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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95D61F it is the complementary color #6A29E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95D61F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95D61F shade: #9AD61A, #ABE82D, #BCFA40, #CDFF53 and #DEFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95D61F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95D61F shade: #95D61F, #84C40C, #73B200, #62A000 and #518E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95D61F shade: #95D61F, #C7D61F, #D6B41F, #D6831F and #D6511F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95D61F shade: #95D61F, #63D61F, #32D61F, #1FD63D and #1FD66E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95D61F shade matches the following richer shades: #95D61F and #9BEA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95D61F shade: #95D61F, #8FC232, #8AAF46, #849B5A and #7E876E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95D61F shade: #D6B51F, #C7D61F, #96D61F, #65D61F and #34D61F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95D61F shade: #638E14, #7CB219, #95D61F, #A7E33B and #B8E85F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95D61F shade: #95D61F, #1FD684 and #CD1FD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95D61F shade: #95D61F, #1F96D6 and #D61F96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95D61F shade: #95D61F, #1FD684, #5F1FD6 and #D61F71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95D61F shade: #95D61F, #1FD6BB, #5F1FD6 and #D61F3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

Complementary color

CMYK 53 / 82 / 0 / 12

HEX #6A29E0

RGB 106 41 224

HSL 261.31, 0.75%, 0.52%

LAB 37.9, 66.01, -80.82

 

CMYK 28 / 0 / 88 / 16

HEX #9AD61A

RGB 154 214 26

HSL 79.15, 0.78%, 0.47%

LAB 79.06, -42.84, 74.82

 

CMYK 26 / 0 / 81 / 9

HEX #ABE82D

RGB 171 232 45

HSL 79.57, 0.8%, 0.54%

LAB 85.28, -43.64, 76.4

 

CMYK 25 / 0 / 74 / 2

HEX #BCFA40

RGB 188 250 64

HSL 80, 0.95%, 0.62%

LAB 91.43, -44.27, 77.03

 

CMYK 20 / 0 / 67 / 0

HEX #CDFF53

RGB 205 255 83

HSL 77.44, 1%, 0.66%

LAB 93.94, -39.07, 73.41

 

CMYK 13 / 0 / 60 / 0

HEX #DEFF66

RGB 222 255 102

HSL 72.94, 1%, 0.7%

LAB 95.16, -31.35, 67.65

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 33 / 0 / 94 / 23

HEX #84C40C

RGB 132 196 12

HSL 80.87, 0.88%, 0.41%

LAB 72.5, -43.63, 71.07

 

CMYK 35 / 0 / 100 / 30

HEX #73B200

RGB 115 178 0

HSL 81.24, 1%, 0.35%

LAB 66.13, -42.45, 67.05

 

CMYK 39 / 0 / 100 / 37

HEX #62A000

RGB 98 160 0

HSL 83.25, 1%, 0.31%

LAB 59.65, -41.05, 61.67

 

CMYK 43 / 0 / 100 / 44

HEX #518E00

RGB 81 142 0

HSL 85.77, 1%, 0.28%

LAB 53.05, -39.59, 56.18

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 7 / 0 / 86 / 16

HEX #C7D61F

RGB 199 214 31

HSL 64.92, 0.75%, 0.48%

LAB 82.02, -24.75, 77.52

 

CMYK 0 / 16 / 86 / 16

HEX #D6B41F

RGB 214 180 31

HSL 48.85, 0.75%, 0.48%

LAB 74.21, -1.19, 71.63

 

CMYK 0 / 39 / 86 / 16

HEX #D6831F

RGB 214 131 31

HSL 32.79, 0.75%, 0.48%

LAB 62.19, 25.05, 61.76

 

CMYK 0 / 62 / 86 / 16

HEX #D6511F

RGB 214 81 31

HSL 16.39, 0.75%, 0.48%

LAB 52.15, 50.12, 53.43

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 54 / 0 / 86 / 16

HEX #63D61F

RGB 99 214 31

HSL 97.7, 0.75%, 0.48%

LAB 76.58, -60.77, 70.74

 

CMYK 77 / 0 / 86 / 16

HEX #32D61F

RGB 50 214 31

HSL 113.77, 0.75%, 0.48%

LAB 75.37, -70.9, 69.21

 

CMYK 86 / 0 / 71 / 16

HEX #1FD63D

RGB 31 214 61

HSL 129.84, 0.75%, 0.48%

LAB 75.28, -71.15, 60.23

 

CMYK 86 / 0 / 49 / 16

HEX #1FD66E

RGB 31 214 110

HSL 145.9, 0.75%, 0.48%

LAB 75.77, -65.15, 39.35

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 34 / 0 / 95 / 8

HEX #9BEA0B

RGB 155 234 11

HSL 81.26, 0.91%, 0.48%

LAB 84.91, -51.13, 81.53

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 26 / 0 / 74 / 24

HEX #8FC232

RGB 143 194 50

HSL 81.25, 0.59%, 0.48%

LAB 72.66, -37.27, 62.65

 

CMYK 21 / 0 / 60 / 31

HEX #8AAF46

RGB 138 175 70

HSL 81.14, 0.43%, 0.48%

LAB 66.9, -29, 48.61

 

CMYK 15 / 0 / 42 / 39

HEX #849B5A

RGB 132 155 90

HSL 81.23, 0.27%, 0.48%

LAB 60.86, -19.33, 31.4

 

CMYK 7 / 0 / 19 / 47

HEX #7E876E

RGB 126 135 110

HSL 81.6, 0.1%, 0.48%

LAB 54.96, -8.05, 12.35

 

CMYK 0 / 15 / 86 / 16

HEX #D6B51F

RGB 214 181 31

HSL 49.18, 0.75%, 0.48%

LAB 74.47, -1.71, 71.84

 

CMYK 7 / 0 / 86 / 16

HEX #C7D61F

RGB 199 214 31

HSL 64.92, 0.75%, 0.48%

LAB 82.02, -24.75, 77.52

 

CMYK 30 / 0 / 86 / 16

HEX #96D61F

RGB 150 214 31

HSL 80.98, 0.75%, 0.48%

LAB 78.85, -44.2, 73.59

 

CMYK 53 / 0 / 86 / 16

HEX #65D61F

RGB 101 214 31

HSL 97.05, 0.75%, 0.48%

LAB 76.65, -60.23, 70.83

 

CMYK 76 / 0 / 86 / 16

HEX #34D61F

RGB 52 214 31

HSL 113.11, 0.75%, 0.48%

LAB 75.4, -70.61, 69.25

 

CMYK 30 / 0 / 86 / 44

HEX #638E14

RGB 99 142 20

HSL 81.15, 0.75%, 0.32%

LAB 54.08, -32.2, 53.63

 

CMYK 30 / 0 / 86 / 30

HEX #7CB219

RGB 124 178 25

HSL 81.18, 0.75%, 0.4%

LAB 66.67, -38.52, 63.89

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 26 / 0 / 74 / 11

HEX #A7E33B

RGB 167 227 59

HSL 81.43, 0.75%, 0.56%

LAB 83.69, -42.33, 70.79

 

CMYK 21 / 0 / 59 / 9

HEX #B8E85F

RGB 184 232 95

HSL 81.02, 0.75%, 0.64%

LAB 86.37, -35.78, 60.18

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 86 / 0 / 38 / 16

HEX #1FD684

RGB 31 214 132

HSL 153.11, 0.75%, 0.48%

LAB 76.1, -61.24, 28.69

 

CMYK 4 / 86 / 0 / 16

HEX #CD1FD6

RGB 205 31 214

HSL 297.05, 0.75%, 0.48%

LAB 50.47, 81.2, -54.02

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 86 / 30 / 0 / 16

HEX #1F96D6

RGB 31 150 214

HSL 200.98, 0.75%, 0.48%

LAB 58.94, -8.7, -41.4

 

CMYK 0 / 86 / 30 / 16

HEX #D61F96

RGB 214 31 150

HSL 320.98, 0.75%, 0.48%

LAB 48.86, 74.43, -18.97

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 86 / 0 / 38 / 16

HEX #1FD684

RGB 31 214 132

HSL 153.11, 0.75%, 0.48%

LAB 76.1, -61.24, 28.69

 

CMYK 56 / 86 / 0 / 16

HEX #5F1FD6

RGB 95 31 214

HSL 260.98, 0.75%, 0.48%

LAB 34.53, 65.79, -80.67

 

CMYK 0 / 86 / 47 / 16

HEX #D61F71

RGB 214 31 113

HSL 333.11, 0.75%, 0.48%

LAB 47.58, 70.86, 1.6

 

CMYK 30 / 0 / 86 / 16

HEX #95D61F

RGB 149 214 31

HSL 81.31, 0.75%, 0.48%

LAB 78.8, -44.56, 73.52

 

CMYK 86 / 0 / 13 / 16

HEX #1FD6BB

RGB 31 214 187

HSL 171.15, 0.75%, 0.48%

LAB 77.26, -48.53, 1.25

 

CMYK 56 / 86 / 0 / 16

HEX #5F1FD6

RGB 95 31 214

HSL 260.98, 0.75%, 0.48%

LAB 34.53, 65.79, -80.67

 

CMYK 0 / 86 / 73 / 16

HEX #D61F3A

RGB 214 31 58

HSL 351.15, 0.75%, 0.48%

LAB 46.42, 67.5, 33.77

 

Description

Color code: HEX #95D61F | qconv.com Color code: HEX #95D61F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 214 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 214 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 86% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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