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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2018DF it is the complementary color #DFE720. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2018DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2018DF shade: #2518DA, #362AED, #473CFF, #584EFF and #6960FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2018DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2018DF shade: #2018DF, #0F06CC, #0000B9, #0000A6 and #000093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2018DF shade: #1F17DE, #5517DE, #8A17DE, #C017DE and #DE17C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2018DF shade: #1F17DE and #1717DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2018DF shade matches the following richer shades: #1F17DE and #0D03F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2018DF shade: #1F17DE, #312BCA, #443FB6, #5653A2 and #68668E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2018DF shade: #177ADE, #1746DE, #1E17DE, #5317DE and #8817DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2018DF shade: #150F93, #1A13B8, #1F17DE, #3C34EA and #605AEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2018DF shade: #2018DF, #DE17AF and #60DE17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2018DF shade: #2018DF, #DE1E17 and #17DE1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2018DF shade: #2018DF, #DE17AF, #D7DE17 and #17DE46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2018DF shade: #2018DF, #DE1774, #D7DE17 and #17DE81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 89 / 0 / 13

HEX #2018DF

RGB 32 24 223

HSL 242.41, 0.81%, 0.48%

LAB 30.13, 66.74, -93.31

 

Complementary color

CMYK 3 / 0 / 86 / 9

HEX #DFE720

RGB 223 231 32

HSL 62.41, 0.81%, 0.52%

LAB 88.42, -22.92, 83.3

 

CMYK 83 / 89 / 0 / 15

HEX #2518DA

RGB 37 24 218

HSL 244.02, 0.8%, 0.47%

LAB 29.68, 65.53, -91.16

 

CMYK 77 / 82 / 0 / 7

HEX #362AED

RGB 54 42 237

HSL 243.69, 0.84%, 0.55%

LAB 35.11, 64.87, -92.98

 

CMYK 72 / 76 / 0 / 0

HEX #473CFF

RGB 71 60 255

HSL 243.38, 1%, 0.62%

LAB 40.88, 63.04, -93.51

 

CMYK 65 / 69 / 0 / 0

HEX #584EFF

RGB 88 78 255

HSL 243.39, 1%, 0.65%

LAB 45.28, 55.36, -86.22

 

CMYK 59 / 62 / 0 / 0

HEX #6960FF

RGB 105 96 255

HSL 243.4, 1%, 0.69%

LAB 50.2, 47.57, -78.11

 

CMYK 86 / 89 / 0 / 13

HEX #2018DF

RGB 32 24 223

HSL 242.41, 0.81%, 0.48%

LAB 30.13, 66.74, -93.31

 

CMYK 93 / 97 / 0 / 20

HEX #0F06CC

RGB 15 6 204

HSL 242.73, 0.94%, 0.41%

LAB 25.54, 65.81, -89.97

 

CMYK 100 / 100 / 0 / 27

HEX #0000B9

RGB 0 0 185

HSL 240, 1%, 0.36%

LAB 21.95, 62.23, -84.76

 

CMYK 100 / 100 / 0 / 35

HEX #0000A6

RGB 0 0 166

HSL 240, 1%, 0.33%

LAB 19.03, 57.43, -78.22

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 86 / 90 / 0 / 13

HEX #1F17DE

RGB 31 23 222

HSL 242.41, 0.81%, 0.48%

LAB 29.86, 66.75, -93.19

 

CMYK 62 / 90 / 0 / 13

HEX #5517DE

RGB 85 23 222

HSL 258.69, 0.81%, 0.48%

LAB 33.6, 69.22, -86.85

 

CMYK 38 / 90 / 0 / 13

HEX #8A17DE

RGB 138 23 222

HSL 274.67, 0.81%, 0.48%

LAB 40.06, 74.25, -75.97

 

CMYK 14 / 90 / 0 / 13

HEX #C017DE

RGB 192 23 222

HSL 290.95, 0.81%, 0.48%

LAB 48.38, 81.68, -62.07

 

CMYK 0 / 90 / 11 / 13

HEX #DE17C6

RGB 222 23 198

HSL 307.24, 0.81%, 0.48%

LAB 52.08, 83.16, -42.07

 

CMYK 86 / 90 / 0 / 13

HEX #1F17DE

RGB 31 23 222

HSL 242.41, 0.81%, 0.48%

LAB 29.86, 66.75, -93.19

 

CMYK 90 / 90 / 0 / 13

HEX #1717DE

RGB 23 23 222

HSL 240, 0.81%, 0.48%

LAB 29.59, 66.59, -93.65

 

CMYK 86 / 90 / 0 / 13

HEX #1F17DE

RGB 31 23 222

HSL 242.41, 0.81%, 0.48%

LAB 29.86, 66.75, -93.19

 

CMYK 95 / 99 / 0 / 5

HEX #0D03F1

RGB 13 3 241

HSL 242.52, 0.98%, 0.48%

LAB 30.64, 75.46, -102.74

 

CMYK 86 / 90 / 0 / 13

HEX #1F17DE

RGB 31 23 222

HSL 242.41, 0.81%, 0.48%

LAB 29.86, 66.75, -93.19

 

CMYK 76 / 79 / 0 / 21

HEX #312BCA

RGB 49 43 202

HSL 242.26, 0.65%, 0.48%

LAB 30.98, 53.71, -79.69

 

CMYK 63 / 65 / 0 / 29

HEX #443FB6

RGB 68 63 182

HSL 242.52, 0.49%, 0.48%

LAB 34.32, 38.1, -62.41

 

CMYK 47 / 49 / 0 / 36

HEX #5653A2

RGB 86 83 162

HSL 242.28, 0.32%, 0.48%

LAB 39.2, 22.66, -42.56

 

CMYK 27 / 28 / 0 / 44

HEX #68668E

RGB 104 102 142

HSL 243, 0.16%, 0.48%

LAB 44.8, 10.18, -21.69

 

CMYK 90 / 45 / 0 / 13

HEX #177ADE

RGB 23 122 222

HSL 210.15, 0.81%, 0.48%

LAB 51.12, 10.52, -58.32

 

CMYK 90 / 68 / 0 / 13

HEX #1746DE

RGB 23 70 222

HSL 225.83, 0.81%, 0.48%

LAB 37.55, 43.7, -80.44

 

CMYK 86 / 90 / 0 / 13

HEX #1E17DE

RGB 30 23 222

HSL 242.11, 0.81%, 0.48%

LAB 29.82, 66.73, -93.25

 

CMYK 63 / 90 / 0 / 13

HEX #5317DE

RGB 83 23 222

HSL 258.09, 0.81%, 0.48%

LAB 33.41, 69.08, -87.19

 

CMYK 39 / 90 / 0 / 13

HEX #8817DE

RGB 136 23 222

HSL 274.07, 0.81%, 0.48%

LAB 39.78, 74.02, -76.44

 

CMYK 86 / 90 / 0 / 42

HEX #150F93

RGB 21 15 147

HSL 242.73, 0.81%, 0.32%

LAB 18.4, 47.97, -67.58

 

CMYK 86 / 90 / 0 / 28

HEX #1A13B8

RGB 26 19 184

HSL 242.55, 0.81%, 0.4%

LAB 24.15, 57.43, -80.48

 

CMYK 86 / 90 / 0 / 13

HEX #1F17DE

RGB 31 23 222

HSL 242.41, 0.81%, 0.48%

LAB 29.86, 66.75, -93.19

 

CMYK 74 / 78 / 0 / 8

HEX #3C34EA

RGB 60 52 234

HSL 242.64, 0.81%, 0.56%

LAB 36.66, 59.83, -88.69

 

CMYK 60 / 62 / 0 / 7

HEX #605AEE

RGB 96 90 238

HSL 242.43, 0.81%, 0.64%

LAB 46.94, 44.36, -73.97

 

CMYK 86 / 89 / 0 / 13

HEX #2018DF

RGB 32 24 223

HSL 242.41, 0.81%, 0.48%

LAB 30.13, 66.74, -93.31

 

CMYK 0 / 90 / 21 / 13

HEX #DE17AF

RGB 222 23 175

HSL 314.17, 0.81%, 0.48%

LAB 50.96, 80.25, -30.43

 

CMYK 57 / 0 / 90 / 13

HEX #60DE17

RGB 96 222 23

HSL 97.99, 0.81%, 0.48%

LAB 78.92, -64.6, 74.19

 

CMYK 86 / 89 / 0 / 13

HEX #2018DF

RGB 32 24 223

HSL 242.41, 0.81%, 0.48%

LAB 30.13, 66.74, -93.31

 

CMYK 0 / 86 / 90 / 13

HEX #DE1E17

RGB 222 30 23

HSL 2.11, 0.81%, 0.48%

LAB 47.65, 68.87, 53.83

 

CMYK 90 / 0 / 86 / 13

HEX #17DE1E

RGB 23 222 30

HSL 122.11, 0.81%, 0.48%

LAB 77.59, -75.91, 71.25

 

CMYK 86 / 89 / 0 / 13

HEX #2018DF

RGB 32 24 223

HSL 242.41, 0.81%, 0.48%

LAB 30.13, 66.74, -93.31

 

CMYK 0 / 90 / 21 / 13

HEX #DE17AF

RGB 222 23 175

HSL 314.17, 0.81%, 0.48%

LAB 50.96, 80.25, -30.43

 

CMYK 3 / 0 / 90 / 13

HEX #D7DE17

RGB 215 222 23

HSL 62.11, 0.81%, 0.48%

LAB 85.38, -22.09, 82.12

 

CMYK 90 / 0 / 68 / 13

HEX #17DE46

RGB 23 222 70

HSL 134.17, 0.81%, 0.48%

LAB 77.8, -73.27, 59.48

 

CMYK 86 / 89 / 0 / 13

HEX #2018DF

RGB 32 24 223

HSL 242.41, 0.81%, 0.48%

LAB 30.13, 66.74, -93.31

 

CMYK 0 / 90 / 48 / 13

HEX #DE1774

RGB 222 23 116

HSL 331.96, 0.81%, 0.48%

LAB 48.76, 74.32, 1.67

 

CMYK 3 / 0 / 90 / 13

HEX #D7DE17

RGB 215 222 23

HSL 62.11, 0.81%, 0.48%

LAB 85.38, -22.09, 82.12

 

CMYK 90 / 0 / 42 / 13

HEX #17DE81

RGB 23 222 129

HSL 151.96, 0.81%, 0.48%

LAB 78.47, -65.11, 33.33

 

Description

Color code: HEX #2018DF | qconv.com Color code: HEX #2018DF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 24 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 24 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 89 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 89% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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