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Color name
HEX #BD7D1F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD7D1F it is the complementary color #4282E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD7D1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD7D1F shade: #C27D1A, #D38F2D, #E4A140, #F5B353 and #FFC566

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD7D1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD7D1F shade: #BD7D1F, #AC6B0C, #9B5900, #8A4700 and #793500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD7D1F shade: #BD7D1F, #BD521F, #BD271F and #BD1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD7D1F shade: #BD7D1F, #BDA71F, #A7BD1F, #7DBD1F and #52BD1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD7D1F shade matches the following richer shades: #BD7D1F and #CE800D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD7D1F shade: #BD7D1F, #AB7930, #997642, #877354 and #766F66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD7D1F shade: #BD271F, #BD511F, #BD7B1F, #BDA51F and #AABD1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD7D1F shade: #764E13, #996519, #BD7D1F, #DC9328 and #E2A54C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD7D1F shade: #BD7D1F, #41BD1F and #3C1FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD7D1F shade: #BD7D1F, #1FBD7B and #7B1FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD7D1F shade: #BD7D1F, #41BD1F, #1F60BD and #9A1FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD7D1F shade: #BD7D1F, #1FBD2C, #1F60BD and #BD1FAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

Complementary color

CMYK 71 / 42 / 0 / 12

HEX #4282E0

RGB 66 130 224

HSL 215.7, 0.72%, 0.57%

LAB 54.56, 10.5, -53.88

 

CMYK 0 / 36 / 87 / 24

HEX #C27D1A

RGB 194 125 26

HSL 35.36, 0.76%, 0.43%

LAB 58.24, 19.57, 59.01

 

CMYK 0 / 32 / 79 / 17

HEX #D38F2D

RGB 211 143 45

HSL 35.42, 0.65%, 0.5%

LAB 64.71, 17.72, 58.94

 

CMYK 0 / 29 / 72 / 11

HEX #E4A140

RGB 228 161 64

HSL 35.49, 0.75%, 0.57%

LAB 71.11, 16.12, 58.14

 

CMYK 0 / 27 / 66 / 4

HEX #F5B353

RGB 245 179 83

HSL 35.56, 0.89%, 0.64%

LAB 77.45, 14.72, 57.01

 

CMYK 0 / 23 / 60 / 0

HEX #FFC566

RGB 255 197 102

HSL 37.25, 1%, 0.7%

LAB 82.99, 10.64, 54.73

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 0 / 38 / 93 / 33

HEX #AC6B0C

RGB 172 107 12

HSL 35.63, 0.87%, 0.36%

LAB 51.05, 19.54, 55.89

 

CMYK 0 / 43 / 100 / 39

HEX #9B5900

RGB 155 89 0

HSL 34.45, 1%, 0.3%

LAB 44.4, 21.89, 52.96

 

CMYK 0 / 49 / 100 / 46

HEX #8A4700

RGB 138 71 0

HSL 30.87, 1%, 0.27%

LAB 37.68, 24.47, 47.54

 

CMYK 0 / 56 / 100 / 53

HEX #793500

RGB 121 53 0

HSL 26.28, 1%, 0.24%

LAB 30.9, 27.05, 41.94

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 0 / 57 / 84 / 26

HEX #BD521F

RGB 189 82 31

HSL 19.37, 0.72%, 0.43%

LAB 48.2, 40.4, 48.39

 

CMYK 0 / 79 / 84 / 26

HEX #BD271F

RGB 189 39 31

HSL 3.04, 0.72%, 0.43%

LAB 41.8, 57.68, 42.61

 

CMYK 0 / 84 / 84 / 26

HEX #BD1F1F

RGB 189 31 31

HSL 0, 0.72%, 0.43%

LAB 41.05, 59.79, 41.92

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 0 / 12 / 84 / 26

HEX #BDA71F

RGB 189 167 31

HSL 51.65, 0.72%, 0.43%

LAB 68.43, -5.35, 65.86

 

CMYK 12 / 0 / 84 / 26

HEX #A7BD1F

RGB 167 189 31

HSL 68.35, 0.72%, 0.43%

LAB 72.7, -26.07, 68.77

 

CMYK 34 / 0 / 84 / 26

HEX #7DBD1F

RGB 125 189 31

HSL 84.3, 0.72%, 0.43%

LAB 70.07, -42.72, 65.47

 

CMYK 57 / 0 / 84 / 26

HEX #52BD1F

RGB 82 189 31

HSL 100.63, 0.72%, 0.43%

LAB 68.23, -56.43, 63.13

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 0 / 38 / 94 / 19

HEX #CE800D

RGB 206 128 13

HSL 35.75, 0.88%, 0.43%

LAB 60.42, 22.91, 64.46

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 0 / 29 / 72 / 33

HEX #AB7930

RGB 171 121 48

HSL 35.61, 0.56%, 0.43%

LAB 54.6, 12.44, 46.15

 

CMYK 0 / 23 / 57 / 40

HEX #997642

RGB 153 118 66

HSL 35.86, 0.4%, 0.43%

LAB 51.98, 7.34, 33.6

 

CMYK 0 / 15 / 38 / 47

HEX #877354

RGB 135 115 84

HSL 36.47, 0.23%, 0.43%

LAB 49.56, 3.06, 20.06

 

CMYK 0 / 6 / 14 / 54

HEX #766F66

RGB 118 111 102

HSL 33.75, 0.07%, 0.43%

LAB 47.21, 1.03, 5.98

 

CMYK 0 / 79 / 84 / 26

HEX #BD271F

RGB 189 39 31

HSL 3.04, 0.72%, 0.43%

LAB 41.8, 57.68, 42.61

 

CMYK 0 / 57 / 84 / 26

HEX #BD511F

RGB 189 81 31

HSL 18.99, 0.72%, 0.43%

LAB 48.01, 40.89, 48.23

 

CMYK 0 / 35 / 84 / 26

HEX #BD7B1F

RGB 189 123 31

HSL 34.94, 0.72%, 0.43%

LAB 57.16, 18.61, 56.25

 

CMYK 0 / 13 / 84 / 26

HEX #BDA51F

RGB 189 165 31

HSL 50.89, 0.72%, 0.43%

LAB 67.89, -4.29, 65.41

 

CMYK 10 / 0 / 84 / 26

HEX #AABD1F

RGB 170 189 31

HSL 67.22, 0.72%, 0.43%

LAB 72.92, -24.81, 69.04

 

CMYK 0 / 34 / 84 / 54

HEX #764E13

RGB 118 78 19

HSL 35.76, 0.72%, 0.27%

LAB 36.64, 11.56, 39.1

 

CMYK 0 / 34 / 84 / 40

HEX #996519

RGB 153 101 25

HSL 35.63, 0.72%, 0.35%

LAB 47.17, 14.66, 47.91

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 0 / 33 / 82 / 14

HEX #DC9328

RGB 220 147 40

HSL 35.67, 0.72%, 0.51%

LAB 66.7, 19.26, 62.94

 

CMYK 0 / 27 / 66 / 11

HEX #E2A54C

RGB 226 165 76

HSL 35.6, 0.72%, 0.59%

LAB 71.96, 13.77, 53.63

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 66 / 0 / 84 / 26

HEX #41BD1F

RGB 65 189 31

HSL 107.09, 0.72%, 0.43%

LAB 67.74, -60.48, 62.5

 

CMYK 68 / 84 / 0 / 26

HEX #3C1FBD

RGB 60 31 189

HSL 251.01, 0.72%, 0.43%

LAB 28.42, 56.12, -76.28

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 84 / 0 / 35 / 26

HEX #1FBD7B

RGB 31 189 123

HSL 154.94, 0.72%, 0.43%

LAB 68.11, -53.97, 22.68

 

CMYK 35 / 84 / 0 / 26

HEX #7B1FBD

RGB 123 31 189

HSL 274.94, 0.72%, 0.43%

LAB 35.72, 63.35, -64

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 66 / 0 / 84 / 26

HEX #41BD1F

RGB 65 189 31

HSL 107.09, 0.72%, 0.43%

LAB 67.74, -60.48, 62.5

 

CMYK 84 / 49 / 0 / 26

HEX #1F60BD

RGB 31 96 189

HSL 215.32, 0.72%, 0.43%

LAB 41.74, 14.77, -54.54

 

CMYK 19 / 84 / 0 / 26

HEX #9A1FBD

RGB 154 31 189

HSL 286.71, 0.72%, 0.43%

LAB 40.45, 68.27, -56.1

 

CMYK 0 / 34 / 84 / 26

HEX #BD7D1F

RGB 189 125 31

HSL 35.7, 0.72%, 0.43%

LAB 57.64, 17.51, 56.67

 

CMYK 84 / 0 / 77 / 26

HEX #1FBD2C

RGB 31 189 44

HSL 124.94, 0.72%, 0.43%

LAB 67.18, -65.06, 57.98

 

CMYK 84 / 49 / 0 / 26

HEX #1F60BD

RGB 31 96 189

HSL 215.32, 0.72%, 0.43%

LAB 41.74, 14.77, -54.54

 

CMYK 0 / 84 / 7 / 26

HEX #BD1FAF

RGB 189 31 175

HSL 305.32, 0.72%, 0.43%

LAB 45.49, 72.4, -39.45

 

Description

Color code: HEX #BD7D1F | qconv.com Color code: HEX #BD7D1F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 125 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 125 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 84 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 84% 26% C M Y K

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