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Color name
HEX #214DBB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #214DBB it is the complementary color #DEB244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #214DBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #214DBB shade: #264DB6, #375FC9, #4871DC, #5983EF and #6A95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #214DBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #214DBB shade: #214DBB, #103BA8, #002995, #001782 and #00056F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #214DBB shade: #214DBA, #2123BA, #4821BA, #7121BA and #9B21BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #214DBB shade: #214DBA, #2123BA and #2121BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #214DBB shade matches the following richer shades: #214DBA and #0F45CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #214DBB shade: #214DBA, #3354A9, #445C97, #566485 and #686B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #214DBB shade: #21A1BA, #2178BA, #214FBA, #2126BA and #4521BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #214DBB shade: #153074, #1B3E97, #214DBA, #2B5DDA and #4E78E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #214DBB shade: #214DBB, #AB21BA and #8CBA21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #214DBB shade: #214DBB, #BA214F and #4FBA21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #214DBB shade: #214DBB, #AB21BA, #BA8C21 and #30BA21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #214DBB shade: #214DBB, #BA219C, #BA8C21 and #21BA40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 59 / 0 / 27

HEX #214DBB

RGB 33 77 187

HSL 222.86, 0.7%, 0.43%

LAB 36.4, 26.69, -62.02

 

Complementary color

CMYK 0 / 20 / 69 / 13

HEX #DEB244

RGB 222 178 68

HSL 42.86, 0.7%, 0.57%

LAB 74.69, 4.73, 59.92

 

CMYK 79 / 58 / 0 / 29

HEX #264DB6

RGB 38 77 182

HSL 223.75, 0.65%, 0.43%

LAB 36.17, 25.24, -59.45

 

CMYK 73 / 53 / 0 / 21

HEX #375FC9

RGB 55 95 201

HSL 223.56, 0.57%, 0.5%

LAB 43.08, 22.61, -59.28

 

CMYK 67 / 49 / 0 / 14

HEX #4871DC

RGB 72 113 220

HSL 223.38, 0.68%, 0.57%

LAB 49.92, 20.48, -59.05

 

CMYK 63 / 45 / 0 / 6

HEX #5983EF

RGB 89 131 239

HSL 223.2, 0.82%, 0.64%

LAB 56.67, 18.72, -58.82

 

CMYK 58 / 42 / 0 / 0

HEX #6A95FF

RGB 106 149 255

HSL 222.68, 1%, 0.71%

LAB 63.16, 16.29, -57.22

 

CMYK 82 / 59 / 0 / 27

HEX #214DBB

RGB 33 77 187

HSL 222.86, 0.7%, 0.43%

LAB 36.4, 26.69, -62.02

 

CMYK 90 / 65 / 0 / 34

HEX #103BA8

RGB 16 59 168

HSL 223.03, 0.83%, 0.36%

LAB 29.58, 30.14, -61.92

 

CMYK 100 / 72 / 0 / 42

HEX #002995

RGB 0 41 149

HSL 223.49, 1%, 0.29%

LAB 22.85, 34.02, -61.45

 

CMYK 100 / 82 / 0 / 49

HEX #001782

RGB 0 23 130

HSL 229.38, 1%, 0.25%

LAB 16.62, 38.03, -59.89

 

CMYK 100 / 95 / 0 / 56

HEX #00056F

RGB 0 5 111

HSL 237.3, 1%, 0.22%

LAB 10.97, 40.43, -57.09

 

CMYK 82 / 59 / 0 / 27

HEX #214DBA

RGB 33 77 186

HSL 222.75, 0.7%, 0.43%

LAB 36.32, 26.31, -61.57

 

CMYK 82 / 81 / 0 / 27

HEX #2123BA

RGB 33 35 186

HSL 239.22, 0.7%, 0.43%

LAB 26.93, 51.69, -77.02

 

CMYK 61 / 82 / 0 / 27

HEX #4821BA

RGB 72 33 186

HSL 255.29, 0.7%, 0.43%

LAB 29.44, 55.53, -72.78

 

CMYK 39 / 82 / 0 / 27

HEX #7121BA

RGB 113 33 186

HSL 271.37, 0.7%, 0.43%

LAB 34.28, 60.59, -64.64

 

CMYK 17 / 82 / 0 / 27

HEX #9B21BA

RGB 155 33 186

HSL 287.84, 0.7%, 0.43%

LAB 40.58, 67.38, -54.12

 

CMYK 82 / 59 / 0 / 27

HEX #214DBA

RGB 33 77 186

HSL 222.75, 0.7%, 0.43%

LAB 36.32, 26.31, -61.57

 

CMYK 82 / 81 / 0 / 27

HEX #2123BA

RGB 33 35 186

HSL 239.22, 0.7%, 0.43%

LAB 26.93, 51.69, -77.02

 

CMYK 82 / 82 / 0 / 27

HEX #2121BA

RGB 33 33 186

HSL 240, 0.7%, 0.43%

LAB 26.61, 52.65, -77.56

 

CMYK 82 / 59 / 0 / 27

HEX #214DBA

RGB 33 77 186

HSL 222.75, 0.7%, 0.43%

LAB 36.32, 26.31, -61.57

 

CMYK 93 / 66 / 0 / 20

HEX #0F45CC

RGB 15 69 204

HSL 222.86, 0.86%, 0.43%

LAB 35.43, 37.39, -73.55

 

CMYK 82 / 59 / 0 / 27

HEX #214DBA

RGB 33 77 186

HSL 222.75, 0.7%, 0.43%

LAB 36.32, 26.31, -61.57

 

CMYK 70 / 50 / 0 / 34

HEX #3354A9

RGB 51 84 169

HSL 223.22, 0.54%, 0.43%

LAB 37.68, 17.33, -49.28

 

CMYK 55 / 39 / 0 / 41

HEX #445C97

RGB 68 92 151

HSL 222.65, 0.38%, 0.43%

LAB 39.78, 8.99, -35.12

 

CMYK 35 / 25 / 0 / 48

HEX #566485

RGB 86 100 133

HSL 222.13, 0.21%, 0.43%

LAB 42.44, 3.24, -20.04

 

CMYK 10 / 7 / 0 / 55

HEX #686B73

RGB 104 107 115

HSL 223.64, 0.05%, 0.43%

LAB 45.22, 0.58, -4.86

 

CMYK 82 / 13 / 0 / 27

HEX #21A1BA

RGB 33 161 186

HSL 189.8, 0.7%, 0.43%

LAB 61.1, -24.23, -22.35

 

CMYK 82 / 35 / 0 / 27

HEX #2178BA

RGB 33 120 186

HSL 205.88, 0.7%, 0.43%

LAB 48.64, -1.35, -41.76

 

CMYK 82 / 58 / 0 / 27

HEX #214FBA

RGB 33 79 186

HSL 221.96, 0.7%, 0.43%

LAB 36.86, 24.98, -60.69

 

CMYK 82 / 80 / 0 / 27

HEX #2126BA

RGB 33 38 186

HSL 238.04, 0.7%, 0.43%

LAB 27.45, 50.2, -76.17

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 82 / 59 / 0 / 55

HEX #153074

RGB 21 48 116

HSL 222.95, 0.69%, 0.27%

LAB 22.07, 17.04, -41.99

 

CMYK 82 / 59 / 0 / 41

HEX #1B3E97

RGB 27 62 151

HSL 223.06, 0.7%, 0.35%

LAB 29.19, 22.13, -52.24

 

CMYK 82 / 59 / 0 / 27

HEX #214DBA

RGB 33 77 186

HSL 222.75, 0.7%, 0.43%

LAB 36.32, 26.31, -61.57

 

CMYK 80 / 57 / 0 / 15

HEX #2B5DDA

RGB 43 93 218

HSL 222.86, 0.7%, 0.51%

LAB 43.37, 28.91, -68.59

 

CMYK 65 / 46 / 0 / 12

HEX #4E78E0

RGB 78 120 224

HSL 222.74, 0.7%, 0.59%

LAB 52.32, 18.48, -57.43

 

CMYK 82 / 59 / 0 / 27

HEX #214DBB

RGB 33 77 187

HSL 222.86, 0.7%, 0.43%

LAB 36.4, 26.69, -62.02

 

CMYK 8 / 82 / 0 / 27

HEX #AB21BA

RGB 171 33 186

HSL 294.12, 0.7%, 0.43%

LAB 43.2, 70.25, -49.77

 

CMYK 25 / 0 / 82 / 27

HEX #8CBA21

RGB 140 186 33

HSL 78.04, 0.7%, 0.43%

LAB 70.04, -35.61, 65.26

 

CMYK 82 / 59 / 0 / 27

HEX #214DBB

RGB 33 77 187

HSL 222.86, 0.7%, 0.43%

LAB 36.4, 26.69, -62.02

 

CMYK 0 / 82 / 58 / 27

HEX #BA214F

RGB 186 33 79

HSL 341.96, 0.7%, 0.43%

LAB 41.36, 60.7, 13.22

 

CMYK 58 / 0 / 82 / 27

HEX #4FBA21

RGB 79 186 33

HSL 101.96, 0.7%, 0.43%

LAB 67.19, -56.05, 61.64

 

CMYK 82 / 59 / 0 / 27

HEX #214DBB

RGB 33 77 187

HSL 222.86, 0.7%, 0.43%

LAB 36.4, 26.69, -62.02

 

CMYK 8 / 82 / 0 / 27

HEX #AB21BA

RGB 171 33 186

HSL 294.12, 0.7%, 0.43%

LAB 43.2, 70.25, -49.77

 

CMYK 0 / 25 / 82 / 27

HEX #BA8C21

RGB 186 140 33

HSL 41.96, 0.7%, 0.43%

LAB 61.05, 7.95, 58.83

 

CMYK 74 / 0 / 82 / 27

HEX #30BA21

RGB 48 186 33

HSL 114.12, 0.7%, 0.43%

LAB 66.41, -62.59, 60.63

 

CMYK 82 / 59 / 0 / 27

HEX #214DBB

RGB 33 77 187

HSL 222.86, 0.7%, 0.43%

LAB 36.4, 26.69, -62.02

 

CMYK 0 / 82 / 16 / 27

HEX #BA219C

RGB 186 33 156

HSL 311.76, 0.7%, 0.43%

LAB 44.13, 68.67, -30.3

 

CMYK 0 / 25 / 82 / 27

HEX #BA8C21

RGB 186 140 33

HSL 41.96, 0.7%, 0.43%

LAB 61.05, 7.95, 58.83

 

CMYK 82 / 0 / 66 / 27

HEX #21BA40

RGB 33 186 64

HSL 132.16, 0.7%, 0.43%

LAB 66.38, -62.14, 49.57

 

Description

Color code: HEX #214DBB | qconv.com Color code: HEX #214DBB | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 77 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 77 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 59 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 59% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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