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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F9837 it is the complementary color #E067C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F9837. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F9837 shade: #249832, #35AA45, #46BC58, #57CE6B and #68E07E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F9837. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F9837 shade: #1F9837, #0E8624, #007411, #006200 and #005000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F9837 shade: #1F9837, #27981F, #48981F, #69981F and #89981F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F9837 shade: #1F9837, #1F9857, #1F9878, #1F9798 and #1F7698

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F9837 shade matches the following richer shades: #1F9837, #10A72E and #01B625

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F9837 shade: #1F9837, #2E8940, #3C7A49, #4B6B52 and #5A5C5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F9837 shade: #49981F, #29981F, #1F9835, #1F9855 and #1F9876

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F9837 shade: #11531E, #18762A, #1F9837, #26BA43 and #34D554

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F9837 shade: #1F9837, #1F6998 and #981F39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F9837 shade: #1F9837, #351F98 and #98351F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F9837 shade: #1F9837, #1F6998, #981F82 and #984D1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F9837 shade: #1F9837, #1F4598, #981F82 and #98721F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

Complementary color

CMYK 0 / 54 / 11 / 12

HEX #E067C8

RGB 224 103 200

HSL 311.9, 0.66%, 0.64%

LAB 61.41, 58.94, -28.62

 

CMYK 76 / 0 / 67 / 40

HEX #249832

RGB 36 152 50

HSL 127.24, 0.62%, 0.37%

LAB 55.14, -52.14, 43.27

 

CMYK 69 / 0 / 59 / 33

HEX #35AA45

RGB 53 170 69

HSL 128.21, 0.52%, 0.44%

LAB 61.6, -53.22, 42.03

 

CMYK 63 / 0 / 53 / 26

HEX #46BC58

RGB 70 188 88

HSL 129.15, 0.47%, 0.51%

LAB 68, -53.82, 40.65

 

CMYK 58 / 0 / 48 / 19

HEX #57CE6B

RGB 87 206 107

HSL 130.08, 0.55%, 0.57%

LAB 74.34, -54.11, 39.26

 

CMYK 54 / 0 / 44 / 12

HEX #68E07E

RGB 104 224 126

HSL 131, 0.66%, 0.64%

LAB 80.61, -54.2, 37.91

 

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

CMYK 90 / 0 / 73 / 47

HEX #0E8624

RGB 14 134 36

HSL 131, 0.81%, 0.29%

LAB 48.6, -50.34, 42.09

 

CMYK 100 / 0 / 85 / 55

HEX #007411

RGB 0 116 17

HSL 128.79, 1%, 0.23%

LAB 42.05, -47.36, 42.38

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 100 / 0 / 100 / 69

HEX #005000

RGB 0 80 0

HSL 120, 1%, 0.16%

LAB 28.74, -37.17, 35.87

 

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

CMYK 74 / 0 / 80 / 40

HEX #27981F

RGB 39 152 31

HSL 116.03, 0.66%, 0.36%

LAB 55.06, -53.3, 50.49

 

CMYK 53 / 0 / 80 / 40

HEX #48981F

RGB 72 152 31

HSL 99.67, 0.66%, 0.36%

LAB 56.02, -45.45, 51.75

 

CMYK 31 / 0 / 80 / 40

HEX #69981F

RGB 105 152 31

HSL 83.31, 0.66%, 0.36%

LAB 57.62, -33.94, 53.82

 

CMYK 10 / 0 / 80 / 40

HEX #89981F

RGB 137 152 31

HSL 67.44, 0.66%, 0.36%

LAB 59.77, -20.59, 56.59

 

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

CMYK 80 / 0 / 43 / 40

HEX #1F9857

RGB 31 152 87

HSL 147.77, 0.66%, 0.36%

LAB 55.52, -47.31, 25.26

 

CMYK 80 / 0 / 21 / 40

HEX #1F9878

RGB 31 152 120

HSL 164.13, 0.66%, 0.36%

LAB 56.19, -39.87, 7.79

 

CMYK 80 / 1 / 0 / 40

HEX #1F9798

RGB 31 151 152

HSL 180.5, 0.66%, 0.36%

LAB 56.77, -30.32, -9.63

 

CMYK 80 / 22 / 0 / 40

HEX #1F7698

RGB 31 118 152

HSL 196.86, 0.66%, 0.36%

LAB 46.33, -12.98, -25.55

 

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

CMYK 90 / 0 / 72 / 35

HEX #10A72E

RGB 16 167 46

HSL 131.92, 0.83%, 0.36%

LAB 59.84, -59.57, 49.83

 

CMYK 99 / 0 / 80 / 29

HEX #01B625

RGB 1 182 37

HSL 131.93, 0.99%, 0.36%

LAB 64.64, -65.47, 57.66

 

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

CMYK 66 / 0 / 53 / 46

HEX #2E8940

RGB 46 137 64

HSL 131.87, 0.5%, 0.36%

LAB 50.5, -43, 31.22

 

CMYK 51 / 0 / 40 / 52

HEX #3C7A49

RGB 60 122 73

HSL 132.58, 0.34%, 0.36%

LAB 46.12, -31.53, 20.84

 

CMYK 30 / 0 / 23 / 58

HEX #4B6B52

RGB 75 107 82

HSL 133.13, 0.18%, 0.36%

LAB 42.19, -17.28, 10.36

 

CMYK 2 / 0 / 1 / 64

HEX #5A5C5B

RGB 90 92 91

HSL 150, 0.01%, 0.36%

LAB 38.87, -1, 0.29

 

CMYK 52 / 0 / 80 / 40

HEX #49981F

RGB 73 152 31

HSL 99.17, 0.66%, 0.36%

LAB 56.06, -45.15, 51.8

 

CMYK 73 / 0 / 80 / 40

HEX #29981F

RGB 41 152 31

HSL 115.04, 0.66%, 0.36%

LAB 55.1, -52.94, 50.55

 

CMYK 80 / 0 / 65 / 40

HEX #1F9835

RGB 31 152 53

HSL 130.91, 0.66%, 0.36%

LAB 55.08, -52.53, 41.85

 

CMYK 80 / 0 / 44 / 40

HEX #1F9855

RGB 31 152 85

HSL 146.78, 0.66%, 0.36%

LAB 55.49, -47.68, 26.3

 

CMYK 80 / 0 / 22 / 40

HEX #1F9876

RGB 31 152 118

HSL 163.14, 0.66%, 0.36%

LAB 56.14, -40.38, 8.85

 

CMYK 80 / 0 / 64 / 67

HEX #11531E

RGB 17 83 30

HSL 131.82, 0.66%, 0.2%

LAB 30.4, -32.72, 24.9

 

CMYK 80 / 0 / 64 / 54

HEX #18762A

RGB 24 118 42

HSL 131.49, 0.66%, 0.28%

LAB 43.24, -43.07, 33.62

 

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

CMYK 80 / 0 / 64 / 27

HEX #26BA43

RGB 38 186 67

HSL 131.76, 0.66%, 0.44%

LAB 66.47, -61.23, 48.41

 

CMYK 76 / 0 / 61 / 16

HEX #34D554

RGB 52 213 84

HSL 131.93, 0.66%, 0.52%

LAB 75.43, -66.16, 51.17

 

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

CMYK 80 / 31 / 0 / 40

HEX #1F6998

RGB 31 105 152

HSL 203.31, 0.66%, 0.36%

LAB 42.25, -5.33, -31.92

 

CMYK 0 / 80 / 63 / 40

HEX #981F39

RGB 152 31 57

HSL 347.11, 0.66%, 0.36%

LAB 33.88, 50.17, 16.05

 

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

CMYK 65 / 80 / 0 / 40

HEX #351F98

RGB 53 31 152

HSL 250.91, 0.66%, 0.36%

LAB 23.68, 44.6, -61.83

 

CMYK 0 / 65 / 80 / 40

HEX #98351F

RGB 152 53 31

HSL 10.91, 0.66%, 0.36%

LAB 36.59, 40.28, 35.13

 

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

CMYK 80 / 31 / 0 / 40

HEX #1F6998

RGB 31 105 152

HSL 203.31, 0.66%, 0.36%

LAB 42.25, -5.33, -31.92

 

CMYK 0 / 80 / 14 / 40

HEX #981F82

RGB 152 31 130

HSL 310.91, 0.66%, 0.36%

LAB 36.49, 58.01, -26.83

 

CMYK 0 / 49 / 80 / 40

HEX #984D1F

RGB 152 77 31

HSL 22.81, 0.66%, 0.36%

LAB 41.35, 28.03, 39.89

 

CMYK 80 / 0 / 64 / 40

HEX #1F9837

RGB 31 152 55

HSL 131.9, 0.66%, 0.36%

LAB 55.1, -52.3, 40.96

 

CMYK 80 / 55 / 0 / 40

HEX #1F4598

RGB 31 69 152

HSL 221.16, 0.66%, 0.36%

LAB 31.38, 18.14, -49.28

 

CMYK 0 / 80 / 14 / 40

HEX #981F82

RGB 152 31 130

HSL 310.91, 0.66%, 0.36%

LAB 36.49, 58.01, -26.83

 

CMYK 0 / 25 / 80 / 40

HEX #98721F

RGB 152 114 31

HSL 41.16, 0.66%, 0.36%

LAB 50.46, 6.97, 48.58

 

Description

Color code: HEX #1F9837 | qconv.com Color code: HEX #1F9837 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 152 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 152 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 64 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 64% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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