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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FBD9A it is the complementary color #E04265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FBD9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1FBD9A: #24BD95, #35CFA8, #46E1BB, #57F3CE and #68FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FBD9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1FBD9A: #1FBD9A, #0EAB87, #009974, #008761 and #00754E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 19 / 26

HEX #1FBD9A

RGB 31 189 154

HSL 166.71, 0.72%, 0.43%

LAB 68.77, -46.75, 6.83

 

Complementary color

CMYK 0 / 71 / 55 / 12

HEX #E04265

RGB 224 66 101

HSL 346.71, 0.72%, 0.57%

LAB 52.6, 62.82, 16.24

 

CMYK 81 / 0 / 21 / 26

HEX #24BD95

RGB 36 189 149

HSL 164.31, 0.68%, 0.44%

LAB 68.71, -47.56, 9.48

 

CMYK 74 / 0 / 19 / 19

HEX #35CFA8

RGB 53 207 168

HSL 164.81, 0.62%, 0.51%

LAB 74.96, -48.44, 8.15

 

CMYK 69 / 0 / 17 / 12

HEX #46E1BB

RGB 70 225 187

HSL 165.29, 0.72%, 0.58%

LAB 81.15, -49.05, 6.95

 

CMYK 64 / 0 / 15 / 5

HEX #57F3CE

RGB 87 243 206

HSL 165.77, 0.87%, 0.65%

LAB 87.28, -49.45, 5.84

 

CMYK 59 / 0 / 12 / 0

HEX #68FFE1

RGB 104 255 225

HSL 168.08, 1%, 0.7%

LAB 91.64, -47.16, 2.33

 

CMYK 84 / 0 / 19 / 26

HEX #1FBD9A

RGB 31 189 154

HSL 166.71, 0.72%, 0.43%

LAB 68.77, -46.75, 6.83

 

CMYK 92 / 0 / 21 / 33

HEX #0EAB87

RGB 14 171 135

HSL 166.24, 0.85%, 0.36%

LAB 62.48, -45.33, 8.29

 

CMYK 100 / 0 / 24 / 40

HEX #009974

RGB 0 153 116

HSL 165.49, 1%, 0.3%

LAB 56.13, -43.48, 9.93

 

CMYK 100 / 0 / 28 / 47

HEX #008761

RGB 0 135 97

HSL 163.11, 1%, 0.26%

LAB 49.73, -40.97, 11.78

 

CMYK 100 / 0 / 33 / 54

HEX #00754E

RGB 0 117 78

HSL 160, 1%, 0.23%

LAB 43.17, -38.36, 13.75

 

CMYK 84 / 0 / 19 / 26

HEX #1FBD9A

RGB 31 189 154

HSL 166.71, 0.72%, 0.43%

LAB 68.77, -46.75, 6.83

 

CMYK 84 / 0 / 5 / 26

HEX #1EBCB2

RGB 30 188 178

HSL 176.2, 0.72%, 0.43%

LAB 69.08, -39.86, -5.88

 

CMYK 84 / 9 / 0 / 26

HEX #1EACBC

RGB 30 172 188

HSL 186.08, 0.72%, 0.43%

LAB 64.49, -29.33, -18.29

 

CMYK 84 / 22 / 0 / 26

HEX #1E92BC

RGB 30 146 188

HSL 195.95, 0.72%, 0.43%

LAB 56.55, -15.86, -30.49

 

CMYK 84 / 36 / 0 / 26

HEX #1E78BC

RGB 30 120 188

HSL 205.82, 0.72%, 0.43%

LAB 48.69, -0.86, -42.84

 

CMYK 84 / 0 / 19 / 26

HEX #1FBD9A

RGB 31 189 154

HSL 166.71, 0.72%, 0.43%

LAB 68.77, -46.75, 6.83

 

CMYK 84 / 0 / 18 / 6

HEX #27F0C4

RGB 39 240 196

HSL 166.87, 0.87%, 0.55%

LAB 85.37, -56.22, 8.21

 

CMYK 83 / 0 / 19 / 86

HEX #06241D

RGB 6 36 29

HSL 166, 0.71%, 0.08%

LAB 11.89, -13.34, 1.43

 

CMYK 84 / 0 / 18 / 66

HEX #0E5747

RGB 14 87 71

HSL 166.85, 0.72%, 0.2%

LAB 32.62, -25.71, 3.21

 

CMYK 83 / 0 / 19 / 46

HEX #178A70

RGB 23 138 112

HSL 166.43, 0.71%, 0.32%

LAB 51.3, -36.73, 5.37

 

CMYK 84 / 0 / 19 / 26

HEX #1FBD9A

RGB 31 189 154

HSL 166.71, 0.72%, 0.43%

LAB 68.77, -46.75, 6.83

 

CMYK 84 / 81 / 0 / 26

HEX #1E23BC

RGB 30 35 188

HSL 238.1, 0.72%, 0.43%

LAB 27.04, 52.18, -78.03

 

CMYK 0 / 53 / 84 / 26

HEX #BC581E

RGB 188 88 30

HSL 22.03, 0.72%, 0.43%

LAB 49.21, 36.97, 49.65

 

CMYK 84 / 0 / 19 / 26

HEX #1FBD9A

RGB 31 189 154

HSL 166.71, 0.72%, 0.43%

LAB 68.77, -46.75, 6.83

 

CMYK 20 / 84 / 0 / 26

HEX #971EBC

RGB 151 30 188

HSL 285.95, 0.72%, 0.43%

LAB 39.81, 67.83, -56.57

 

CMYK 0 / 20 / 84 / 26

HEX #BC971E

RGB 188 151 30

HSL 45.95, 0.72%, 0.43%

LAB 64.09, 2.74, 62.44

 

CMYK 84 / 0 / 19 / 26

HEX #1FBD9A

RGB 31 189 154

HSL 166.71, 0.72%, 0.43%

LAB 68.77, -46.75, 6.83

 

CMYK 84 / 81 / 0 / 26

HEX #1E23BC

RGB 30 35 188

HSL 238.1, 0.72%, 0.43%

LAB 27.04, 52.18, -78.03

 

CMYK 0 / 84 / 64 / 26

HEX #BC1E43

RGB 188 30 67

HSL 345.95, 0.72%, 0.43%

LAB 41.26, 61.21, 20.71

 

CMYK 0 / 3 / 84 / 26

HEX #BCB71E

RGB 188 183 30

HSL 58.1, 0.72%, 0.43%

LAB 72.66, -14.12, 69.63

 

CMYK 84 / 0 / 19 / 26

HEX #1FBD9A

RGB 31 189 154

HSL 166.71, 0.72%, 0.43%

LAB 68.77, -46.75, 6.83

 

CMYK 62 / 84 / 0 / 26

HEX #481EBC

RGB 72 30 188

HSL 255.95, 0.72%, 0.43%

LAB 29.25, 57.26, -74.28

 

CMYK 0 / 84 / 64 / 26

HEX #BC1E43

RGB 188 30 67

HSL 345.95, 0.72%, 0.43%

LAB 41.26, 61.21, 20.71

 

CMYK 22 / 0 / 84 / 26

HEX #92BC1E

RGB 146 188 30

HSL 75.95, 0.72%, 0.43%

LAB 70.99, -34.25, 66.98

 

Description

Color code: HEX #1FBD9A | qconv.com Color code: HEX #1FBD9A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 189 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 189 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 19 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 19% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to PANTONE®

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