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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4521BA it is the complementary color #BADE45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4521BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4521BA shade: #4A21B5, #5B33C8, #6C45DB, #7D57EE and #8E69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4521BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4521BA shade: #4521BA, #340FA7, #230094, #120081 and #01006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4521BA shade: #4521BA, #6E21BA, #9821BA, #BA21B4 and #BA218A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4521BA shade: #4521BA and #2121BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4521BA shade matches the following richer shades: #4521BA and #3C0FCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4521BA shade: #4521BA, #4E33A9, #584497, #615685 and #6B6873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4521BA shade: #214FBA, #2126BA, #4521BA, #6E21BA and #9721BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4521BA shade: #2B1574, #381B97, #4521BA, #542BDA and #704EE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4521BA shade: #4521BA, #BA2178 and #3ABA21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4521BA shade: #4521BA, #BA4521 and #21BA45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4521BA shade: #4521BA, #BA2178, #97BA21 and #21BA63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4521BA shade: #4521BA, #BA214A, #97BA21 and #21BA91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

Complementary color

CMYK 16 / 0 / 69 / 13

HEX #BADE45

RGB 186 222 69

HSL 74.12, 0.7%, 0.57%

LAB 83.5, -32.25, 67.55

 

CMYK 59 / 82 / 0 / 29

HEX #4A21B5

RGB 74 33 181

HSL 256.62, 0.69%, 0.42%

LAB 29.11, 54.36, -70.35

 

CMYK 55 / 75 / 0 / 22

HEX #5B33C8

RGB 91 51 200

HSL 256.11, 0.59%, 0.49%

LAB 35.52, 53.56, -70.93

 

CMYK 51 / 68 / 0 / 14

HEX #6C45DB

RGB 108 69 219

HSL 255.6, 0.68%, 0.56%

LAB 42.09, 52.35, -71.07

 

CMYK 47 / 63 / 0 / 7

HEX #7D57EE

RGB 125 87 238

HSL 255.1, 0.82%, 0.64%

LAB 48.7, 51.02, -71

 

CMYK 44 / 59 / 0 / 0

HEX #8E69FF

RGB 142 105 255

HSL 254.8, 1%, 0.71%

LAB 55.15, 49.15, -69.94

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 69 / 91 / 0 / 35

HEX #340FA7

RGB 52 15 167

HSL 254.61, 0.84%, 0.36%

LAB 23.21, 55.13, -71.78

 

CMYK 76 / 100 / 0 / 42

HEX #230094

RGB 35 0 148

HSL 254.19, 1%, 0.29%

LAB 17.9, 53.4, -69.01

 

CMYK 86 / 100 / 0 / 49

HEX #120081

RGB 18 0 129

HSL 248.37, 1%, 0.25%

LAB 13.91, 48.03, -63.77

 

CMYK 99 / 100 / 0 / 57

HEX #01006E

RGB 1 0 110

HSL 240.55, 1%, 0.22%

LAB 10.05, 42.64, -57.97

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 41 / 82 / 0 / 27

HEX #6E21BA

RGB 110 33 186

HSL 270.2, 0.7%, 0.43%

LAB 33.87, 60.16, -65.33

 

CMYK 18 / 82 / 0 / 27

HEX #9821BA

RGB 152 33 186

HSL 286.67, 0.7%, 0.43%

LAB 40.09, 66.85, -54.93

 

CMYK 0 / 82 / 3 / 27

HEX #BA21B4

RGB 186 33 180

HSL 302.35, 0.7%, 0.43%

LAB 45.39, 72.12, -42.59

 

CMYK 0 / 82 / 26 / 27

HEX #BA218A

RGB 186 33 138

HSL 318.82, 0.7%, 0.43%

LAB 43.3, 66.36, -20.69

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 82 / 82 / 0 / 27

HEX #2121BA

RGB 33 33 186

HSL 240, 0.7%, 0.43%

LAB 26.61, 52.65, -77.56

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 71 / 93 / 0 / 20

HEX #3C0FCC

RGB 60 15 204

HSL 254.29, 0.86%, 0.43%

LAB 28.54, 65.18, -84.9

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 54 / 70 / 0 / 34

HEX #4E33A9

RGB 78 51 169

HSL 253.73, 0.54%, 0.43%

LAB 31.47, 42.61, -59.28

 

CMYK 42 / 55 / 0 / 41

HEX #584497

RGB 88 68 151

HSL 254.46, 0.38%, 0.43%

LAB 34.89, 29.21, -42.82

 

CMYK 27 / 35 / 0 / 48

HEX #615685

RGB 97 86 133

HSL 254.04, 0.21%, 0.43%

LAB 39.4, 15.44, -24.69

 

CMYK 7 / 10 / 0 / 55

HEX #6B6873

RGB 107 104 115

HSL 256.36, 0.05%, 0.43%

LAB 44.61, 3.49, -5.73

 

CMYK 82 / 58 / 0 / 27

HEX #214FBA

RGB 33 79 186

HSL 221.96, 0.7%, 0.43%

LAB 36.86, 24.98, -60.69

 

CMYK 82 / 80 / 0 / 27

HEX #2126BA

RGB 33 38 186

HSL 238.04, 0.7%, 0.43%

LAB 27.45, 50.2, -76.17

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 41 / 82 / 0 / 27

HEX #6E21BA

RGB 110 33 186

HSL 270.2, 0.7%, 0.43%

LAB 33.87, 60.16, -65.33

 

CMYK 19 / 82 / 0 / 27

HEX #9721BA

RGB 151 33 186

HSL 286.27, 0.7%, 0.43%

LAB 39.94, 66.68, -55.19

 

CMYK 63 / 82 / 0 / 55

HEX #2B1574

RGB 43 21 116

HSL 253.89, 0.69%, 0.27%

LAB 17.04, 37.34, -50.17

 

CMYK 63 / 82 / 0 / 41

HEX #381B97

RGB 56 27 151

HSL 254.03, 0.7%, 0.35%

LAB 23.2, 46.53, -62.01

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 61 / 80 / 0 / 15

HEX #542BDA

RGB 84 43 218

HSL 254.06, 0.7%, 0.51%

LAB 35.35, 61.34, -81.66

 

CMYK 50 / 65 / 0 / 12

HEX #704EE0

RGB 112 78 224

HSL 253.97, 0.7%, 0.59%

LAB 44.63, 49.63, -69.77

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 0 / 82 / 35 / 27

HEX #BA2178

RGB 186 33 120

HSL 325.88, 0.7%, 0.43%

LAB 42.59, 64.31, -10.71

 

CMYK 69 / 0 / 82 / 27

HEX #3ABA21

RGB 58 186 33

HSL 110.2, 0.7%, 0.43%

LAB 66.62, -60.82, 60.9

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 0 / 63 / 82 / 27

HEX #BA4521

RGB 186 69 33

HSL 14.12, 0.7%, 0.43%

LAB 45.37, 45.49, 44.72

 

CMYK 82 / 0 / 63 / 27

HEX #21BA45

RGB 33 186 69

HSL 134.12, 0.7%, 0.43%

LAB 66.42, -61.58, 47.46

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 0 / 82 / 35 / 27

HEX #BA2178

RGB 186 33 120

HSL 325.88, 0.7%, 0.43%

LAB 42.59, 64.31, -10.71

 

CMYK 19 / 0 / 82 / 27

HEX #97BA21

RGB 151 186 33

HSL 73.73, 0.7%, 0.43%

LAB 70.74, -31.2, 66.15

 

CMYK 82 / 0 / 47 / 27

HEX #21BA63

RGB 33 186 99

HSL 145.88, 0.7%, 0.43%

LAB 66.78, -57.26, 33.49

 

CMYK 63 / 82 / 0 / 27

HEX #4521BA

RGB 69 33 186

HSL 254.12, 0.7%, 0.43%

LAB 29.15, 55.23, -73.26

 

CMYK 0 / 82 / 60 / 27

HEX #BA214A

RGB 186 33 74

HSL 343.92, 0.7%, 0.43%

LAB 41.25, 60.37, 16.22

 

CMYK 19 / 0 / 82 / 27

HEX #97BA21

RGB 151 186 33

HSL 73.73, 0.7%, 0.43%

LAB 70.74, -31.2, 66.15

 

CMYK 82 / 0 / 22 / 27

HEX #21BA91

RGB 33 186 145

HSL 163.92, 0.7%, 0.43%

LAB 67.64, -47.6, 10.14

 

Description

Color code: HEX #4521BA | qconv.com Color code: HEX #4521BA | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 33 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 33 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 82 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 82% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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