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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 28 / 0 / 44 it is the complementary color CMYK 1 / 0 / 26 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 28 / 0 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 27 / 28 / 0 / 44: CMYK 21 / 25 / 0 / 46, CMYK 20 / 23 / 0 / 38, CMYK 19 / 21 / 0 / 31, CMYK 18 / 19 / 0 / 24 and CMYK 17 / 18 / 0 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 28 / 0 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 27 / 28 / 0 / 44: CMYK 27 / 28 / 0 / 44, CMYK 30 / 31 / 0 / 51, CMYK 33 / 36 / 0 / 59, CMYK 38 / 43 / 0 / 66 and CMYK 46 / 54 / 0 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 28 / 0 / 44

HEX #68678F

RGB 104 103 143

HSL 241.5, 0.16%, 0.48%

LAB 45.12, 9.83, -21.79

 

Complementary color

CMYK 1 / 0 / 26 / 40

HEX #979870

RGB 151 152 112

HSL 61.5, 0.16%, 0.52%

LAB 61.83, -7.14, 21

 

CMYK 21 / 25 / 0 / 46

HEX #6D678A

RGB 109 103 138

HSL 250.29, 0.15%, 0.47%

LAB 45.34, 10.2, -18.43

 

CMYK 20 / 23 / 0 / 38

HEX #7E799D

RGB 126 121 157

HSL 248.33, 0.16%, 0.55%

LAB 52.45, 9.75, -18.64

 

CMYK 19 / 21 / 0 / 31

HEX #8F8BB0

RGB 143 139 176

HSL 246.49, 0.19%, 0.62%

LAB 59.38, 9.35, -18.87

 

CMYK 18 / 19 / 0 / 24

HEX #A09DC3

RGB 160 157 195

HSL 244.74, 0.24%, 0.69%

LAB 66.16, 8.99, -19.13

 

CMYK 17 / 18 / 0 / 16

HEX #B1AFD6

RGB 177 175 214

HSL 243.08, 0.32%, 0.76%

LAB 72.8, 8.66, -19.41

 

CMYK 27 / 28 / 0 / 44

HEX #68678F

RGB 104 103 143

HSL 241.5, 0.16%, 0.48%

LAB 45.12, 9.83, -21.79

 

CMYK 30 / 31 / 0 / 51

HEX #57557C

RGB 87 85 124

HSL 243.08, 0.19%, 0.41%

LAB 37.8, 10.39, -21.72

 

CMYK 33 / 36 / 0 / 59

HEX #464369

RGB 70 67 105

HSL 244.74, 0.22%, 0.34%

LAB 30.25, 11.07, -21.72

 

CMYK 38 / 43 / 0 / 66

HEX #353156

RGB 53 49 86

HSL 246.49, 0.27%, 0.26%

LAB 22.39, 11.93, -21.82

 

CMYK 46 / 54 / 0 / 74

HEX #241F43

RGB 36 31 67

HSL 248.33, 0.37%, 0.19%

LAB 14.18, 13.09, -22.05

 

CMYK 27 / 28 / 0 / 44

HEX #68678F

RGB 104 103 143

HSL 241.5, 0.16%, 0.48%

LAB 45.12, 9.83, -21.79

 

CMYK 23 / 28 / 0 / 45

HEX #6D668D

RGB 109 102 141

HSL 250.77, 0.16%, 0.48%

LAB 45.19, 11.56, -20.46

 

CMYK 18 / 28 / 0 / 45

HEX #74668D

RGB 116 102 141

HSL 261.54, 0.16%, 0.48%

LAB 45.82, 13.91, -19.43

 

CMYK 13 / 28 / 0 / 45

HEX #7B668D

RGB 123 102 141

HSL 272.31, 0.16%, 0.48%

LAB 46.49, 16.3, -18.34

 

CMYK 9 / 28 / 0 / 45

HEX #81668D

RGB 129 102 141

HSL 281.54, 0.16%, 0.48%

LAB 47.1, 18.39, -17.37

 

CMYK 27 / 28 / 0 / 44

HEX #68678F

RGB 104 103 143

HSL 241.5, 0.16%, 0.48%

LAB 45.12, 9.83, -21.79

 

CMYK 27 / 28 / 0 / 24

HEX #8D8CC2

RGB 141 140 194

HSL 241.11, 0.31%, 0.65%

LAB 60.17, 12.49, -27.87

 

CMYK 27 / 28 / 0 / 4

HEX #B2B0F5

RGB 178 176 245

HSL 241.74, 0.78%, 0.83%

LAB 74.26, 15.56, -34.02

 

CMYK 27 / 27 / 0 / 84

HEX #1E1E29

RGB 30 30 41

HSL 240, 0.15%, 0.14%

LAB 11.72, 3.08, -7.39

 

CMYK 27 / 28 / 0 / 64

HEX #43425C

RGB 67 66 92

HSL 242.31, 0.16%, 0.31%

LAB 29.06, 6.98, -15.26

 

CMYK 27 / 28 / 0 / 44

HEX #68678F

RGB 104 103 143

HSL 241.5, 0.16%, 0.48%

LAB 45.12, 9.83, -21.79

 

CMYK 0 / 28 / 6 / 45

HEX #8D6685

RGB 141 102 133

HSL 312.31, 0.16%, 0.48%

LAB 48.08, 21.03, -10.98

 

CMYK 17 / 0 / 28 / 45

HEX #758D66

RGB 117 141 102

HSL 96.92, 0.16%, 0.48%

LAB 55.88, -16.14, 18.06

 

CMYK 27 / 28 / 0 / 44

HEX #68678F

RGB 104 103 143

HSL 241.5, 0.16%, 0.48%

LAB 45.12, 9.83, -21.79

 

CMYK 0 / 27 / 28 / 45

HEX #8D6766

RGB 141 103 102

HSL 1.54, 0.16%, 0.48%

LAB 47.39, 15.11, 6.56

 

CMYK 28 / 0 / 27 / 45

HEX #668D67

RGB 102 141 103

HSL 121.54, 0.16%, 0.48%

LAB 54.92, -21.5, 16.03

 

CMYK 27 / 28 / 0 / 44

HEX #68678F

RGB 104 103 143

HSL 241.5, 0.16%, 0.48%

LAB 45.12, 9.83, -21.79

 

CMYK 0 / 28 / 6 / 45

HEX #8D6685

RGB 141 102 133

HSL 312.31, 0.16%, 0.48%

LAB 48.08, 21.03, -10.98

 

CMYK 0 / 0 / 28 / 45

HEX #8D8D66

RGB 141 141 102

HSL 60, 0.16%, 0.48%

LAB 57.72, -6.62, 20.88

 

CMYK 28 / 0 / 21 / 45

HEX #668D6F

RGB 102 141 111

HSL 133.85, 0.16%, 0.48%

LAB 55.1, -19.99, 11.72

 

CMYK 27 / 28 / 0 / 44

HEX #68678F

RGB 104 103 143

HSL 241.5, 0.16%, 0.48%

LAB 45.12, 9.83, -21.79

 

CMYK 0 / 28 / 14 / 45

HEX #8D6679

RGB 141 102 121

HSL 330.77, 0.16%, 0.48%

LAB 47.68, 18.82, -4.4

 

CMYK 0 / 0 / 28 / 45

HEX #8D8D66

RGB 141 141 102

HSL 60, 0.16%, 0.48%

LAB 57.72, -6.62, 20.88

 

CMYK 28 / 0 / 13 / 45

HEX #668D7B

RGB 102 141 123

HSL 152.31, 0.16%, 0.48%

LAB 55.38, -17.51, 5.26

 

Description

Color code: CMYK 27 / 28 / 0 / 44 | qconv.com Color code: CMYK 27 / 28 / 0 / 44 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 103 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 103 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 28 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 28% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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