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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FD83D it is the complementary color #E027C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FD83D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FD83D shade: #24D838, #35EA4B, #46FC5E, #57FF71 and #68FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FD83D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FD83D shade: #1FD83D, #0EC62A, #00B417, #00A204 and #009000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FD83D shade: #1FD63C, #32D61F, #64D61F, #95D61F and #C7D61F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FD83D shade: #1FD63C, #1FD66E, #1FD69F, #1FD6D1 and #1FAAD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FD83D shade matches the following richer shades: #1FD63C and #0BEA2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FD83D shade: #1FD63C, #32C24A, #46AF57, #5A9B65 and #6E8772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FD83D shade: #65D61F, #34D61F, #1FD63A, #1FD66B and #1FD69C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FD83D shade: #148E28, #19B232, #1FD63C, #3BE356 and #5FE875

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FD83D shade: #1FD83D, #1F96D6 and #D61F4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FD83D shade: #1FD83D, #3A1FD6 and #D63A1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FD83D shade: #1FD83D, #1F96D6, #D61FBB and #D65F1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FD83D shade: #1FD83D, #1F5FD6, #D61FBB and #D6961F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 72 / 15

HEX #1FD83D

RGB 31 216 61

HSL 129.73, 0.75%, 0.48%

LAB 75.91, -71.74, 60.88

 

Complementary color

CMYK 0 / 83 / 13 / 12

HEX #E027C2

RGB 224 39 194

HSL 309.73, 0.75%, 0.52%

LAB 53.16, 80.31, -38.04

 

CMYK 83 / 0 / 74 / 15

HEX #24D838

RGB 36 216 56

HSL 126.67, 0.71%, 0.49%

LAB 75.93, -71.68, 62.67

 

CMYK 77 / 0 / 68 / 8

HEX #35EA4B

RGB 53 234 75

HSL 127.29, 0.81%, 0.56%

LAB 81.9, -73.56, 62.02

 

CMYK 72 / 0 / 63 / 1

HEX #46FC5E

RGB 70 252 94

HSL 127.91, 0.97%, 0.63%

LAB 87.84, -74.91, 61.04

 

CMYK 66 / 0 / 56 / 0

HEX #57FF71

RGB 87 255 113

HSL 129.29, 1%, 0.67%

LAB 89.27, -70.9, 54.62

 

CMYK 59 / 0 / 48 / 0

HEX #68FF84

RGB 104 255 132

HSL 131.13, 1%, 0.7%

LAB 89.92, -65.03, 46.77

 

CMYK 86 / 0 / 72 / 15

HEX #1FD83D

RGB 31 216 61

HSL 129.73, 0.75%, 0.48%

LAB 75.91, -71.74, 60.88

 

CMYK 93 / 0 / 79 / 22

HEX #0EC62A

RGB 14 198 42

HSL 129.13, 0.87%, 0.42%

LAB 69.93, -69.11, 61.22

 

CMYK 100 / 0 / 87 / 29

HEX #00B417

RGB 0 180 23

HSL 127.67, 1%, 0.35%

LAB 63.92, -65.7, 60.62

 

CMYK 100 / 0 / 98 / 36

HEX #00A204

RGB 0 162 4

HSL 121.48, 1%, 0.32%

LAB 57.89, -61.27, 58.66

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 86 / 0 / 72 / 16

HEX #1FD63C

RGB 31 214 60

HSL 129.51, 0.75%, 0.48%

LAB 75.27, -71.24, 60.59

 

CMYK 77 / 0 / 86 / 16

HEX #32D61F

RGB 50 214 31

HSL 113.77, 0.75%, 0.48%

LAB 75.37, -70.9, 69.21

 

CMYK 53 / 0 / 86 / 16

HEX #64D61F

RGB 100 214 31

HSL 97.38, 0.75%, 0.48%

LAB 76.62, -60.5, 70.78

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 7 / 0 / 86 / 16

HEX #C7D61F

RGB 199 214 31

HSL 64.92, 0.75%, 0.48%

LAB 82.02, -24.75, 77.52

 

CMYK 86 / 0 / 72 / 16

HEX #1FD63C

RGB 31 214 60

HSL 129.51, 0.75%, 0.48%

LAB 75.27, -71.24, 60.59

 

CMYK 86 / 0 / 49 / 16

HEX #1FD66E

RGB 31 214 110

HSL 145.9, 0.75%, 0.48%

LAB 75.77, -65.15, 39.35

 

CMYK 86 / 0 / 26 / 16

HEX #1FD69F

RGB 31 214 159

HSL 161.97, 0.75%, 0.48%

LAB 76.61, -55.49, 15.25

 

CMYK 86 / 0 / 2 / 16

HEX #1FD6D1

RGB 31 214 209

HSL 178.36, 0.75%, 0.48%

LAB 77.87, -42.44, -9.65

 

CMYK 86 / 21 / 0 / 16

HEX #1FAAD6

RGB 31 170 214

HSL 194.43, 0.75%, 0.48%

LAB 64.88, -19.62, -32.12

 

CMYK 86 / 0 / 72 / 16

HEX #1FD63C

RGB 31 214 60

HSL 129.51, 0.75%, 0.48%

LAB 75.27, -71.24, 60.59

 

CMYK 95 / 0 / 80 / 8

HEX #0BEA2F

RGB 11 234 47

HSL 129.69, 0.91%, 0.48%

LAB 81.36, -78.94, 70.62

 

CMYK 86 / 0 / 72 / 16

HEX #1FD63C

RGB 31 214 60

HSL 129.51, 0.75%, 0.48%

LAB 75.27, -71.24, 60.59

 

CMYK 74 / 0 / 62 / 24

HEX #32C24A

RGB 50 194 74

HSL 130, 0.59%, 0.48%

LAB 69.3, -61.39, 48.58

 

CMYK 60 / 0 / 50 / 31

HEX #46AF57

RGB 70 175 87

HSL 129.71, 0.43%, 0.48%

LAB 63.88, -49.02, 36.09

 

CMYK 42 / 0 / 35 / 39

HEX #5A9B65

RGB 90 155 101

HSL 130.15, 0.27%, 0.48%

LAB 58.56, -32.74, 21.98

 

CMYK 19 / 0 / 16 / 47

HEX #6E8772

RGB 110 135 114

HSL 129.6, 0.1%, 0.48%

LAB 53.88, -13.36, 8.36

 

CMYK 53 / 0 / 86 / 16

HEX #65D61F

RGB 101 214 31

HSL 97.05, 0.75%, 0.48%

LAB 76.65, -60.23, 70.83

 

CMYK 76 / 0 / 86 / 16

HEX #34D61F

RGB 52 214 31

HSL 113.11, 0.75%, 0.48%

LAB 75.4, -70.61, 69.25

 

CMYK 86 / 0 / 73 / 16

HEX #1FD63A

RGB 31 214 58

HSL 128.85, 0.75%, 0.48%

LAB 75.26, -71.4, 61.28

 

CMYK 86 / 0 / 50 / 16

HEX #1FD66B

RGB 31 214 107

HSL 144.92, 0.75%, 0.48%

LAB 75.73, -65.62, 40.76

 

CMYK 86 / 0 / 27 / 16

HEX #1FD69C

RGB 31 214 156

HSL 160.98, 0.75%, 0.48%

LAB 76.55, -56.18, 16.76

 

CMYK 86 / 0 / 72 / 44

HEX #148E28

RGB 20 142 40

HSL 129.84, 0.75%, 0.32%

LAB 51.44, -51.95, 43.45

 

CMYK 86 / 0 / 72 / 30

HEX #19B232

RGB 25 178 50

HSL 129.8, 0.75%, 0.4%

LAB 63.57, -61.84, 52.2

 

CMYK 86 / 0 / 72 / 16

HEX #1FD63C

RGB 31 214 60

HSL 129.51, 0.75%, 0.48%

LAB 75.27, -71.24, 60.59

 

CMYK 74 / 0 / 62 / 11

HEX #3BE356

RGB 59 227 86

HSL 129.64, 0.75%, 0.56%

LAB 79.92, -69.45, 55.44

 

CMYK 59 / 0 / 50 / 9

HEX #5FE875

RGB 95 232 117

HSL 129.64, 0.75%, 0.64%

LAB 82.61, -60.66, 44.76

 

CMYK 86 / 0 / 72 / 15

HEX #1FD83D

RGB 31 216 61

HSL 129.73, 0.75%, 0.48%

LAB 75.91, -71.74, 60.88

 

CMYK 86 / 30 / 0 / 16

HEX #1F96D6

RGB 31 150 214

HSL 200.98, 0.75%, 0.48%

LAB 58.94, -8.7, -41.4

 

CMYK 0 / 86 / 64 / 16

HEX #D61F4D

RGB 214 31 77

HSL 344.92, 0.75%, 0.48%

LAB 46.73, 68.39, 22.62

 

CMYK 86 / 0 / 72 / 15

HEX #1FD83D

RGB 31 216 61

HSL 129.73, 0.75%, 0.48%

LAB 75.91, -71.74, 60.88

 

CMYK 73 / 86 / 0 / 16

HEX #3A1FD6

RGB 58 31 214

HSL 248.85, 0.75%, 0.48%

LAB 31.19, 62.95, -86.3

 

CMYK 0 / 73 / 86 / 16

HEX #D63A1F

RGB 214 58 31

HSL 8.85, 0.75%, 0.48%

LAB 48.79, 59.25, 50.6

 

CMYK 86 / 0 / 72 / 15

HEX #1FD83D

RGB 31 216 61

HSL 129.73, 0.75%, 0.48%

LAB 75.91, -71.74, 60.88

 

CMYK 86 / 30 / 0 / 16

HEX #1F96D6

RGB 31 150 214

HSL 200.98, 0.75%, 0.48%

LAB 58.94, -8.7, -41.4

 

CMYK 0 / 86 / 13 / 16

HEX #D61FBB

RGB 214 31 187

HSL 308.85, 0.75%, 0.48%

LAB 50.53, 78.95, -38.24

 

CMYK 0 / 56 / 86 / 16

HEX #D65F1F

RGB 214 95 31

HSL 20.98, 0.75%, 0.48%

LAB 54.64, 43.63, 55.5

 

CMYK 86 / 0 / 72 / 15

HEX #1FD83D

RGB 31 216 61

HSL 129.73, 0.75%, 0.48%

LAB 75.91, -71.74, 60.88

 

CMYK 86 / 56 / 0 / 16

HEX #1F5FD6

RGB 31 95 214

HSL 219.02, 0.75%, 0.48%

LAB 43.26, 25.16, -66.5

 

CMYK 0 / 86 / 13 / 16

HEX #D61FBB

RGB 214 31 187

HSL 308.85, 0.75%, 0.48%

LAB 50.53, 78.95, -38.24

 

CMYK 0 / 30 / 86 / 16

HEX #D6961F

RGB 214 150 31

HSL 39.02, 0.75%, 0.48%

LAB 66.68, 14.81, 65.46

 

Description

Color code: HEX #1FD83D | qconv.com Color code: HEX #1FD83D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 216 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 216 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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