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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FBD7E it is the complementary color #E04281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FBD7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FBD7E shade: #24BD79, #35CF8C, #46E19F, #57F3B2 and #68FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FBD7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FBD7E shade: #1FBD7E, #0EAB6B, #009958, #008745 and #007532

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FBD7E shade: #1FBD7E, #1FBD53, #1FBD28, #3FBD1F and #6ABD1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FBD7E shade: #1FBD7E, #1FBDA8, #1FA6BD, #1F7CBD and #1F51BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FBD7E shade matches the following richer shades: #1FBD7E and #0DCE81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FBD7E shade: #1FBD7E, #30AB7A, #429976, #548773 and #66766F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FBD7E shade: #1FBD29, #1FBD53, #1FBD7D, #1FBDA8 and #1FA8BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FBD7E shade: #13764E, #199966, #1FBD7E, #28DC94 and #4CE2A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FBD7E shade: #1FBD7E, #1F3EBD and #BD3E1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FBD7E shade: #1FBD7E, #7D1FBD and #BD7D1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FBD7E shade: #1FBD7E, #1F3EBD, #BD1F5E and #BD9D1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FBD7E shade: #1FBD7E, #2E1FBD, #BD1F5E and #ADBD1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

Complementary color

CMYK 0 / 71 / 42 / 12

HEX #E04281

RGB 224 66 129

HSL 336.08, 0.72%, 0.57%

LAB 53.31, 65.19, 0.46

 

CMYK 81 / 0 / 36 / 26

HEX #24BD79

RGB 36 189 121

HSL 153.33, 0.68%, 0.44%

LAB 68.13, -53.9, 23.78

 

CMYK 74 / 0 / 32 / 19

HEX #35CF8C

RGB 53 207 140

HSL 153.9, 0.62%, 0.51%

LAB 74.37, -54.79, 22.23

 

CMYK 69 / 0 / 29 / 12

HEX #46E19F

RGB 70 225 159

HSL 154.45, 0.72%, 0.58%

LAB 80.55, -55.36, 20.82

 

CMYK 64 / 0 / 27 / 5

HEX #57F3B2

RGB 87 243 178

HSL 155, 0.87%, 0.65%

LAB 86.67, -55.72, 19.51

 

CMYK 59 / 0 / 23 / 0

HEX #68FFC5

RGB 104 255 197

HSL 156.95, 1%, 0.7%

LAB 91, -53.48, 15.87

 

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

CMYK 92 / 0 / 37 / 33

HEX #0EAB6B

RGB 14 171 107

HSL 155.54, 0.85%, 0.36%

LAB 61.9, -51.86, 22.86

 

CMYK 100 / 0 / 42 / 40

HEX #009958

RGB 0 153 88

HSL 154.51, 1%, 0.3%

LAB 55.57, -49.87, 24.73

 

CMYK 100 / 0 / 49 / 47

HEX #008745

RGB 0 135 69

HSL 150.67, 1%, 0.26%

LAB 49.2, -47.07, 26.79

 

CMYK 100 / 0 / 57 / 54

HEX #007532

RGB 0 117 50

HSL 145.64, 1%, 0.23%

LAB 42.69, -44.03, 28.85

 

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

CMYK 84 / 0 / 56 / 26

HEX #1FBD53

RGB 31 189 83

HSL 139.75, 0.72%, 0.43%

LAB 67.51, -60.96, 42.29

 

CMYK 84 / 0 / 79 / 26

HEX #1FBD28

RGB 31 189 40

HSL 123.42, 0.72%, 0.43%

LAB 67.16, -65.33, 59.23

 

CMYK 67 / 0 / 84 / 26

HEX #3FBD1F

RGB 63 189 31

HSL 107.85, 0.72%, 0.43%

LAB 67.69, -60.9, 62.44

 

CMYK 44 / 0 / 84 / 26

HEX #6ABD1F

RGB 106 189 31

HSL 91.52, 0.72%, 0.43%

LAB 69.15, -49.32, 64.3

 

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

CMYK 84 / 0 / 11 / 26

HEX #1FBDA8

RGB 31 189 168

HSL 172.03, 0.72%, 0.43%

LAB 69.12, -43.04, -0.33

 

CMYK 84 / 12 / 0 / 26

HEX #1FA6BD

RGB 31 166 189

HSL 188.73, 0.72%, 0.43%

LAB 62.71, -25.94, -21.56

 

CMYK 84 / 34 / 0 / 26

HEX #1F7CBD

RGB 31 124 189

HSL 204.68, 0.72%, 0.43%

LAB 49.95, -2.81, -41.4

 

CMYK 84 / 57 / 0 / 26

HEX #1F51BD

RGB 31 81 189

HSL 221.01, 0.72%, 0.43%

LAB 37.57, 24.65, -61.29

 

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

CMYK 94 / 0 / 37 / 19

HEX #0DCE81

RGB 13 206 129

HSL 156.06, 0.88%, 0.43%

LAB 73.42, -60.04, 26.65

 

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

CMYK 72 / 0 / 29 / 33

HEX #30AB7A

RGB 48 171 122

HSL 156.1, 0.56%, 0.43%

LAB 62.64, -45.12, 15.78

 

CMYK 57 / 0 / 23 / 40

HEX #429976

RGB 66 153 118

HSL 155.86, 0.4%, 0.43%

LAB 57.32, -34.82, 10.63

 

CMYK 38 / 0 / 15 / 47

HEX #548773

RGB 84 135 115

HSL 156.47, 0.23%, 0.43%

LAB 52.34, -21.91, 5.38

 

CMYK 14 / 0 / 6 / 54

HEX #66766F

RGB 102 118 111

HSL 153.75, 0.07%, 0.43%

LAB 48.17, -7.44, 1.85

 

CMYK 84 / 0 / 78 / 26

HEX #1FBD29

RGB 31 189 41

HSL 123.8, 0.72%, 0.43%

LAB 67.16, -65.27, 58.92

 

CMYK 84 / 0 / 56 / 26

HEX #1FBD53

RGB 31 189 83

HSL 139.75, 0.72%, 0.43%

LAB 67.51, -60.96, 42.29

 

CMYK 84 / 0 / 34 / 26

HEX #1FBD7D

RGB 31 189 125

HSL 155.7, 0.72%, 0.43%

LAB 68.14, -53.55, 21.66

 

CMYK 84 / 0 / 11 / 26

HEX #1FBDA8

RGB 31 189 168

HSL 172.03, 0.72%, 0.43%

LAB 69.12, -43.04, -0.33

 

CMYK 84 / 11 / 0 / 26

HEX #1FA8BD

RGB 31 168 189

HSL 187.97, 0.72%, 0.43%

LAB 63.32, -26.95, -20.63

 

CMYK 84 / 0 / 34 / 54

HEX #13764E

RGB 19 118 78

HSL 155.76, 0.72%, 0.27%

LAB 43.72, -37.18, 14.53

 

CMYK 84 / 0 / 33 / 40

HEX #199966

RGB 25 153 102

HSL 156.09, 0.72%, 0.35%

LAB 56.04, -45.25, 17.69

 

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

CMYK 82 / 0 / 33 / 14

HEX #28DC94

RGB 40 220 148

HSL 156, 0.72%, 0.51%

LAB 78.33, -59.44, 23.43

 

CMYK 66 / 0 / 27 / 11

HEX #4CE2A6

RGB 76 226 166

HSL 156, 0.72%, 0.59%

LAB 81.12, -53.33, 17.97

 

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

CMYK 84 / 67 / 0 / 26

HEX #1F3EBD

RGB 31 62 189

HSL 228.23, 0.72%, 0.43%

LAB 32.72, 37.09, -69.23

 

CMYK 0 / 67 / 84 / 26

HEX #BD3E1F

RGB 189 62 31

HSL 11.77, 0.72%, 0.43%

LAB 44.75, 49.53, 45.3

 

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

CMYK 34 / 84 / 0 / 26

HEX #7D1FBD

RGB 125 31 189

HSL 275.7, 0.72%, 0.43%

LAB 36.01, 63.65, -63.52

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

CMYK 84 / 67 / 0 / 26

HEX #1F3EBD

RGB 31 62 189

HSL 228.23, 0.72%, 0.43%

LAB 32.72, 37.09, -69.23

 

CMYK 0 / 84 / 50 / 26

HEX #BD1F5E

RGB 189 31 94

HSL 336.08, 0.72%, 0.43%

LAB 42.16, 63.09, 4.97

 

CMYK 0 / 17 / 84 / 26

HEX #BD9D1F

RGB 189 157 31

HSL 47.85, 0.72%, 0.43%

LAB 65.77, -0.02, 63.62

 

CMYK 84 / 0 / 33 / 26

HEX #1FBD7E

RGB 31 189 126

HSL 156.08, 0.72%, 0.43%

LAB 68.16, -53.34, 21.15

 

CMYK 76 / 84 / 0 / 26

HEX #2E1FBD

RGB 46 31 189

HSL 245.7, 0.72%, 0.43%

LAB 27.39, 55.15, -78.01

 

CMYK 0 / 84 / 50 / 26

HEX #BD1F5E

RGB 189 31 94

HSL 336.08, 0.72%, 0.43%

LAB 42.16, 63.09, 4.97

 

CMYK 8 / 0 / 84 / 26

HEX #ADBD1F

RGB 173 189 31

HSL 66.08, 0.72%, 0.43%

LAB 73.14, -23.54, 69.32

 

Description

Color code: HEX #1FBD7E | qconv.com Color code: HEX #1FBD7E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 189 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 189 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 33 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 33% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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