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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FCC31 it is the complementary color #E033CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FCC31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1FCC31: #24CC2C, #35DE3F, #46F052, #57FF65 and #68FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FCC31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1FCC31: #1FCC31, #0EBA1E, #00A80B, #009600 and #008400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 76 / 20

HEX #1FCC31

RGB 31 204 49

HSL 126.24, 0.74%, 0.46%

LAB 72.03, -69.15, 61.11

 

Complementary color

CMYK 0 / 77 / 8 / 12

HEX #E033CE

RGB 224 51 206

HSL 306.24, 0.74%, 0.54%

LAB 54.73, 79.15, -42.47

 

CMYK 82 / 0 / 78 / 20

HEX #24CC2C

RGB 36 204 44

HSL 122.86, 0.7%, 0.47%

LAB 72.06, -68.99, 62.73

 

CMYK 76 / 0 / 72 / 13

HEX #35DE3F

RGB 53 222 63

HSL 123.55, 0.72%, 0.54%

LAB 78.09, -70.93, 62.49

 

CMYK 71 / 0 / 66 / 6

HEX #46F052

RGB 70 240 82

HSL 124.24, 0.85%, 0.61%

LAB 84.09, -72.31, 61.74

 

CMYK 66 / 0 / 60 / 0

HEX #57FF65

RGB 87 255 101

HSL 125, 1%, 0.67%

LAB 89.15, -72.28, 59.69

 

CMYK 59 / 0 / 53 / 0

HEX #68FF78

RGB 104 255 120

HSL 126.36, 1%, 0.7%

LAB 89.78, -66.64, 52.17

 

CMYK 85 / 0 / 76 / 20

HEX #1FCC31

RGB 31 204 49

HSL 126.24, 0.74%, 0.46%

LAB 72.03, -69.15, 61.11

 

CMYK 92 / 0 / 84 / 27

HEX #0EBA1E

RGB 14 186 30

HSL 125.58, 0.86%, 0.39%

LAB 65.99, -66.39, 60.87

 

CMYK 100 / 0 / 93 / 34

HEX #00A80B

RGB 0 168 11

HSL 123.93, 1%, 0.33%

LAB 59.92, -62.77, 59.34

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 85 / 0 / 76 / 20

HEX #1FCC31

RGB 31 204 49

HSL 126.24, 0.74%, 0.46%

LAB 72.03, -69.15, 61.11

 

CMYK 85 / 0 / 63 / 20

HEX #1ECC4C

RGB 30 204 76

HSL 135.86, 0.74%, 0.46%

LAB 72.22, -66.73, 50.93

 

CMYK 85 / 0 / 49 / 20

HEX #1ECC69

RGB 30 204 105

HSL 145.86, 0.74%, 0.46%

LAB 72.55, -62.7, 37.76

 

CMYK 85 / 0 / 34 / 20

HEX #1ECC86

RGB 30 204 134

HSL 155.86, 0.74%, 0.46%

LAB 73.01, -57.31, 23.5

 

CMYK 85 / 0 / 20 / 20

HEX #1ECCA3

RGB 30 204 163

HSL 165.86, 0.74%, 0.46%

LAB 73.61, -50.67, 8.88

 

CMYK 85 / 0 / 76 / 20

HEX #1FCC31

RGB 31 204 49

HSL 126.24, 0.74%, 0.46%

LAB 72.03, -69.15, 61.11

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 84 / 0 / 76 / 80

HEX #08330C

RGB 8 51 12

HSL 125.58, 0.73%, 0.12%

LAB 17.67, -24.04, 19.76

 

CMYK 84 / 0 / 75 / 60

HEX #106619

RGB 16 102 25

HSL 126.28, 0.73%, 0.23%

LAB 37.27, -40.52, 34.86

 

CMYK 85 / 0 / 76 / 40

HEX #179925

RGB 23 153 37

HSL 126.46, 0.74%, 0.35%

LAB 55.17, -55.4, 48.46

 

CMYK 85 / 0 / 76 / 20

HEX #1FCC31

RGB 31 204 49

HSL 126.24, 0.74%, 0.46%

LAB 72.03, -69.15, 61.11

 

CMYK 85 / 25 / 0 / 20

HEX #1E98CC

RGB 30 152 204

HSL 197.93, 0.74%, 0.46%

LAB 59.06, -13.49, -35.61

 

CMYK 0 / 85 / 60 / 20

HEX #CC1E52

RGB 204 30 82

HSL 342.07, 0.74%, 0.46%

LAB 44.77, 66.31, 16.56

 

CMYK 85 / 0 / 76 / 20

HEX #1FCC31

RGB 31 204 49

HSL 126.24, 0.74%, 0.46%

LAB 72.03, -69.15, 61.11

 

CMYK 77 / 85 / 0 / 20

HEX #2F1ECC

RGB 47 30 204

HSL 245.86, 0.74%, 0.46%

LAB 29.14, 59.94, -83.93

 

CMYK 0 / 77 / 85 / 20

HEX #CC2F1E

RGB 204 47 30

HSL 5.86, 0.74%, 0.46%

LAB 45.59, 59.76, 47.59

 

CMYK 85 / 0 / 76 / 20

HEX #1FCC31

RGB 31 204 49

HSL 126.24, 0.74%, 0.46%

LAB 72.03, -69.15, 61.11

 

CMYK 85 / 25 / 0 / 20

HEX #1E98CC

RGB 30 152 204

HSL 197.93, 0.74%, 0.46%

LAB 59.06, -13.49, -35.61

 

CMYK 0 / 85 / 9 / 20

HEX #CC1EBA

RGB 204 30 186

HSL 306.21, 0.74%, 0.46%

LAB 48.65, 77.07, -40.74

 

CMYK 0 / 60 / 85 / 20

HEX #CC521E

RGB 204 82 30

HSL 17.93, 0.74%, 0.46%

LAB 50.65, 46.03, 51.9

 

CMYK 85 / 0 / 76 / 20

HEX #1FCC31

RGB 31 204 49

HSL 126.24, 0.74%, 0.46%

LAB 72.03, -69.15, 61.11

 

CMYK 85 / 51 / 0 / 20

HEX #1E63CC

RGB 30 99 204

HSL 216.21, 0.74%, 0.46%

LAB 43.59, 18.61, -60.22

 

CMYK 0 / 85 / 9 / 20

HEX #CC1EBA

RGB 204 30 186

HSL 306.21, 0.74%, 0.46%

LAB 48.65, 77.07, -40.74

 

CMYK 0 / 34 / 85 / 20

HEX #CC861E

RGB 204 134 30

HSL 35.86, 0.74%, 0.46%

LAB 61.64, 19.11, 61.11

 

Description

Color code: HEX #1FCC31 | qconv.com Color code: HEX #1FCC31 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 204 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 204 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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