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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21414E it is the complementary color #DEBEB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21414E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #21414E: #264149, #37535C, #48656F, #597782 and #6A8995

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21414E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #21414E: #21414E, #102F3B, #001D28, #000B15 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 17 / 0 / 69

HEX #21414E

RGB 33 65 78

HSL 197.33, 0.41%, 0.22%

LAB 25.73, -7.5, -11.48

 

Complementary color

CMYK 0 / 14 / 20 / 13

HEX #DEBEB1

RGB 222 190 177

HSL 17.33, 0.41%, 0.78%

LAB 79.35, 9.37, 10.77

 

CMYK 48 / 11 / 0 / 71

HEX #264149

RGB 38 65 73

HSL 193.71, 0.32%, 0.22%

LAB 25.78, -7.76, -8.08

 

CMYK 40 / 10 / 0 / 64

HEX #37535C

RGB 55 83 92

HSL 194.59, 0.25%, 0.29%

LAB 33.5, -7.85, -8.58

 

CMYK 35 / 9 / 0 / 56

HEX #48656F

RGB 72 101 111

HSL 195.38, 0.21%, 0.36%

LAB 40.95, -7.9, -9.05

 

CMYK 32 / 8 / 0 / 49

HEX #597782

RGB 89 119 130

HSL 196.1, 0.19%, 0.43%

LAB 48.17, -7.93, -9.52

 

CMYK 29 / 8 / 0 / 42

HEX #6A8995

RGB 106 137 149

HSL 196.74, 0.17%, 0.5%

LAB 55.2, -7.96, -9.97

 

CMYK 58 / 17 / 0 / 69

HEX #21414E

RGB 33 65 78

HSL 197.33, 0.41%, 0.22%

LAB 25.73, -7.5, -11.48

 

CMYK 73 / 20 / 0 / 77

HEX #102F3B

RGB 16 47 59

HSL 196.74, 0.57%, 0.15%

LAB 17.73, -6.91, -11.02

 

CMYK 100 / 28 / 0 / 84

HEX #001D28

RGB 0 29 40

HSL 196.5, 1%, 0.08%

LAB 9.25, -6.2, -10.63

 

CMYK 100 / 48 / 0 / 92

HEX #000B15

RGB 0 11 21

HSL 208.57, 1%, 0.04%

LAB 2.65, -0.98, -6.2

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 58 / 17 / 0 / 69

HEX #21414E

RGB 33 65 78

HSL 197.33, 0.41%, 0.22%

LAB 25.73, -7.5, -11.48

 

CMYK 58 / 27 / 0 / 69

HEX #213A4F

RGB 33 58 79

HSL 207.39, 0.41%, 0.22%

LAB 23.38, -2.6, -15.74

 

CMYK 58 / 37 / 0 / 69

HEX #21324F

RGB 33 50 79

HSL 217.83, 0.41%, 0.22%

LAB 20.71, 2.87, -19.92

 

CMYK 58 / 46 / 0 / 69

HEX #212B4F

RGB 33 43 79

HSL 226.96, 0.41%, 0.22%

LAB 18.43, 7.86, -23.51

 

CMYK 58 / 56 / 0 / 69

HEX #21234F

RGB 33 35 79

HSL 237.39, 0.41%, 0.22%

LAB 15.95, 13.69, -27.48

 

CMYK 58 / 17 / 0 / 69

HEX #21414E

RGB 33 65 78

HSL 197.33, 0.41%, 0.22%

LAB 25.73, -7.5, -11.48

 

CMYK 57 / 16 / 0 / 49

HEX #376C81

RGB 55 108 129

HSL 197.03, 0.4%, 0.36%

LAB 42.95, -11.16, -17.01

 

CMYK 58 / 17 / 0 / 29

HEX #4C96B4

RGB 76 150 180

HSL 197.31, 0.41%, 0.5%

LAB 58.64, -14.16, -22.62

 

CMYK 58 / 16 / 0 / 9

HEX #62C1E7

RGB 98 193 231

HSL 197.14, 0.73%, 0.65%

LAB 73.87, -17.33, -27.41

 

CMYK 59 / 15 / 0 / 89

HEX #0B171B

RGB 11 23 27

HSL 195, 0.42%, 0.07%

LAB 6.89, -3.4, -4.42

 

CMYK 58 / 17 / 0 / 69

HEX #21414E

RGB 33 65 78

HSL 197.33, 0.41%, 0.22%

LAB 25.73, -7.5, -11.48

 

CMYK 30 / 58 / 0 / 69

HEX #37214F

RGB 55 33 79

HSL 268.7, 0.41%, 0.22%

LAB 17.76, 21.33, -24.46

 

CMYK 0 / 8 / 58 / 69

HEX #4F4921

RGB 79 73 33

HSL 52.17, 0.41%, 0.22%

LAB 30.73, -3.65, 24.56

 

CMYK 58 / 17 / 0 / 69

HEX #21414E

RGB 33 65 78

HSL 197.33, 0.41%, 0.22%

LAB 25.73, -7.5, -11.48

 

CMYK 0 / 58 / 16 / 69

HEX #4F2142

RGB 79 33 66

HSL 316.96, 0.41%, 0.22%

LAB 20.61, 26.4, -10.86

 

CMYK 16 / 0 / 58 / 69

HEX #424F21

RGB 66 79 33

HSL 76.96, 0.41%, 0.22%

LAB 31.49, -13.45, 25.16

 

CMYK 58 / 17 / 0 / 69

HEX #21414E

RGB 33 65 78

HSL 197.33, 0.41%, 0.22%

LAB 25.73, -7.5, -11.48

 

CMYK 30 / 58 / 0 / 69

HEX #37214F

RGB 55 33 79

HSL 268.7, 0.41%, 0.22%

LAB 17.76, 21.33, -24.46

 

CMYK 0 / 42 / 58 / 69

HEX #4F2E21

RGB 79 46 33

HSL 16.96, 0.41%, 0.22%

LAB 22.74, 13.56, 14.72

 

CMYK 29 / 0 / 58 / 69

HEX #384F21

RGB 56 79 33

HSL 90, 0.41%, 0.22%

LAB 30.74, -17.93, 24.1

 

CMYK 58 / 17 / 0 / 69

HEX #21414E

RGB 33 65 78

HSL 197.33, 0.41%, 0.22%

LAB 25.73, -7.5, -11.48

 

CMYK 13 / 58 / 0 / 69

HEX #45214F

RGB 69 33 79

HSL 286.96, 0.41%, 0.22%

LAB 19.71, 25.74, -21.24

 

CMYK 0 / 42 / 58 / 69

HEX #4F2E21

RGB 79 46 33

HSL 16.96, 0.41%, 0.22%

LAB 22.74, 13.56, 14.72

 

CMYK 46 / 0 / 58 / 69

HEX #2B4F21

RGB 43 79 33

HSL 106.96, 0.41%, 0.22%

LAB 29.95, -23.18, 22.96

 

Description

Color code: HEX #21414E | qconv.com Color code: HEX #21414E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 65 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 65 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 17 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 17% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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