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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57CE6B it is the complementary color #A83194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57CE6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57CE6B shade: #5CCE66, #6DE079, #7EF28C, #8FFF9F and #A0FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57CE6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57CE6B shade: #57CE6B, #46BC58, #35AA45, #249832 and #13861F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57CE6B shade: #55CD69, #61CD55, #81CD55, #A2CD55 and #C2CD55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57CE6B shade: #55CD69, #55CD89, #55CDAA, #55CDCA and #55AFCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57CE6B shade matches the following richer shades: #55CD69, #43DF5D and #31F151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57CE6B shade: #55CD69, #66BB75, #78AA80, #8A988C and #9C8698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57CE6B shade: #81CD55, #61CD55, #55CD69, #55CD89 and #55CDA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57CE6B shade: #2EA142, #38C14F, #55CD69, #75D685 and #94E0A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57CE6B shade: #57CE6B, #55A1CD and #CD5571

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57CE6B shade: #57CE6B, #6955CD and #CD6955

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57CE6B shade: #57CE6B, #55A1CD, #CD55B9 and #CD8155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57CE6B shade: #57CE6B, #557DCD, #CD55B9 and #CDA555

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 48 / 19

HEX #57CE6B

RGB 87 206 107

HSL 130.08, 0.55%, 0.57%

LAB 74.34, -54.11, 39.26

 

Complementary color

CMYK 0 / 71 / 12 / 34

HEX #A83194

RGB 168 49 148

HSL 310.08, 0.55%, 0.43%

LAB 42.25, 58.67, -28.65

 

CMYK 55 / 0 / 50 / 19

HEX #5CCE66

RGB 92 206 102

HSL 125.26, 0.54%, 0.58%

LAB 74.43, -53.63, 41.86

 

CMYK 51 / 0 / 46 / 12

HEX #6DE079

RGB 109 224 121

HSL 126.26, 0.65%, 0.65%

LAB 80.71, -53.7, 40.54

 

CMYK 48 / 0 / 42 / 5

HEX #7EF28C

RGB 126 242 140

HSL 127.24, 0.82%, 0.72%

LAB 86.92, -53.64, 39.25

 

CMYK 44 / 0 / 38 / 0

HEX #8FFF9F

RGB 143 255 159

HSL 128.57, 1%, 0.78%

LAB 91.62, -51.46, 36.14

 

CMYK 37 / 0 / 30 / 0

HEX #A0FFB2

RGB 160 255 178

HSL 131.37, 1%, 0.81%

LAB 92.67, -43.58, 28.16

 

CMYK 58 / 0 / 48 / 19

HEX #57CE6B

RGB 87 206 107

HSL 130.08, 0.55%, 0.57%

LAB 74.34, -54.11, 39.26

 

CMYK 63 / 0 / 53 / 26

HEX #46BC58

RGB 70 188 88

HSL 129.15, 0.47%, 0.51%

LAB 68, -53.82, 40.65

 

CMYK 69 / 0 / 59 / 33

HEX #35AA45

RGB 53 170 69

HSL 128.21, 0.52%, 0.44%

LAB 61.6, -53.22, 42.03

 

CMYK 76 / 0 / 67 / 40

HEX #249832

RGB 36 152 50

HSL 127.24, 0.62%, 0.37%

LAB 55.14, -52.14, 43.27

 

CMYK 86 / 0 / 77 / 47

HEX #13861F

RGB 19 134 31

HSL 126.26, 0.75%, 0.3%

LAB 48.62, -50.29, 44.07

 

CMYK 59 / 0 / 49 / 20

HEX #55CD69

RGB 85 205 105

HSL 130, 0.55%, 0.57%

LAB 73.94, -54.48, 39.74

 

CMYK 53 / 0 / 59 / 20

HEX #61CD55

RGB 97 205 85

HSL 114, 0.55%, 0.57%

LAB 74.1, -54.09, 49.49

 

CMYK 37 / 0 / 59 / 20

HEX #81CD55

RGB 129 205 85

HSL 98, 0.55%, 0.57%

LAB 75.44, -44.42, 51.39

 

CMYK 21 / 0 / 59 / 20

HEX #A2CD55

RGB 162 205 85

HSL 81.5, 0.55%, 0.57%

LAB 77.28, -32.53, 53.97

 

CMYK 5 / 0 / 59 / 20

HEX #C2CD55

RGB 194 205 85

HSL 65.5, 0.55%, 0.57%

LAB 79.49, -19.84, 57.05

 

CMYK 59 / 0 / 49 / 20

HEX #55CD69

RGB 85 205 105

HSL 130, 0.55%, 0.57%

LAB 73.94, -54.48, 39.74

 

CMYK 59 / 0 / 33 / 20

HEX #55CD89

RGB 85 205 137

HSL 146, 0.55%, 0.57%

LAB 74.44, -49.07, 24.04

 

CMYK 59 / 0 / 17 / 20

HEX #55CDAA

RGB 85 205 170

HSL 162.5, 0.55%, 0.57%

LAB 75.14, -42, 7.43

 

CMYK 59 / 0 / 1 / 20

HEX #55CDCA

RGB 85 205 202

HSL 178.5, 0.55%, 0.57%

LAB 75.98, -33.91, -8.59

 

CMYK 59 / 15 / 0 / 20

HEX #55AFCD

RGB 85 175 205

HSL 195, 0.55%, 0.57%

LAB 67.28, -18.16, -23.35

 

CMYK 59 / 0 / 49 / 20

HEX #55CD69

RGB 85 205 105

HSL 130, 0.55%, 0.57%

LAB 73.94, -54.48, 39.74

 

CMYK 70 / 0 / 58 / 13

HEX #43DF5D

RGB 67 223 93

HSL 130, 0.71%, 0.57%

LAB 78.9, -66.08, 51.26

 

CMYK 80 / 0 / 66 / 5

HEX #31F151

RGB 49 241 81

HSL 130, 0.87%, 0.57%

LAB 84.05, -75.59, 61.99

 

CMYK 59 / 0 / 49 / 20

HEX #55CD69

RGB 85 205 105

HSL 130, 0.55%, 0.57%

LAB 73.94, -54.48, 39.74

 

CMYK 45 / 0 / 37 / 27

HEX #66BB75

RGB 102 187 117

HSL 130.59, 0.38%, 0.57%

LAB 69.22, -40.84, 27.67

 

CMYK 29 / 0 / 25 / 33

HEX #78AA80

RGB 120 170 128

HSL 129.6, 0.23%, 0.57%

LAB 65.2, -25.36, 16.45

 

CMYK 9 / 0 / 8 / 40

HEX #8A988C

RGB 138 152 140

HSL 128.57, 0.06%, 0.57%

LAB 61.44, -7.39, 4.6

 

CMYK 0 / 14 / 3 / 39

HEX #9C8698

RGB 156 134 152

HSL 310.91, 0.1%, 0.57%

LAB 58.4, 11.61, -6.51

 

CMYK 37 / 0 / 59 / 20

HEX #81CD55

RGB 129 205 85

HSL 98, 0.55%, 0.57%

LAB 75.44, -44.42, 51.39

 

CMYK 53 / 0 / 59 / 20

HEX #61CD55

RGB 97 205 85

HSL 114, 0.55%, 0.57%

LAB 74.1, -54.09, 49.49

 

CMYK 59 / 0 / 49 / 20

HEX #55CD69

RGB 85 205 105

HSL 130, 0.55%, 0.57%

LAB 73.94, -54.48, 39.74

 

CMYK 59 / 0 / 33 / 20

HEX #55CD89

RGB 85 205 137

HSL 146, 0.55%, 0.57%

LAB 74.44, -49.07, 24.04

 

CMYK 59 / 0 / 18 / 20

HEX #55CDA9

RGB 85 205 169

HSL 162, 0.55%, 0.57%

LAB 75.11, -42.24, 7.94

 

CMYK 71 / 0 / 59 / 37

HEX #2EA142

RGB 46 161 66

HSL 130.43, 0.56%, 0.41%

LAB 58.47, -51.68, 39.76

 

CMYK 71 / 0 / 59 / 24

HEX #38C14F

RGB 56 193 79

HSL 130.07, 0.55%, 0.49%

LAB 69.14, -59.49, 46.18

 

CMYK 59 / 0 / 49 / 20

HEX #55CD69

RGB 85 205 105

HSL 130, 0.55%, 0.57%

LAB 73.94, -54.48, 39.74

 

CMYK 45 / 0 / 38 / 16

HEX #75D685

RGB 117 214 133

HSL 129.9, 0.54%, 0.65%

LAB 78.21, -45.6, 31.35

 

CMYK 34 / 0 / 28 / 12

HEX #94E0A1

RGB 148 224 161

HSL 130.26, 0.55%, 0.73%

LAB 83.01, -36.2, 23.59

 

CMYK 58 / 0 / 48 / 19

HEX #57CE6B

RGB 87 206 107

HSL 130.08, 0.55%, 0.57%

LAB 74.34, -54.11, 39.26

 

CMYK 59 / 21 / 0 / 20

HEX #55A1CD

RGB 85 161 205

HSL 202, 0.55%, 0.57%

LAB 63.2, -10.64, -29.62

 

CMYK 0 / 59 / 45 / 20

HEX #CD5571

RGB 205 85 113

HSL 346, 0.55%, 0.57%

LAB 52.58, 50.05, 8.57

 

CMYK 58 / 0 / 48 / 19

HEX #57CE6B

RGB 87 206 107

HSL 130.08, 0.55%, 0.57%

LAB 74.34, -54.11, 39.26

 

CMYK 49 / 59 / 0 / 20

HEX #6955CD

RGB 105 85 205

HSL 250, 0.55%, 0.57%

LAB 44.1, 38.8, -59.78

 

CMYK 0 / 49 / 59 / 20

HEX #CD6955

RGB 205 105 85

HSL 10, 0.55%, 0.57%

LAB 55.82, 37.77, 29.31

 

CMYK 58 / 0 / 48 / 19

HEX #57CE6B

RGB 87 206 107

HSL 130.08, 0.55%, 0.57%

LAB 74.34, -54.11, 39.26

 

CMYK 59 / 21 / 0 / 20

HEX #55A1CD

RGB 85 161 205

HSL 202, 0.55%, 0.57%

LAB 63.2, -10.64, -29.62

 

CMYK 0 / 59 / 10 / 20

HEX #CD55B9

RGB 205 85 185

HSL 310, 0.55%, 0.57%

LAB 55.05, 59.43, -30.11

 

CMYK 0 / 37 / 59 / 20

HEX #CD8155

RGB 205 129 85

HSL 22, 0.55%, 0.57%

LAB 61.08, 25.01, 35.87

 

CMYK 58 / 0 / 48 / 19

HEX #57CE6B

RGB 87 206 107

HSL 130.08, 0.55%, 0.57%

LAB 74.34, -54.11, 39.26

 

CMYK 59 / 39 / 0 / 20

HEX #557DCD

RGB 85 125 205

HSL 220, 0.55%, 0.57%

LAB 52.96, 10.23, -45.67

 

CMYK 0 / 59 / 10 / 20

HEX #CD55B9

RGB 205 85 185

HSL 310, 0.55%, 0.57%

LAB 55.05, 59.43, -30.11

 

CMYK 0 / 20 / 59 / 20

HEX #CDA555

RGB 205 165 85

HSL 40, 0.55%, 0.57%

LAB 69.86, 5.47, 46.37

 

Description

Color code: HEX #57CE6B | qconv.com Color code: HEX #57CE6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 206 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 206 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 48 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 48% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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