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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20B3DF it is the complementary color #DF4C20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20B3DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20B3DF shade: #25B3DA, #36C5ED, #47D7FF, #58E9FF and #69FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20B3DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20B3DF shade: #20B3DF, #0FA1CC, #008FB9, #007DA6 and #006B93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20B3DF shade: #20B3DF, #2080DF, #204CDF, #2720DF and #5B20DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20B3DF shade: #20B3DF, #2080DF, #204CDF and #2020DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20B3DF shade matches the following richer shades: #20B3DF and #0BBEF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20B3DF shade: #20B3DF, #35A8CA, #499DB6, #5E92A1 and #72878D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20B3DF shade: #20DFA3, #20DFD6, #20B6DF, #2083DF and #2050DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20B3DF shade: #167997, #1B96BB, #20B3DF, #44BFE4 and #68CCE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20B3DF shade: #20B3DF, #7020DF and #DFBC20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20B3DF shade: #20B3DF, #DF20B6 and #B6DF20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20B3DF shade: #20B3DF, #7020DF, #DF4920 and #8FDF20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20B3DF shade: #20B3DF, #A920DF, #DF4920 and #56DF20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

Complementary color

CMYK 0 / 66 / 86 / 13

HEX #DF4C20

RGB 223 76 32

HSL 13.82, 0.75%, 0.5%

LAB 52.91, 55.39, 54.27

 

CMYK 83 / 18 / 0 / 15

HEX #25B3DA

RGB 37 179 218

HSL 192.93, 0.71%, 0.5%

LAB 67.8, -22.51, -29.81

 

CMYK 77 / 17 / 0 / 7

HEX #36C5ED

RGB 54 197 237

HSL 193.11, 0.84%, 0.57%

LAB 74.08, -23.95, -30.43

 

CMYK 72 / 16 / 0 / 0

HEX #47D7FF

RGB 71 215 255

HSL 193.04, 1%, 0.64%

LAB 80.27, -25.41, -30.52

 

CMYK 65 / 9 / 0 / 0

HEX #58E9FF

RGB 88 233 255

HSL 187.9, 1%, 0.67%

LAB 85.79, -31.89, -22.06

 

CMYK 59 / 2 / 0 / 0

HEX #69FBFF

RGB 105 251 255

HSL 181.6, 1%, 0.71%

LAB 91.33, -37.64, -13.67

 

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

CMYK 93 / 21 / 0 / 20

HEX #0FA1CC

RGB 15 161 204

HSL 193.65, 0.86%, 0.43%

LAB 61.61, -19.2, -31.65

 

CMYK 100 / 23 / 0 / 27

HEX #008FB9

RGB 0 143 185

HSL 193.62, 1%, 0.36%

LAB 55.22, -16.82, -30.87

 

CMYK 100 / 25 / 0 / 35

HEX #007DA6

RGB 0 125 166

HSL 194.82, 1%, 0.33%

LAB 48.79, -13.83, -29.96

 

CMYK 100 / 27 / 0 / 42

HEX #006B93

RGB 0 107 147

HSL 196.33, 1%, 0.29%

LAB 42.19, -10.71, -29.07

 

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

CMYK 86 / 43 / 0 / 13

HEX #2080DF

RGB 32 128 223

HSL 209.84, 0.75%, 0.5%

LAB 53.03, 7.74, -55.82

 

CMYK 86 / 66 / 0 / 13

HEX #204CDF

RGB 32 76 223

HSL 226.18, 0.75%, 0.5%

LAB 39.25, 40.78, -78.2

 

CMYK 83 / 86 / 0 / 13

HEX #2720DF

RGB 39 32 223

HSL 242.2, 0.75%, 0.5%

LAB 31.33, 64.22, -91.3

 

CMYK 59 / 86 / 0 / 13

HEX #5B20DF

RGB 91 32 223

HSL 258.53, 0.75%, 0.5%

LAB 35.17, 67.36, -84.81

 

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

CMYK 86 / 43 / 0 / 13

HEX #2080DF

RGB 32 128 223

HSL 209.84, 0.75%, 0.5%

LAB 53.03, 7.74, -55.82

 

CMYK 86 / 66 / 0 / 13

HEX #204CDF

RGB 32 76 223

HSL 226.18, 0.75%, 0.5%

LAB 39.25, 40.78, -78.2

 

CMYK 86 / 86 / 0 / 13

HEX #2020DF

RGB 32 32 223

HSL 240, 0.75%, 0.5%

LAB 31.04, 63.99, -91.79

 

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

CMYK 95 / 22 / 0 / 4

HEX #0BBEF4

RGB 11 190 244

HSL 193.91, 0.91%, 0.5%

LAB 71.85, -20.67, -37.71

 

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

CMYK 74 / 17 / 0 / 21

HEX #35A8CA

RGB 53 168 202

HSL 193.69, 0.58%, 0.5%

LAB 64.18, -20.49, -26.52

 

CMYK 60 / 14 / 0 / 29

HEX #499DB6

RGB 73 157 182

HSL 193.76, 0.43%, 0.5%

LAB 60.7, -17.91, -20.62

 

CMYK 42 / 9 / 0 / 37

HEX #5E92A1

RGB 94 146 161

HSL 193.43, 0.26%, 0.5%

LAB 57.57, -13.27, -13.37

 

CMYK 19 / 4 / 0 / 45

HEX #72878D

RGB 114 135 141

HSL 193.33, 0.11%, 0.5%

LAB 54.9, -6.16, -5.75

 

CMYK 86 / 0 / 27 / 13

HEX #20DFA3

RGB 32 223 163

HSL 161.15, 0.75%, 0.5%

LAB 79.46, -57.94, 17.13

 

CMYK 86 / 0 / 4 / 13

HEX #20DFD6

RGB 32 223 214

HSL 177.17, 0.75%, 0.5%

LAB 80.7, -44.9, -8.11

 

CMYK 86 / 18 / 0 / 13

HEX #20B6DF

RGB 32 182 223

HSL 192.88, 0.75%, 0.5%

LAB 68.82, -22.74, -30.97

 

CMYK 86 / 41 / 0 / 13

HEX #2083DF

RGB 32 131 223

HSL 208.9, 0.75%, 0.5%

LAB 53.89, 5.91, -54.45

 

CMYK 86 / 64 / 0 / 13

HEX #2050DF

RGB 32 80 223

HSL 224.92, 0.75%, 0.5%

LAB 40.2, 38.27, -76.63

 

CMYK 85 / 20 / 0 / 41

HEX #167997

RGB 22 121 151

HSL 193.95, 0.75%, 0.34%

LAB 47.08, -15.91, -23.81

 

CMYK 86 / 20 / 0 / 27

HEX #1B96BB

RGB 27 150 187

HSL 193.88, 0.75%, 0.42%

LAB 57.69, -18.61, -28.16

 

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

CMYK 70 / 16 / 0 / 11

HEX #44BFE4

RGB 68 191 228

HSL 193.88, 0.75%, 0.58%

LAB 72.29, -22.12, -28.29

 

CMYK 55 / 12 / 0 / 9

HEX #68CCE9

RGB 104 204 233

HSL 193.49, 0.75%, 0.66%

LAB 77.29, -21.24, -23.25

 

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

CMYK 50 / 86 / 0 / 13

HEX #7020DF

RGB 112 32 223

HSL 265.13, 0.75%, 0.5%

LAB 37.49, 69.38, -80.9

 

CMYK 0 / 16 / 86 / 13

HEX #DFBC20

RGB 223 188 32

HSL 49.01, 0.75%, 0.5%

LAB 77.14, -1.42, 74.14

 

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

CMYK 0 / 86 / 18 / 13

HEX #DF20B6

RGB 223 32 182

HSL 312.88, 0.75%, 0.5%

LAB 51.95, 79.9, -32.98

 

CMYK 18 / 0 / 86 / 13

HEX #B6DF20

RGB 182 223 32

HSL 72.88, 0.75%, 0.5%

LAB 83.35, -35.84, 77.94

 

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

CMYK 50 / 86 / 0 / 13

HEX #7020DF

RGB 112 32 223

HSL 265.13, 0.75%, 0.5%

LAB 37.49, 69.38, -80.9

 

CMYK 0 / 67 / 86 / 13

HEX #DF4920

RGB 223 73 32

HSL 12.88, 0.75%, 0.5%

LAB 52.46, 56.59, 53.9

 

CMYK 36 / 0 / 86 / 13

HEX #8FDF20

RGB 143 223 32

HSL 85.13, 0.75%, 0.5%

LAB 81.14, -50.43, 75.19

 

CMYK 86 / 20 / 0 / 13

HEX #20B3DF

RGB 32 179 223

HSL 193.82, 0.75%, 0.5%

LAB 67.93, -21.2, -32.35

 

CMYK 24 / 86 / 0 / 13

HEX #A920DF

RGB 169 32 223

HSL 283.04, 0.75%, 0.5%

LAB 45.35, 76.73, -67.71

 

CMYK 0 / 67 / 86 / 13

HEX #DF4920

RGB 223 73 32

HSL 12.88, 0.75%, 0.5%

LAB 52.46, 56.59, 53.9

 

CMYK 61 / 0 / 86 / 13

HEX #56DF20

RGB 86 223 32

HSL 103.04, 0.75%, 0.5%

LAB 78.96, -67.05, 72.45

 

Description

Color code: HEX #20B3DF | qconv.com Color code: HEX #20B3DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 179 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 179 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 20 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 20% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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