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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 72 / 16 / 0 / 0 it is the complementary color CMYK 0 / 78 / 100 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 72 / 16 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 72 / 16 / 0 / 0: CMYK 70 / 14 / 0 / 2, CMYK 64 / 9 / 0 / 0, CMYK 57 / 2 / 0 / 0, CMYK 50 / 0 / 0 / 0 and CMYK 44 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 72 / 16 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 72 / 16 / 0 / 0: CMYK 72 / 16 / 0 / 0, CMYK 77 / 17 / 0 / 7, CMYK 83 / 18 / 0 / 15, CMYK 90 / 19 / 0 / 22 and CMYK 98 / 21 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 16 / 0 / 0

HEX #47D6FF

RGB 71 214 255

HSL 193.37, 1%, 0.64%

LAB 79.98, -24.91, -30.96

 

Complementary color

CMYK 0 / 78 / 100 / 28

HEX #B82900

RGB 184 41 0

HSL 13.37, 1%, 0.36%

LAB 40.86, 55.07, 53.65

 

CMYK 70 / 14 / 0 / 2

HEX #4CD6FA

RGB 76 214 250

HSL 192.41, 0.95%, 0.64%

LAB 79.92, -25.81, -28.4

 

CMYK 64 / 9 / 0 / 0

HEX #5DE8FF

RGB 93 232 255

HSL 188.52, 1%, 0.68%

LAB 85.64, -30.67, -22.29

 

CMYK 57 / 2 / 0 / 0

HEX #6EFAFF

RGB 110 250 255

HSL 182.07, 1%, 0.72%

LAB 91.19, -36.32, -13.87

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 72 / 16 / 0 / 0

HEX #47D6FF

RGB 71 214 255

HSL 193.37, 1%, 0.64%

LAB 79.98, -24.91, -30.96

 

CMYK 77 / 17 / 0 / 7

HEX #36C4EC

RGB 54 196 236

HSL 193.19, 0.83%, 0.57%

LAB 73.75, -23.76, -30.4

 

CMYK 83 / 18 / 0 / 15

HEX #25B2D9

RGB 37 178 217

HSL 193, 0.71%, 0.5%

LAB 67.46, -22.33, -29.78

 

CMYK 90 / 19 / 0 / 22

HEX #14A0C6

RGB 20 160 198

HSL 192.81, 0.82%, 0.43%

LAB 61.1, -20.53, -29.07

 

CMYK 98 / 21 / 0 / 30

HEX #038EB3

RGB 3 142 179

HSL 192.61, 0.97%, 0.36%

LAB 54.68, -18.33, -28.29

 

CMYK 72 / 16 / 0 / 0

HEX #47D6FF

RGB 71 214 255

HSL 193.37, 1%, 0.64%

LAB 79.98, -24.91, -30.96

 

CMYK 72 / 28 / 0 / 0

HEX #47B8FF

RGB 71 184 255

HSL 203.15, 1%, 0.64%

LAB 71.45, -9.27, -44.21

 

CMYK 72 / 40 / 0 / 0

HEX #479AFF

RGB 71 154 255

HSL 212.93, 1%, 0.64%

LAB 63.07, 7.76, -57.44

 

CMYK 72 / 52 / 0 / 0

HEX #477BFF

RGB 71 123 255

HSL 223.04, 1%, 0.64%

LAB 54.79, 26.5, -70.74

 

CMYK 72 / 64 / 0 / 0

HEX #475CFF

RGB 71 92 255

HSL 233.15, 1%, 0.64%

LAB 47.25, 45.46, -83.02

 

CMYK 72 / 16 / 0 / 0

HEX #47D6FF

RGB 71 214 255

HSL 193.37, 1%, 0.64%

LAB 79.98, -24.91, -30.96

 

CMYK 73 / 16 / 0 / 80

HEX #0E2B33

RGB 14 43 51

HSL 192.97, 0.57%, 0.13%

LAB 15.8, -7.8, -8.42

 

CMYK 73 / 16 / 0 / 60

HEX #1C5666

RGB 28 86 102

HSL 192.97, 0.57%, 0.25%

LAB 33.69, -12.87, -14.69

 

CMYK 72 / 16 / 0 / 40

HEX #2B8099

RGB 43 128 153

HSL 193.64, 0.56%, 0.38%

LAB 49.8, -16.67, -20.76

 

CMYK 72 / 16 / 0 / 20

HEX #39ABCC

RGB 57 171 204

HSL 193.47, 0.59%, 0.51%

LAB 65.24, -20.9, -25.99

 

CMYK 72 / 16 / 0 / 0

HEX #47D6FF

RGB 71 214 255

HSL 193.37, 1%, 0.64%

LAB 79.98, -24.91, -30.96

 

CMYK 42 / 72 / 0 / 0

HEX #9347FF

RGB 147 71 255

HSL 264.78, 1%, 0.64%

LAB 49.41, 67.11, -79.24

 

CMYK 0 / 13 / 72 / 0

HEX #FFDD47

RGB 255 221 71

HSL 48.91, 1%, 0.64%

LAB 88.65, -3.38, 73.72

 

CMYK 72 / 16 / 0 / 0

HEX #47D6FF

RGB 71 214 255

HSL 193.37, 1%, 0.64%

LAB 79.98, -24.91, -30.96

 

CMYK 0 / 72 / 16 / 0

HEX #FF47D7

RGB 255 71 215

HSL 313.04, 1%, 0.64%

LAB 62.23, 81.36, -35.46

 

CMYK 16 / 0 / 72 / 0

HEX #D7FF47

RGB 215 255 71

HSL 73.04, 1%, 0.64%

LAB 94.49, -35.92, 78.31

 

CMYK 72 / 16 / 0 / 0

HEX #47D6FF

RGB 71 214 255

HSL 193.37, 1%, 0.64%

LAB 79.98, -24.91, -30.96

 

CMYK 42 / 72 / 0 / 0

HEX #9347FF

RGB 147 71 255

HSL 264.78, 1%, 0.64%

LAB 49.41, 67.11, -79.24

 

CMYK 0 / 56 / 72 / 0

HEX #FF6F47

RGB 255 111 71

HSL 13.04, 1%, 0.64%

LAB 64.23, 52.53, 48.65

 

CMYK 30 / 0 / 72 / 0

HEX #B2FF47

RGB 178 255 71

HSL 85.11, 1%, 0.64%

LAB 92.33, -49.62, 75.46

 

CMYK 72 / 16 / 0 / 0

HEX #47D6FF

RGB 71 214 255

HSL 193.37, 1%, 0.64%

LAB 79.98, -24.91, -30.96

 

CMYK 21 / 72 / 0 / 0

HEX #CA47FF

RGB 202 71 255

HSL 282.72, 1%, 0.64%

LAB 56.37, 76.78, -67.63

 

CMYK 0 / 56 / 72 / 0

HEX #FF6F47

RGB 255 111 71

HSL 13.04, 1%, 0.64%

LAB 64.23, 52.53, 48.65

 

CMYK 52 / 0 / 72 / 0

HEX #7BFF47

RGB 123 255 71

HSL 103.04, 1%, 0.64%

LAB 89.95, -66.77, 72.31

 

Description

Color code: CMYK 72 / 16 / 0 / 0 | qconv.com Color code: CMYK 72 / 16 / 0 / 0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 214 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 214 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 16 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 16% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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