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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FBF45 it is the complementary color #E040BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FBF45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FBF45 shade: #24BF40, #35D153, #46E366, #57F579 and #68FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FBF45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FBF45 shade: #1FBF45, #0EAD32, #009B1F, #00890C and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FBF45 shade: #1FC146, #25C11F, #50C11F, #7CC11F and #A7C11F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FBF45 shade: #1FC146, #1FC171, #1FC19D, #1FB9C1 and #1F8EC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FBF45 shade matches the following richer shades: #1FC146 and #0DD33C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FBF45 shade: #1FC146, #32AF4F, #449D59, #568B62 and #68786C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FBF45 shade: #50C11F, #25C11F, #1FC145, #1FC170 and #1FC19B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FBF45 shade: #147A2C, #1A9E39, #1FC146, #2DDD57 and #50E373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FBF45 shade: #1FBF45, #1F7BC1 and #C11F3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FBF45 shade: #1FBF45, #451FC1 and #C1451F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FBF45 shade: #1FBF45, #1F7BC1, #C11F9B and #C1651F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FBF45 shade: #1FBF45, #1F4BC1, #C11F9B and #C1961F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 64 / 25

HEX #1FBF45

RGB 31 191 69

HSL 134.25, 0.72%, 0.44%

LAB 68.01, -63.37, 49.24

 

Complementary color

CMYK 0 / 71 / 17 / 12

HEX #E040BA

RGB 224 64 186

HSL 314.25, 0.72%, 0.56%

LAB 55.13, 72.52, -30.33

 

CMYK 81 / 0 / 66 / 25

HEX #24BF40

RGB 36 191 64

HSL 130.84, 0.68%, 0.45%

LAB 68.03, -63.38, 51.39

 

CMYK 75 / 0 / 60 / 18

HEX #35D153

RGB 53 209 83

HSL 131.54, 0.63%, 0.51%

LAB 74.18, -64.83, 50.18

 

CMYK 69 / 0 / 55 / 11

HEX #46E366

RGB 70 227 102

HSL 132.23, 0.74%, 0.58%

LAB 80.29, -65.8, 48.83

 

CMYK 64 / 0 / 51 / 4

HEX #57F579

RGB 87 245 121

HSL 132.91, 0.89%, 0.65%

LAB 86.36, -66.41, 47.45

 

CMYK 59 / 0 / 45 / 0

HEX #68FF8C

RGB 104 255 140

HSL 134.3, 1%, 0.7%

LAB 90.02, -63.86, 43.09

 

CMYK 84 / 0 / 64 / 25

HEX #1FBF45

RGB 31 191 69

HSL 134.25, 0.72%, 0.44%

LAB 68.01, -63.37, 49.24

 

CMYK 92 / 0 / 71 / 32

HEX #0EAD32

RGB 14 173 50

HSL 133.58, 0.85%, 0.37%

LAB 61.84, -61.16, 50.36

 

CMYK 100 / 0 / 80 / 39

HEX #009B1F

RGB 0 155 31

HSL 132, 1%, 0.3%

LAB 55.63, -58.12, 50.89

 

CMYK 100 / 0 / 91 / 46

HEX #00890C

RGB 0 137 12

HSL 125.26, 1%, 0.27%

LAB 49.4, -53.88, 50.2

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 84 / 0 / 64 / 24

HEX #1FC146

RGB 31 193 70

HSL 134.44, 0.72%, 0.44%

LAB 68.66, -63.89, 49.53

 

CMYK 81 / 0 / 84 / 24

HEX #25C11F

RGB 37 193 31

HSL 117.78, 0.72%, 0.44%

LAB 68.48, -66.36, 62.97

 

CMYK 59 / 0 / 84 / 24

HEX #50C11F

RGB 80 193 31

HSL 101.85, 0.72%, 0.44%

LAB 69.43, -58.35, 64.18

 

CMYK 36 / 0 / 84 / 24

HEX #7CC11F

RGB 124 193 31

HSL 85.56, 0.72%, 0.44%

LAB 71.23, -44.78, 66.46

 

CMYK 13 / 0 / 84 / 24

HEX #A7C11F

RGB 167 193 31

HSL 69.63, 0.72%, 0.44%

LAB 73.84, -27.99, 69.74

 

CMYK 84 / 0 / 64 / 24

HEX #1FC146

RGB 31 193 70

HSL 134.44, 0.72%, 0.44%

LAB 68.66, -63.89, 49.53

 

CMYK 84 / 0 / 41 / 24

HEX #1FC171

RGB 31 193 113

HSL 150.37, 0.72%, 0.44%

LAB 69.2, -57.41, 29.4

 

CMYK 84 / 0 / 19 / 24

HEX #1FC19D

RGB 31 193 157

HSL 166.67, 0.72%, 0.44%

LAB 70.08, -47.63, 7.08

 

CMYK 84 / 4 / 0 / 24

HEX #1FB9C1

RGB 31 185 193

HSL 182.96, 0.72%, 0.44%

LAB 68.63, -33.95, -14.79

 

CMYK 84 / 26 / 0 / 24

HEX #1F8EC1

RGB 31 142 193

HSL 198.89, 0.72%, 0.44%

LAB 55.57, -11.78, -34.85

 

CMYK 84 / 0 / 64 / 24

HEX #1FC146

RGB 31 193 70

HSL 134.44, 0.72%, 0.44%

LAB 68.66, -63.89, 49.53

 

CMYK 94 / 0 / 72 / 17

HEX #0DD33C

RGB 13 211 60

HSL 134.24, 0.88%, 0.44%

LAB 74.19, -71.51, 59.43

 

CMYK 84 / 0 / 64 / 24

HEX #1FC146

RGB 31 193 70

HSL 134.44, 0.72%, 0.44%

LAB 68.66, -63.89, 49.53

 

CMYK 71 / 0 / 55 / 31

HEX #32AF4F

RGB 50 175 79

HSL 133.92, 0.56%, 0.44%

LAB 63.26, -54.21, 39.19

 

CMYK 57 / 0 / 43 / 38

HEX #449D59

RGB 68 157 89

HSL 134.16, 0.4%, 0.44%

LAB 58.1, -41.91, 27.72

 

CMYK 38 / 0 / 29 / 45

HEX #568B62

RGB 86 139 98

HSL 133.58, 0.24%, 0.44%

LAB 53.3, -26.88, 16.5

 

CMYK 13 / 0 / 10 / 53

HEX #68786C

RGB 104 120 108

HSL 135, 0.07%, 0.44%

LAB 48.83, -8.46, 4.6

 

CMYK 59 / 0 / 84 / 24

HEX #50C11F

RGB 80 193 31

HSL 101.85, 0.72%, 0.44%

LAB 69.43, -58.35, 64.18

 

CMYK 81 / 0 / 84 / 24

HEX #25C11F

RGB 37 193 31

HSL 117.78, 0.72%, 0.44%

LAB 68.48, -66.36, 62.97

 

CMYK 84 / 0 / 64 / 24

HEX #1FC145

RGB 31 193 69

HSL 134.07, 0.72%, 0.44%

LAB 68.65, -64, 49.95

 

CMYK 84 / 0 / 42 / 24

HEX #1FC170

RGB 31 193 112

HSL 150, 0.72%, 0.44%

LAB 69.18, -57.6, 29.9

 

CMYK 84 / 0 / 20 / 24

HEX #1FC19B

RGB 31 193 155

HSL 165.93, 0.72%, 0.44%

LAB 70.03, -48.14, 8.1

 

CMYK 84 / 0 / 64 / 52

HEX #147A2C

RGB 20 122 44

HSL 134.12, 0.72%, 0.28%

LAB 44.59, -44.79, 34.17

 

CMYK 84 / 0 / 64 / 38

HEX #1A9E39

RGB 26 158 57

HSL 134.09, 0.72%, 0.36%

LAB 57.04, -54.67, 42.23

 

CMYK 84 / 0 / 64 / 24

HEX #1FC146

RGB 31 193 70

HSL 134.44, 0.72%, 0.44%

LAB 68.66, -63.89, 49.53

 

CMYK 80 / 0 / 61 / 13

HEX #2DDD57

RGB 45 221 87

HSL 134.32, 0.72%, 0.52%

LAB 77.85, -69.25, 52.6

 

CMYK 65 / 0 / 49 / 11

HEX #50E373

RGB 80 227 115

HSL 134.29, 0.72%, 0.6%

LAB 80.67, -62.2, 43.23

 

CMYK 84 / 0 / 64 / 25

HEX #1FBF45

RGB 31 191 69

HSL 134.25, 0.72%, 0.44%

LAB 68.01, -63.37, 49.24

 

CMYK 84 / 36 / 0 / 24

HEX #1F7BC1

RGB 31 123 193

HSL 205.93, 0.72%, 0.44%

LAB 49.87, -0.69, -43.84

 

CMYK 0 / 84 / 70 / 24

HEX #C11F3A

RGB 193 31 58

HSL 350, 0.72%, 0.44%

LAB 42.19, 61.87, 27.7

 

CMYK 84 / 0 / 64 / 25

HEX #1FBF45

RGB 31 191 69

HSL 134.25, 0.72%, 0.44%

LAB 68.01, -63.37, 49.24

 

CMYK 64 / 84 / 0 / 24

HEX #451FC1

RGB 69 31 193

HSL 254.07, 0.72%, 0.44%

LAB 29.65, 57.97, -76.58

 

CMYK 0 / 64 / 84 / 24

HEX #C1451F

RGB 193 69 31

HSL 14.07, 0.72%, 0.44%

LAB 46.57, 47.94, 47.2

 

CMYK 84 / 0 / 64 / 25

HEX #1FBF45

RGB 31 191 69

HSL 134.25, 0.72%, 0.44%

LAB 68.01, -63.37, 49.24

 

CMYK 84 / 36 / 0 / 24

HEX #1F7BC1

RGB 31 123 193

HSL 205.93, 0.72%, 0.44%

LAB 49.87, -0.69, -43.84

 

CMYK 0 / 84 / 20 / 24

HEX #C11F9B

RGB 193 31 155

HSL 314.07, 0.72%, 0.44%

LAB 45.2, 70.48, -27.94

 

CMYK 0 / 48 / 84 / 24

HEX #C1651F

RGB 193 101 31

HSL 25.93, 0.72%, 0.44%

LAB 52.67, 32.27, 52.56

 

CMYK 84 / 0 / 64 / 25

HEX #1FBF45

RGB 31 191 69

HSL 134.25, 0.72%, 0.44%

LAB 68.01, -63.37, 49.24

 

CMYK 84 / 61 / 0 / 24

HEX #1F4BC1

RGB 31 75 193

HSL 223.7, 0.72%, 0.44%

LAB 36.32, 30.16, -65.68

 

CMYK 0 / 84 / 20 / 24

HEX #C11F9B

RGB 193 31 155

HSL 314.07, 0.72%, 0.44%

LAB 45.2, 70.48, -27.94

 

CMYK 0 / 22 / 84 / 24

HEX #C1961F

RGB 193 150 31

HSL 44.07, 0.72%, 0.44%

LAB 64.36, 5.55, 62.59

 

Description

Color code: HEX #1FBF45 | qconv.com Color code: HEX #1FBF45 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 191 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 191 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 64 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 64% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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