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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24BF40 it is the complementary color #DB40BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24BF40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24BF40 shade: #29BF3B, #3AD14E, #4BE361, #5CF574 and #6DFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24BF40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24BF40 shade: #24BF40, #13AD2D, #029B1A, #008907 and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24BF40 shade: #25C141, #33C125, #5DC125, #87C125 and #B1C125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24BF40 shade: #25C141, #25C16B, #25C195, #25C1BF and #2598C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24BF40 shade matches the following richer shades: #25C141 and #12D335

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24BF40 shade: #25C141, #37AE4D, #4A9C59, #5C8964 and #6F7770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24BF40 shade: #5EC125, #34C125, #25C13F, #25C168 and #25C192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24BF40 shade: #187B2A, #1E9E35, #25C141, #36D953 and #59DF71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24BF40 shade: #24BF40, #2588C1 and #C12549

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24BF40 shade: #24BF40, #3F25C1 and #C13F25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24BF40 shade: #24BF40, #2588C1, #C125A7 and #C15E25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24BF40 shade: #24BF40, #2559C1, #C125A7 and #C18D25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 66 / 25

HEX #24BF40

RGB 36 191 64

HSL 130.84, 0.68%, 0.45%

LAB 68.03, -63.38, 51.39

 

Complementary color

CMYK 0 / 71 / 13 / 14

HEX #DB40BF

RGB 219 64 191

HSL 310.84, 0.68%, 0.55%

LAB 54.54, 72.04, -34.2

 

CMYK 79 / 0 / 69 / 25

HEX #29BF3B

RGB 41 191 59

HSL 127.2, 0.65%, 0.45%

LAB 68.06, -63.27, 53.47

 

CMYK 72 / 0 / 63 / 18

HEX #3AD14E

RGB 58 209 78

HSL 127.95, 0.62%, 0.52%

LAB 74.22, -64.64, 52.44

 

CMYK 67 / 0 / 57 / 11

HEX #4BE361

RGB 75 227 97

HSL 128.68, 0.73%, 0.59%

LAB 80.35, -65.55, 51.2

 

CMYK 62 / 0 / 53 / 4

HEX #5CF574

RGB 92 245 116

HSL 129.41, 0.88%, 0.66%

LAB 86.43, -66.11, 49.88

 

CMYK 57 / 0 / 47 / 0

HEX #6DFF87

RGB 109 255 135

HSL 130.68, 1%, 0.71%

LAB 90.1, -63.52, 45.61

 

CMYK 81 / 0 / 66 / 25

HEX #24BF40

RGB 36 191 64

HSL 130.84, 0.68%, 0.45%

LAB 68.03, -63.38, 51.39

 

CMYK 89 / 0 / 74 / 32

HEX #13AD2D

RGB 19 173 45

HSL 130.13, 0.8%, 0.38%

LAB 61.84, -61.26, 52.27

 

CMYK 99 / 0 / 83 / 39

HEX #029B1A

RGB 2 155 26

HSL 129.41, 0.97%, 0.31%

LAB 55.61, -58.32, 52.38

 

CMYK 100 / 0 / 95 / 46

HEX #008907

RGB 0 137 7

HSL 123.07, 1%, 0.27%

LAB 49.38, -54.06, 51.11

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 81 / 0 / 66 / 24

HEX #25C141

RGB 37 193 65

HSL 130.77, 0.68%, 0.45%

LAB 68.69, -63.8, 51.71

 

CMYK 74 / 0 / 81 / 24

HEX #33C125

RGB 51 193 37

HSL 114.62, 0.68%, 0.45%

LAB 68.73, -64.08, 61.71

 

CMYK 52 / 0 / 81 / 24

HEX #5DC125

RGB 93 193 37

HSL 98.46, 0.68%, 0.45%

LAB 69.9, -54.57, 63.2

 

CMYK 30 / 0 / 81 / 24

HEX #87C125

RGB 135 193 37

HSL 82.31, 0.68%, 0.45%

LAB 71.84, -40.5, 65.7

 

CMYK 8 / 0 / 81 / 24

HEX #B1C125

RGB 177 193 37

HSL 66.15, 0.68%, 0.45%

LAB 74.59, -23.62, 69.18

 

CMYK 81 / 0 / 66 / 24

HEX #25C141

RGB 37 193 65

HSL 130.77, 0.68%, 0.45%

LAB 68.69, -63.8, 51.71

 

CMYK 81 / 0 / 45 / 24

HEX #25C16B

RGB 37 193 107

HSL 146.92, 0.68%, 0.45%

LAB 69.18, -57.91, 32.48

 

CMYK 81 / 0 / 23 / 24

HEX #25C195

RGB 37 193 149

HSL 163.08, 0.68%, 0.45%

LAB 69.97, -49.09, 11.27

 

CMYK 81 / 0 / 1 / 24

HEX #25C1BF

RGB 37 193 191

HSL 179.23, 0.68%, 0.45%

LAB 71.07, -37.8, -10.03

 

CMYK 81 / 21 / 0 / 24

HEX #2598C1

RGB 37 152 193

HSL 195.77, 0.68%, 0.45%

LAB 58.7, -16.76, -29.98

 

CMYK 81 / 0 / 66 / 24

HEX #25C141

RGB 37 193 65

HSL 130.77, 0.68%, 0.45%

LAB 68.69, -63.8, 51.71

 

CMYK 91 / 0 / 75 / 17

HEX #12D335

RGB 18 211 53

HSL 130.88, 0.84%, 0.45%

LAB 74.17, -71.83, 61.87

 

CMYK 81 / 0 / 66 / 24

HEX #25C141

RGB 37 193 65

HSL 130.77, 0.68%, 0.45%

LAB 68.69, -63.8, 51.71

 

CMYK 68 / 0 / 56 / 32

HEX #37AE4D

RGB 55 174 77

HSL 131.09, 0.52%, 0.45%

LAB 63.03, -53.23, 39.91

 

CMYK 53 / 0 / 43 / 39

HEX #4A9C59

RGB 74 156 89

HSL 130.98, 0.36%, 0.45%

LAB 57.99, -39.93, 27.62

 

CMYK 33 / 0 / 27 / 46

HEX #5C8964

RGB 92 137 100

HSL 130.67, 0.2%, 0.45%

LAB 53.04, -23.5, 15.06

 

CMYK 7 / 0 / 6 / 53

HEX #6F7770

RGB 111 119 112

HSL 127.5, 0.03%, 0.45%

LAB 49.18, -4.44, 2.81

 

CMYK 51 / 0 / 81 / 24

HEX #5EC125

RGB 94 193 37

HSL 98.08, 0.68%, 0.45%

LAB 69.93, -54.28, 63.25

 

CMYK 73 / 0 / 81 / 24

HEX #34C125

RGB 52 193 37

HSL 114.23, 0.68%, 0.45%

LAB 68.75, -63.91, 61.73

 

CMYK 81 / 0 / 67 / 24

HEX #25C13F

RGB 37 193 63

HSL 130, 0.68%, 0.45%

LAB 68.67, -64, 52.51

 

CMYK 81 / 0 / 46 / 24

HEX #25C168

RGB 37 193 104

HSL 145.77, 0.68%, 0.45%

LAB 69.14, -58.43, 33.95

 

CMYK 81 / 0 / 24 / 24

HEX #25C192

RGB 37 193 146

HSL 161.92, 0.68%, 0.45%

LAB 69.9, -49.81, 12.8

 

CMYK 80 / 0 / 66 / 52

HEX #187B2A

RGB 24 123 42

HSL 130.91, 0.67%, 0.29%

LAB 44.98, -44.84, 35.59

 

CMYK 81 / 0 / 66 / 38

HEX #1E9E35

RGB 30 158 53

HSL 130.78, 0.68%, 0.37%

LAB 57.06, -54.66, 44.04

 

CMYK 81 / 0 / 66 / 24

HEX #25C141

RGB 37 193 65

HSL 130.77, 0.68%, 0.45%

LAB 68.69, -63.8, 51.71

 

CMYK 75 / 0 / 62 / 15

HEX #36D953

RGB 54 217 83

HSL 130.67, 0.68%, 0.53%

LAB 76.7, -67.29, 53.06

 

CMYK 60 / 0 / 49 / 13

HEX #59DF71

RGB 89 223 113

HSL 130.75, 0.68%, 0.61%

LAB 79.67, -59.21, 42.99

 

CMYK 81 / 0 / 66 / 25

HEX #24BF40

RGB 36 191 64

HSL 130.84, 0.68%, 0.45%

LAB 68.03, -63.38, 51.39

 

CMYK 81 / 30 / 0 / 24

HEX #2588C1

RGB 37 136 193

HSL 201.92, 0.68%, 0.45%

LAB 53.87, -7.82, -37.51

 

CMYK 0 / 81 / 62 / 24

HEX #C12549

RGB 193 37 73

HSL 346.15, 0.68%, 0.45%

LAB 42.98, 61.19, 19.4

 

CMYK 81 / 0 / 66 / 25

HEX #24BF40

RGB 36 191 64

HSL 130.84, 0.68%, 0.45%

LAB 68.03, -63.38, 51.39

 

CMYK 67 / 81 / 0 / 24

HEX #3F25C1

RGB 63 37 193

HSL 250, 0.68%, 0.45%

LAB 29.99, 54.95, -76.04

 

CMYK 0 / 67 / 81 / 24

HEX #C13F25

RGB 193 63 37

HSL 10, 0.68%, 0.45%

LAB 45.67, 50.67, 43.47

 

CMYK 81 / 0 / 66 / 25

HEX #24BF40

RGB 36 191 64

HSL 130.84, 0.68%, 0.45%

LAB 68.03, -63.38, 51.39

 

CMYK 81 / 30 / 0 / 24

HEX #2588C1

RGB 37 136 193

HSL 201.92, 0.68%, 0.45%

LAB 53.87, -7.82, -37.51

 

CMYK 0 / 81 / 13 / 24

HEX #C125A7

RGB 193 37 167

HSL 310, 0.68%, 0.45%

LAB 46.25, 70.72, -33.47

 

CMYK 0 / 51 / 81 / 24

HEX #C15E25

RGB 193 94 37

HSL 21.92, 0.68%, 0.45%

LAB 51.24, 36.11, 48.78

 

CMYK 81 / 0 / 66 / 25

HEX #24BF40

RGB 36 191 64

HSL 130.84, 0.68%, 0.45%

LAB 68.03, -63.38, 51.39

 

CMYK 81 / 54 / 0 / 24

HEX #2559C1

RGB 37 89 193

HSL 220, 0.68%, 0.45%

LAB 40.23, 21.46, -59.3

 

CMYK 0 / 81 / 13 / 24

HEX #C125A7

RGB 193 37 167

HSL 310, 0.68%, 0.45%

LAB 46.25, 70.72, -33.47

 

CMYK 0 / 27 / 81 / 24

HEX #C18D25

RGB 193 141 37

HSL 40, 0.68%, 0.45%

LAB 62.1, 10.65, 58.71

 

Description

Color code: HEX #24BF40 | qconv.com Color code: HEX #24BF40 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 191 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 191 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 66 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 66% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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