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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F9660 it is the complementary color #E0699F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F9660. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1F9660: #24965B, #35A86E, #46BA81, #57CC94 and #68DEA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F9660. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1F9660: #1F9660, #0E844D, #00723A, #006027 and #004E14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 36 / 41

HEX #1F9660

RGB 31 150 96

HSL 152.77, 0.66%, 0.35%

LAB 55.02, -44.71, 19.66

 

Complementary color

CMYK 0 / 53 / 29 / 12

HEX #E0699F

RGB 224 105 159

HSL 332.77, 0.66%, 0.65%

LAB 60.3, 52.13, -6.85

 

CMYK 76 / 0 / 39 / 41

HEX #24965B

RGB 36 150 91

HSL 148.95, 0.61%, 0.36%

LAB 55.01, -45.07, 22.43

 

CMYK 68 / 0 / 35 / 34

HEX #35A86E

RGB 53 168 110

HSL 149.74, 0.52%, 0.43%

LAB 61.56, -45.66, 20.88

 

CMYK 62 / 0 / 31 / 27

HEX #46BA81

RGB 70 186 129

HSL 150.52, 0.46%, 0.5%

LAB 68.02, -45.94, 19.47

 

CMYK 57 / 0 / 27 / 20

HEX #57CC94

RGB 87 204 148

HSL 151.28, 0.53%, 0.57%

LAB 74.41, -46.02, 18.19

 

CMYK 53 / 0 / 25 / 13

HEX #68DEA7

RGB 104 222 167

HSL 152.03, 0.64%, 0.64%

LAB 80.73, -45.99, 17.02

 

CMYK 79 / 0 / 36 / 41

HEX #1F9660

RGB 31 150 96

HSL 152.77, 0.66%, 0.35%

LAB 55.02, -44.71, 19.66

 

CMYK 89 / 0 / 42 / 48

HEX #0E844D

RGB 14 132 77

HSL 152.03, 0.81%, 0.29%

LAB 48.43, -43.46, 21.41

 

CMYK 100 / 0 / 49 / 55

HEX #00723A

RGB 0 114 58

HSL 150.53, 1%, 0.22%

LAB 41.75, -41.55, 23.35

 

CMYK 100 / 0 / 59 / 62

HEX #006027

RGB 0 96 39

HSL 144.38, 1%, 0.19%

LAB 35.03, -38.41, 25.48

 

CMYK 100 / 0 / 74 / 69

HEX #004E14

RGB 0 78 20

HSL 135.38, 1%, 0.15%

LAB 28.11, -34.79, 27.35

 

CMYK 79 / 0 / 36 / 41

HEX #1F9660

RGB 31 150 96

HSL 152.77, 0.66%, 0.35%

LAB 55.02, -44.71, 19.66

 

CMYK 80 / 0 / 24 / 42

HEX #1E9470

RGB 30 148 112

HSL 161.69, 0.66%, 0.35%

LAB 54.68, -40.3, 10.19

 

CMYK 80 / 0 / 11 / 42

HEX #1E9484

RGB 30 148 132

HSL 171.86, 0.66%, 0.35%

LAB 55.2, -34.95, -0.5

 

CMYK 80 / 3 / 0 / 42

HEX #1E9094

RGB 30 144 148

HSL 182.03, 0.66%, 0.35%

LAB 54.41, -28.25, -10.88

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 79 / 0 / 36 / 41

HEX #1F9660

RGB 31 150 96

HSL 152.77, 0.66%, 0.35%

LAB 55.02, -44.71, 19.66

 

CMYK 79 / 0 / 36 / 21

HEX #2AC981

RGB 42 201 129

HSL 152.83, 0.65%, 0.48%

LAB 72.13, -56.11, 24.96

 

CMYK 79 / 0 / 36 / 1

HEX #34FCA1

RGB 52 252 161

HSL 152.7, 0.97%, 0.6%

LAB 88.41, -67.23, 30.44

 

CMYK 79 / 0 / 35 / 81

HEX #0A301F

RGB 10 48 31

HSL 153.16, 0.66%, 0.11%

LAB 16.88, -18.31, 7.09

 

CMYK 80 / 0 / 36 / 61

HEX #14633F

RGB 20 99 63

HSL 152.66, 0.66%, 0.23%

LAB 36.8, -32.48, 13.99

 

CMYK 79 / 0 / 36 / 41

HEX #1F9660

RGB 31 150 96

HSL 152.77, 0.66%, 0.35%

LAB 55.02, -44.71, 19.66

 

CMYK 80 / 59 / 0 / 42

HEX #1E3D94

RGB 30 61 148

HSL 224.24, 0.66%, 0.35%

LAB 28.78, 21.93, -51.08

 

CMYK 0 / 69 / 80 / 42

HEX #942E1E

RGB 148 46 30

HSL 8.14, 0.66%, 0.35%

LAB 34.69, 41.9, 33.49

 

CMYK 79 / 0 / 36 / 41

HEX #1F9660

RGB 31 150 96

HSL 152.77, 0.66%, 0.35%

LAB 55.02, -44.71, 19.66

 

CMYK 37 / 80 / 0 / 42

HEX #5D1E94

RGB 93 30 148

HSL 272.03, 0.66%, 0.35%

LAB 27.83, 49.65, -52.39

 

CMYK 0 / 37 / 80 / 42

HEX #945D1E

RGB 148 93 30

HSL 32.03, 0.66%, 0.35%

LAB 44.54, 17.17, 43.25

 

CMYK 79 / 0 / 36 / 41

HEX #1F9660

RGB 31 150 96

HSL 152.77, 0.66%, 0.35%

LAB 55.02, -44.71, 19.66

 

CMYK 80 / 59 / 0 / 42

HEX #1E3D94

RGB 30 61 148

HSL 224.24, 0.66%, 0.35%

LAB 28.78, 21.93, -51.08

 

CMYK 0 / 80 / 43 / 42

HEX #941E55

RGB 148 30 85

HSL 332.03, 0.66%, 0.35%

LAB 33.73, 51.67, -2.52

 

CMYK 0 / 22 / 80 / 42

HEX #94741E

RGB 148 116 30

HSL 43.73, 0.66%, 0.35%

LAB 50.55, 3.93, 48.88

 

CMYK 79 / 0 / 36 / 41

HEX #1F9660

RGB 31 150 96

HSL 152.77, 0.66%, 0.35%

LAB 55.02, -44.71, 19.66

 

CMYK 77 / 80 / 0 / 42

HEX #221E94

RGB 34 30 148

HSL 242.03, 0.66%, 0.35%

LAB 21.6, 42.06, -62.85

 

CMYK 0 / 80 / 43 / 42

HEX #941E55

RGB 148 30 85

HSL 332.03, 0.66%, 0.35%

LAB 33.73, 51.67, -2.52

 

CMYK 3 / 0 / 80 / 42

HEX #90941E

RGB 144 148 30

HSL 62.03, 0.66%, 0.35%

LAB 59.16, -15.47, 56.55

 

Description

Color code: HEX #1F9660 | qconv.com Color code: HEX #1F9660 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 150 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 150 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 36 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 36% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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