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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C815E5 it is the complementary color #37EA1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C815E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C815E5 shade: #CD15E0, #DE27F3, #EF39FF, #FF4BFF and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C815E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C815E5 shade: #C815E5, #B703D2, #A600BF, #9500AC and #840099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C815E5 shade: #C815E5, #E515CA, #E51592, #E5155A and #E51522

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C815E5 shade: #C815E5, #9015E5, #5815E5, #2015E5 and #1515E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C815E5 shade matches the following richer shades: #C815E5 and #D601F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C815E5 shade: #C815E5, #B929D0, #AB3EBC, #9C52A8 and #8D6694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C815E5 shade: #5715E5, #8E15E5, #C615E5, #E515CC and #E51595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C815E5 shade: #860E99, #A712BF, #C815E5, #D337EC and #DB5DF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C815E5 shade: #C815E5, #E52015 and #15E573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C815E5 shade: #C815E5, #E5C615 and #15E5C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C815E5 shade: #C815E5, #E52015, #34E515 and #15DAE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C815E5 shade: #C815E5, #E55E15, #34E515 and #159CE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

Complementary color

CMYK 76 / 0 / 89 / 8

HEX #37EA1A

RGB 55 234 26

HSL 111.63, 0.83%, 0.51%

LAB 81.69, -76.23, 75.68

 

CMYK 8 / 91 / 0 / 12

HEX #CD15E0

RGB 205 21 224

HSL 294.38, 0.83%, 0.48%

LAB 50.57, 84.3, -59.57

 

CMYK 9 / 84 / 0 / 5

HEX #DE27F3

RGB 222 39 243

HSL 293.82, 0.89%, 0.55%

LAB 55.53, 87.13, -62.14

 

CMYK 6 / 78 / 0 / 0

HEX #EF39FF

RGB 239 57 255

HSL 295.15, 1%, 0.61%

LAB 60.34, 87.9, -60.96

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 13 / 99 / 0 / 18

HEX #B703D2

RGB 183 3 210

HSL 292.17, 0.97%, 0.42%

LAB 45.34, 80.5, -60.18

 

CMYK 13 / 100 / 0 / 25

HEX #A600BF

RGB 166 0 191

HSL 292.15, 1%, 0.37%

LAB 41.01, 75.2, -56.28

 

CMYK 13 / 100 / 0 / 33

HEX #9500AC

RGB 149 0 172

HSL 291.98, 1%, 0.34%

LAB 36.68, 69.52, -52.16

 

CMYK 14 / 100 / 0 / 40

HEX #840099

RGB 132 0 153

HSL 291.76, 1%, 0.3%

LAB 32.27, 63.73, -47.96

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 0 / 91 / 12 / 10

HEX #E515CA

RGB 229 21 202

HSL 307.79, 0.83%, 0.49%

LAB 53.45, 85.21, -42.15

 

CMYK 0 / 91 / 36 / 10

HEX #E51592

RGB 229 21 146

HSL 323.94, 0.83%, 0.49%

LAB 51, 78.8, -13.05

 

CMYK 0 / 91 / 61 / 10

HEX #E5155A

RGB 229 21 90

HSL 340.1, 0.83%, 0.49%

LAB 49.41, 74.46, 18.74

 

CMYK 0 / 91 / 85 / 10

HEX #E51522

RGB 229 21 34

HSL 356.25, 0.83%, 0.49%

LAB 48.65, 72.3, 50.25

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 37 / 91 / 0 / 10

HEX #9015E5

RGB 144 21 229

HSL 275.48, 0.83%, 0.49%

LAB 41.41, 76.75, -77.73

 

CMYK 62 / 91 / 0 / 10

HEX #5815E5

RGB 88 21 229

HSL 259.33, 0.83%, 0.49%

LAB 34.54, 71.6, -89.31

 

CMYK 86 / 91 / 0 / 10

HEX #2015E5

RGB 32 21 229

HSL 243.17, 0.83%, 0.49%

LAB 30.64, 69.2, -95.89

 

CMYK 91 / 91 / 0 / 10

HEX #1515E5

RGB 21 21 229

HSL 240, 0.83%, 0.49%

LAB 30.29, 69, -96.5

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 14 / 100 / 0 / 2

HEX #D601F9

RGB 214 1 249

HSL 291.53, 0.99%, 0.49%

LAB 53.12, 91.3, -69.45

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 11 / 80 / 0 / 18

HEX #B929D0

RGB 185 41 208

HSL 291.74, 0.67%, 0.49%

LAB 47.56, 74.52, -55.42

 

CMYK 9 / 67 / 0 / 26

HEX #AB3EBC

RGB 171 62 188

HSL 291.9, 0.5%, 0.49%

LAB 46.62, 61.15, -45.46

 

CMYK 7 / 51 / 0 / 34

HEX #9C52A8

RGB 156 82 168

HSL 291.63, 0.34%, 0.49%

LAB 46.88, 44.09, -33.46

 

CMYK 5 / 31 / 0 / 42

HEX #8D6694

RGB 141 102 148

HSL 290.87, 0.18%, 0.49%

LAB 48.64, 24.04, -19.05

 

CMYK 62 / 91 / 0 / 10

HEX #5715E5

RGB 87 21 229

HSL 259.04, 0.83%, 0.49%

LAB 34.44, 71.54, -89.47

 

CMYK 38 / 91 / 0 / 10

HEX #8E15E5

RGB 142 21 229

HSL 274.9, 0.83%, 0.49%

LAB 41.13, 76.52, -78.2

 

CMYK 14 / 91 / 0 / 10

HEX #C615E5

RGB 198 21 229

HSL 291.06, 0.83%, 0.49%

LAB 49.74, 84.02, -63.8

 

CMYK 0 / 91 / 11 / 10

HEX #E515CC

RGB 229 21 204

HSL 307.21, 0.83%, 0.49%

LAB 53.55, 85.47, -43.13

 

CMYK 0 / 91 / 35 / 10

HEX #E51595

RGB 229 21 149

HSL 323.08, 0.83%, 0.49%

LAB 51.11, 79.09, -14.68

 

CMYK 12 / 91 / 0 / 40

HEX #860E99

RGB 134 14 153

HSL 291.8, 0.83%, 0.33%

LAB 33.31, 62.01, -46.25

 

CMYK 13 / 91 / 0 / 25

HEX #A712BF

RGB 167 18 191

HSL 291.68, 0.83%, 0.41%

LAB 41.86, 73.32, -54.89

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 11 / 77 / 0 / 7

HEX #D337EC

RGB 211 55 236

HSL 291.71, 0.83%, 0.57%

LAB 54.7, 80.21, -59.66

 

CMYK 9 / 61 / 0 / 6

HEX #DB5DF0

RGB 219 93 240

HSL 291.43, 0.83%, 0.65%

LAB 60.94, 68.89, -51.86

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 0 / 86 / 91 / 10

HEX #E52015

RGB 229 32 21

HSL 3.17, 0.83%, 0.49%

LAB 49.19, 70.32, 56.33

 

CMYK 91 / 0 / 50 / 10

HEX #15E573

RGB 21 229 115

HSL 147.12, 0.83%, 0.49%

LAB 80.42, -69.89, 42.73

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 0 / 14 / 91 / 10

HEX #E5C615

RGB 229 198 21

HSL 51.06, 0.83%, 0.49%

LAB 80.24, -4.19, 78.94

 

CMYK 91 / 0 / 14 / 10

HEX #15E5C6

RGB 21 229 198

HSL 171.06, 0.83%, 0.49%

LAB 81.99, -52.34, 2.26

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 0 / 86 / 91 / 10

HEX #E52015

RGB 229 32 21

HSL 3.17, 0.83%, 0.49%

LAB 49.19, 70.32, 56.33

 

CMYK 77 / 0 / 91 / 10

HEX #34E515

RGB 52 229 21

HSL 111.06, 0.83%, 0.49%

LAB 80.08, -75.34, 75.06

 

CMYK 91 / 5 / 0 / 10

HEX #15DAE5

RGB 21 218 229

HSL 183.17, 0.83%, 0.49%

LAB 79.59, -38.83, -17.77

 

CMYK 13 / 91 / 0 / 10

HEX #C815E5

RGB 200 21 229

HSL 291.63, 0.83%, 0.49%

LAB 50.06, 84.32, -63.26

 

CMYK 0 / 59 / 91 / 10

HEX #E55E15

RGB 229 94 21

HSL 21.06, 0.83%, 0.49%

LAB 56.8, 49.48, 61.57

 

CMYK 77 / 0 / 91 / 10

HEX #34E515

RGB 52 229 21

HSL 111.06, 0.83%, 0.49%

LAB 80.08, -75.34, 75.06

 

CMYK 91 / 32 / 0 / 10

HEX #159CE5

RGB 21 156 229

HSL 201.06, 0.83%, 0.49%

LAB 61.3, -7.21, -46.02

 

Description

Color code: HEX #C815E5 | qconv.com Color code: HEX #C815E5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 21 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 21 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 91 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 91% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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