916121, #804F0E, #6F3D00, #5E2B00 and #4D1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #916121 shade: #916121, #914321, #912521 and #912121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #916121 shade: #916121, #918021, #859121, #679121 and #489121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #916121 shade matches the following richer shades: #916121, #A06313 and #AE6504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #916121 shade: #916121, #835F2F, #755D3E, #665B4C and #58595B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #916121 shade: #912521, #914321, #916121, #917F21 and #869121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #916121 shade: #4E3412, #704B19, #916121, #B37829 and #D18E34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #916121 shade: #916121, #3B9121 and #342191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #916121 shade: #916121, #219161 and #612191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #916121 shade: #916121, #3B9121, #215291 and #772191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #916121 shade: #916121, #219129, #215291 and #91218A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

Complementary color

CMYK 50 / 29 / 0 / 13

HEX #6E9EDE

RGB 110 158 222

HSL 214.29, 0.63%, 0.65%

LAB 64.2, 1.59, -37.42

 

CMYK 0 / 35 / 81 / 41

HEX #96611C

RGB 150 97 28

HSL 33.93, 0.69%, 0.35%

LAB 45.79, 15.7, 45.36

 

CMYK 0 / 31 / 72 / 35

HEX #A7732F

RGB 167 115 47

HSL 34, 0.56%, 0.42%

LAB 52.6, 13.98, 44.38

 

CMYK 0 / 28 / 64 / 28

HEX #B88542

RGB 184 133 66

HSL 34.07, 0.47%, 0.49%

LAB 59.3, 12.55, 43.04

 

CMYK 0 / 25 / 58 / 21

HEX #C99755

RGB 201 151 85

HSL 34.14, 0.52%, 0.56%

LAB 65.91, 11.35, 41.62

 

CMYK 0 / 22 / 52 / 15

HEX #DAA968

RGB 218 169 104

HSL 34.21, 0.61%, 0.63%

LAB 72.42, 10.32, 40.21

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 0 / 38 / 89 / 50

HEX #804F0E

RGB 128 79 14

HSL 34.21, 0.8%, 0.28%

LAB 38.22, 15.56, 42.86

 

CMYK 0 / 45 / 100 / 56

HEX #6F3D00

RGB 111 61 0

HSL 32.97, 1%, 0.22%

LAB 31.15, 17.9, 41.37

 

CMYK 0 / 54 / 100 / 63

HEX #5E2B00

RGB 94 43 0

HSL 27.45, 1%, 0.18%

LAB 24.02, 20.64, 34.21

 

CMYK 0 / 68 / 100 / 70

HEX #4D1900

RGB 77 25 0

HSL 19.48, 1%, 0.15%

LAB 16.86, 23.24, 25.36

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 0 / 54 / 77 / 43

HEX #914321

RGB 145 67 33

HSL 18.21, 0.63%, 0.35%

LAB 38.1, 30.61, 35.23

 

CMYK 0 / 74 / 77 / 43

HEX #912521

RGB 145 37 33

HSL 2.14, 0.63%, 0.35%

LAB 32.82, 44.62, 29.59

 

CMYK 0 / 77 / 77 / 43

HEX #912121

RGB 145 33 33

HSL 0, 0.63%, 0.35%

LAB 32.3, 46.06, 29.02

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 0 / 12 / 77 / 43

HEX #918021

RGB 145 128 33

HSL 50.89, 0.63%, 0.35%

LAB 53.57, -4.1, 50.46

 

CMYK 8 / 0 / 77 / 43

HEX #859121

RGB 133 145 33

HSL 66.43, 0.63%, 0.35%

LAB 57.41, -18.68, 53.67

 

CMYK 29 / 0 / 77 / 43

HEX #679121

RGB 103 145 33

HSL 82.5, 0.63%, 0.35%

LAB 55.32, -31.39, 50.96

 

CMYK 50 / 0 / 77 / 43

HEX #489121

RGB 72 145 33

HSL 99.11, 0.63%, 0.35%

LAB 53.75, -42.55, 48.9

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 0 / 38 / 88 / 37

HEX #A06313

RGB 160 99 19

HSL 34.04, 0.79%, 0.35%

LAB 47.55, 18.81, 50.65

 

CMYK 0 / 42 / 98 / 32

HEX #AE6504

RGB 174 101 4

HSL 34.24, 0.96%, 0.35%

LAB 49.88, 23.66, 56.86

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 0 / 27 / 64 / 49

HEX #835F2F

RGB 131 95 47

HSL 34.29, 0.47%, 0.35%

LAB 43.09, 9.16, 32.7

 

CMYK 0 / 21 / 47 / 54

HEX #755D3E

RGB 117 93 62

HSL 33.82, 0.31%, 0.35%

LAB 41.15, 5.33, 21.48

 

CMYK 0 / 11 / 25 / 60

HEX #665B4C

RGB 102 91 76

HSL 34.62, 0.15%, 0.35%

LAB 39.29, 1.78, 10.28

 

CMYK 3 / 2 / 0 / 64

HEX #58595B

RGB 88 89 91

HSL 220, 0.02%, 0.35%

LAB 37.8, 0.04, -1.3

 

CMYK 0 / 74 / 77 / 43

HEX #912521

RGB 145 37 33

HSL 2.14, 0.63%, 0.35%

LAB 32.82, 44.62, 29.59

 

CMYK 0 / 54 / 77 / 43

HEX #914321

RGB 145 67 33

HSL 18.21, 0.63%, 0.35%

LAB 38.1, 30.61, 35.23

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 0 / 12 / 77 / 43

HEX #917F21

RGB 145 127 33

HSL 50.36, 0.63%, 0.35%

LAB 53.29, -3.54, 50.2

 

CMYK 8 / 0 / 77 / 43

HEX #869121

RGB 134 145 33

HSL 65.89, 0.63%, 0.35%

LAB 57.49, -18.23, 53.77

 

CMYK 0 / 33 / 77 / 69

HEX #4E3412

RGB 78 52 18

HSL 34, 0.63%, 0.19%

LAB 24.06, 7.92, 25.43

 

CMYK 0 / 33 / 78 / 56

HEX #704B19

RGB 112 75 25

HSL 34.48, 0.64%, 0.27%

LAB 35.1, 10.76, 34.67

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 0 / 33 / 77 / 30

HEX #B37829

RGB 179 120 41

HSL 34.35, 0.63%, 0.43%

LAB 55.25, 16.22, 50.21

 

CMYK 0 / 32 / 75 / 18

HEX #D18E34

RGB 209 142 52

HSL 34.39, 0.63%, 0.51%

LAB 64.28, 17.68, 55.64

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 59 / 0 / 77 / 43

HEX #3B9121

RGB 59 145 33

HSL 106.07, 0.63%, 0.35%

LAB 53.27, -46.32, 48.26

 

CMYK 64 / 77 / 0 / 43

HEX #342191

RGB 52 33 145

HSL 250.18, 0.63%, 0.35%

LAB 23.21, 41.28, -58.3

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 77 / 0 / 33 / 43

HEX #219161

RGB 33 145 97

HSL 154.29, 0.63%, 0.35%

LAB 53.42, -42.22, 16.94

 

CMYK 33 / 77 / 0 / 43

HEX #612191

RGB 97 33 145

HSL 274.29, 0.63%, 0.35%

LAB 28.57, 48.43, -49.3

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 59 / 0 / 77 / 43

HEX #3B9121

RGB 59 145 33

HSL 106.07, 0.63%, 0.35%

LAB 53.27, -46.32, 48.26

 

CMYK 77 / 43 / 0 / 43

HEX #215291

RGB 33 82 145

HSL 213.75, 0.63%, 0.35%

LAB 34.81, 6.82, -39.51

 

CMYK 18 / 77 / 0 / 43

HEX #772191

RGB 119 33 145

HSL 286.07, 0.63%, 0.35%

LAB 31.93, 52.74, -43.71

 

CMYK 0 / 33 / 77 / 43

HEX #916121

RGB 145 97 33

HSL 34.29, 0.63%, 0.35%

LAB 45.19, 13.62, 42.42

 

CMYK 77 / 0 / 72 / 43

HEX #219129

RGB 33 145 41

HSL 124.29, 0.63%, 0.35%

LAB 52.66, -51.15, 44.39

 

CMYK 77 / 43 / 0 / 43

HEX #215291

RGB 33 82 145

HSL 213.75, 0.63%, 0.35%

LAB 34.81, 6.82, -39.51

 

CMYK 0 / 77 / 5 / 43

HEX #91218A

RGB 145 33 138

HSL 303.75, 0.63%, 0.35%

LAB 35.87, 57.06, -32.84

 

Description

Color code: HEX #916121 | qconv.com Color code: HEX #916121 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 97 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 97 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 77 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 77% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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