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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2015E6 it is the complementary color #DFEA19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2015E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2015E6 shade: #2515E1, #3627F4, #4739FF, #584BFF and #695DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2015E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2015E6 shade: #2015E6, #0F03D3, #0000C0, #0000AD and #00009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2015E6 shade: #2015E5, #5815E5, #9015E5, #C815E5 and #E515C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2015E6 shade: #2015E5 and #1515E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2015E6 shade matches the following richer shades: #2015E5 and #0E01F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2015E6 shade: #2015E5, #3229D0, #443EBC, #5652A8 and #696694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2015E6 shade: #1579E5, #1542E5, #2015E5, #5715E5 and #8E15E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2015E6 shade: #160E99, #1B12BF, #2015E5, #4037EC and #645DF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2015E6 shade: #2015E6, #E515B1 and #5EE515

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2015E6 shade: #2015E6, #E52015 and #15E520

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2015E6 shade: #2015E6, #E515B1, #DAE515 and #15E549

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2015E6 shade: #2015E6, #E51573, #DAE515 and #15E587

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 91 / 0 / 10

HEX #2015E6

RGB 32 21 230

HSL 243.16, 0.83%, 0.49%

LAB 30.78, 69.46, -96.24

 

Complementary color

CMYK 5 / 0 / 89 / 8

HEX #DFEA19

RGB 223 234 25

HSL 63.16, 0.83%, 0.51%

LAB 89.21, -24.49, 85.09

 

CMYK 84 / 91 / 0 / 12

HEX #2515E1

RGB 37 21 225

HSL 244.71, 0.83%, 0.48%

LAB 30.32, 68.27, -94.14

 

CMYK 78 / 84 / 0 / 4

HEX #3627F4

RGB 54 39 244

HSL 244.39, 0.9%, 0.55%

LAB 35.53, 68.04, -96.24

 

CMYK 72 / 78 / 0 / 0

HEX #4739FF

RGB 71 57 255

HSL 244.24, 1%, 0.61%

LAB 40.39, 64.47, -94.33

 

CMYK 65 / 71 / 0 / 0

HEX #584BFF

RGB 88 75 255

HSL 244.33, 1%, 0.65%

LAB 44.7, 56.97, -87.18

 

CMYK 59 / 64 / 0 / 0

HEX #695DFF

RGB 105 93 255

HSL 244.44, 1%, 0.68%

LAB 49.56, 49.28, -79.16

 

CMYK 86 / 91 / 0 / 10

HEX #2015E6

RGB 32 21 230

HSL 243.16, 0.83%, 0.49%

LAB 30.78, 69.46, -96.24

 

CMYK 93 / 99 / 0 / 17

HEX #0F03D3

RGB 15 3 211

HSL 243.46, 0.97%, 0.42%

LAB 26.36, 68.16, -92.68

 

CMYK 100 / 100 / 0 / 25

HEX #0000C0

RGB 0 0 192

HSL 240, 1%, 0.38%

LAB 23.02, 63.97, -87.13

 

CMYK 100 / 100 / 0 / 32

HEX #0000AD

RGB 0 0 173

HSL 240, 1%, 0.34%

LAB 20.11, 59.21, -80.64

 

CMYK 100 / 100 / 0 / 40

HEX #00009A

RGB 0 0 154

HSL 240, 1%, 0.3%

LAB 17.15, 54.35, -74.02

 

CMYK 86 / 91 / 0 / 10

HEX #2015E5

RGB 32 21 229

HSL 243.17, 0.83%, 0.49%

LAB 30.64, 69.2, -95.89

 

CMYK 62 / 91 / 0 / 10

HEX #5815E5

RGB 88 21 229

HSL 259.33, 0.83%, 0.49%

LAB 34.54, 71.6, -89.31

 

CMYK 37 / 91 / 0 / 10

HEX #9015E5

RGB 144 21 229

HSL 275.48, 0.83%, 0.49%

LAB 41.41, 76.75, -77.73

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 0 / 91 / 12 / 10

HEX #E515C9

RGB 229 21 201

HSL 308.08, 0.83%, 0.49%

LAB 53.4, 85.08, -41.65

 

CMYK 86 / 91 / 0 / 10

HEX #2015E5

RGB 32 21 229

HSL 243.17, 0.83%, 0.49%

LAB 30.64, 69.2, -95.89

 

CMYK 91 / 91 / 0 / 10

HEX #1515E5

RGB 21 21 229

HSL 240, 0.83%, 0.49%

LAB 30.29, 69, -96.5

 

CMYK 86 / 91 / 0 / 10

HEX #2015E5

RGB 32 21 229

HSL 243.17, 0.83%, 0.49%

LAB 30.64, 69.2, -95.89

 

CMYK 94 / 100 / 0 / 2

HEX #0E01F9

RGB 14 1 249

HSL 243.15, 0.99%, 0.49%

LAB 31.7, 77.69, -105.49

 

CMYK 86 / 91 / 0 / 10

HEX #2015E5

RGB 32 21 229

HSL 243.17, 0.83%, 0.49%

LAB 30.64, 69.2, -95.89

 

CMYK 76 / 80 / 0 / 18

HEX #3229D0

RGB 50 41 208

HSL 243.23, 0.67%, 0.49%

LAB 31.39, 56.57, -82.52

 

CMYK 64 / 67 / 0 / 26

HEX #443EBC

RGB 68 62 188

HSL 242.86, 0.5%, 0.49%

LAB 34.61, 40.67, -65.47

 

CMYK 49 / 51 / 0 / 34

HEX #5652A8

RGB 86 82 168

HSL 242.79, 0.34%, 0.49%

LAB 39.31, 25.17, -45.95

 

CMYK 29 / 31 / 0 / 42

HEX #696694

RGB 105 102 148

HSL 243.91, 0.18%, 0.49%

LAB 45.14, 12.08, -24.73

 

CMYK 91 / 47 / 0 / 10

HEX #1579E5

RGB 21 121 229

HSL 211.15, 0.83%, 0.49%

LAB 51.26, 13.75, -62.05

 

CMYK 91 / 71 / 0 / 10

HEX #1542E5

RGB 21 66 229

HSL 227.02, 0.83%, 0.49%

LAB 37.32, 48.52, -84.8

 

CMYK 86 / 91 / 0 / 10

HEX #2015E5

RGB 32 21 229

HSL 243.17, 0.83%, 0.49%

LAB 30.64, 69.2, -95.89

 

CMYK 62 / 91 / 0 / 10

HEX #5715E5

RGB 87 21 229

HSL 259.04, 0.83%, 0.49%

LAB 34.44, 71.54, -89.47

 

CMYK 38 / 91 / 0 / 10

HEX #8E15E5

RGB 142 21 229

HSL 274.9, 0.83%, 0.49%

LAB 41.13, 76.52, -78.2

 

CMYK 86 / 91 / 0 / 40

HEX #160E99

RGB 22 14 153

HSL 243.45, 0.83%, 0.33%

LAB 19.16, 50.13, -70.02

 

CMYK 86 / 91 / 0 / 25

HEX #1B12BF

RGB 27 18 191

HSL 243.12, 0.83%, 0.41%

LAB 25.04, 59.73, -83.15

 

CMYK 86 / 91 / 0 / 10

HEX #2015E5

RGB 32 21 229

HSL 243.17, 0.83%, 0.49%

LAB 30.64, 69.2, -95.89

 

CMYK 73 / 77 / 0 / 7

HEX #4037EC

RGB 64 55 236

HSL 242.98, 0.83%, 0.57%

LAB 37.62, 59.26, -88.23

 

CMYK 58 / 61 / 0 / 6

HEX #645DF0

RGB 100 93 240

HSL 242.86, 0.83%, 0.65%

LAB 48.04, 43.87, -73.28

 

CMYK 86 / 91 / 0 / 10

HEX #2015E6

RGB 32 21 230

HSL 243.16, 0.83%, 0.49%

LAB 30.78, 69.46, -96.24

 

CMYK 0 / 91 / 23 / 10

HEX #E515B1

RGB 229 21 177

HSL 315, 0.83%, 0.49%

LAB 52.25, 82.11, -29.5

 

CMYK 59 / 0 / 91 / 10

HEX #5EE515

RGB 94 229 21

HSL 98.94, 0.83%, 0.49%

LAB 81, -67.5, 76.21

 

CMYK 86 / 91 / 0 / 10

HEX #2015E6

RGB 32 21 230

HSL 243.16, 0.83%, 0.49%

LAB 30.78, 69.46, -96.24

 

CMYK 0 / 86 / 91 / 10

HEX #E52015

RGB 229 32 21

HSL 3.17, 0.83%, 0.49%

LAB 49.19, 70.32, 56.33

 

CMYK 91 / 0 / 86 / 10

HEX #15E520

RGB 21 229 32

HSL 123.17, 0.83%, 0.49%

LAB 79.79, -77.86, 72.78

 

CMYK 86 / 91 / 0 / 10

HEX #2015E6

RGB 32 21 230

HSL 243.16, 0.83%, 0.49%

LAB 30.78, 69.46, -96.24

 

CMYK 0 / 91 / 23 / 10

HEX #E515B1

RGB 229 21 177

HSL 315, 0.83%, 0.49%

LAB 52.25, 82.11, -29.5

 

CMYK 5 / 0 / 91 / 10

HEX #DAE515

RGB 218 229 21

HSL 63.17, 0.83%, 0.49%

LAB 87.48, -24.24, 84.14

 

CMYK 91 / 0 / 68 / 10

HEX #15E549

RGB 21 229 73

HSL 135, 0.83%, 0.49%

LAB 80, -75.14, 60.67

 

CMYK 86 / 91 / 0 / 10

HEX #2015E6

RGB 32 21 230

HSL 243.16, 0.83%, 0.49%

LAB 30.78, 69.46, -96.24

 

CMYK 0 / 91 / 50 / 10

HEX #E51573

RGB 229 21 115

HSL 332.88, 0.83%, 0.49%

LAB 50.02, 76.12, 4.26

 

CMYK 5 / 0 / 91 / 10

HEX #DAE515

RGB 218 229 21

HSL 63.17, 0.83%, 0.49%

LAB 87.48, -24.24, 84.14

 

CMYK 91 / 0 / 41 / 10

HEX #15E587

RGB 21 229 135

HSL 152.88, 0.83%, 0.49%

LAB 80.71, -66.49, 33.24

 

Description

Color code: HEX #2015E6 | qconv.com Color code: HEX #2015E6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 21 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 21 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 91 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 91% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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