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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F5D18 it is the complementary color #E0A2E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F5D18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1F5D18: #245D13, #356F26, #468139, #57934C and #68A55F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F5D18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1F5D18: #1F5D18, #0E4B05, #003900, #002700 and #001500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 74 / 64

HEX #1F5D18

RGB 31 93 24

HSL 113.91, 0.59%, 0.23%

LAB 34.37, -34.31, 32.37

 

Complementary color

CMYK 3 / 30 / 0 / 9

HEX #E0A2E7

RGB 224 162 231

HSL 293.91, 0.59%, 0.77%

LAB 74.48, 34.3, -25.74

 

CMYK 61 / 0 / 80 / 64

HEX #245D13

RGB 36 93 19

HSL 106.22, 0.66%, 0.22%

LAB 34.5, -33.38, 34.67

 

CMYK 52 / 0 / 66 / 56

HEX #356F26

RGB 53 111 38

HSL 107.67, 0.49%, 0.29%

LAB 41.64, -33.95, 33.98

 

CMYK 46 / 0 / 56 / 49

HEX #468139

RGB 70 129 57

HSL 109.17, 0.39%, 0.36%

LAB 48.63, -34.09, 32.78

 

CMYK 41 / 0 / 48 / 42

HEX #57934C

RGB 87 147 76

HSL 110.7, 0.32%, 0.44%

LAB 55.5, -34.02, 31.47

 

CMYK 37 / 0 / 42 / 35

HEX #68A55F

RGB 104 165 95

HSL 112.29, 0.28%, 0.51%

LAB 62.24, -33.86, 30.17

 

CMYK 67 / 0 / 74 / 64

HEX #1F5D18

RGB 31 93 24

HSL 113.91, 0.59%, 0.23%

LAB 34.37, -34.31, 32.37

 

CMYK 81 / 0 / 93 / 71

HEX #0E4B05

RGB 14 75 5

HSL 112.29, 0.88%, 0.16%

LAB 27.12, -32.84, 32.58

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 67 / 0 / 74 / 64

HEX #1F5D18

RGB 31 93 24

HSL 113.91, 0.59%, 0.23%

LAB 34.37, -34.31, 32.37

 

CMYK 74 / 0 / 71 / 64

HEX #185D1B

RGB 24 93 27

HSL 122.61, 0.59%, 0.23%

LAB 34.19, -35.62, 30.75

 

CMYK 74 / 0 / 58 / 64

HEX #185D27

RGB 24 93 39

HSL 133.04, 0.59%, 0.23%

LAB 34.33, -33.99, 24.74

 

CMYK 74 / 0 / 46 / 64

HEX #185D32

RGB 24 93 50

HSL 142.61, 0.59%, 0.23%

LAB 34.5, -32.02, 18.68

 

CMYK 74 / 0 / 33 / 64

HEX #185D3E

RGB 24 93 62

HSL 153.04, 0.59%, 0.23%

LAB 34.74, -29.39, 11.8

 

CMYK 67 / 0 / 74 / 64

HEX #1F5D18

RGB 31 93 24

HSL 113.91, 0.59%, 0.23%

LAB 34.37, -34.31, 32.37

 

CMYK 67 / 0 / 74 / 44

HEX #309025

RGB 48 144 37

HSL 113.83, 0.59%, 0.35%

LAB 52.63, -48.33, 46.04

 

CMYK 67 / 0 / 74 / 24

HEX #41C332

RGB 65 195 50

HSL 113.79, 0.59%, 0.48%

LAB 69.74, -61.33, 58.7

 

CMYK 67 / 0 / 74 / 4

HEX #52F63F

RGB 82 246 63

HSL 113.77, 0.91%, 0.61%

LAB 86.04, -73.65, 70.67

 

CMYK 67 / 0 / 74 / 84

HEX #0E2A0B

RGB 14 42 11

HSL 114.19, 0.58%, 0.1%

LAB 14.25, -18.35, 15.95

 

CMYK 67 / 0 / 74 / 64

HEX #1F5D18

RGB 31 93 24

HSL 113.91, 0.59%, 0.23%

LAB 34.37, -34.31, 32.37

 

CMYK 74 / 6 / 0 / 64

HEX #18575D

RGB 24 87 93

HSL 185.22, 0.59%, 0.23%

LAB 33.56, -17.24, -9.24

 

CMYK 0 / 74 / 37 / 64

HEX #5D183B

RGB 93 24 59

HSL 329.57, 0.59%, 0.23%

LAB 21.19, 34.59, -4.9

 

CMYK 67 / 0 / 74 / 64

HEX #1F5D18

RGB 31 93 24

HSL 113.91, 0.59%, 0.23%

LAB 34.37, -34.31, 32.37

 

CMYK 74 / 66 / 0 / 64

HEX #18205D

RGB 24 32 93

HSL 233.04, 0.59%, 0.23%

LAB 15.58, 19.56, -37.54

 

CMYK 0 / 74 / 66 / 64

HEX #5D1820

RGB 93 24 32

HSL 353.04, 0.59%, 0.23%

LAB 20.38, 31.8, 12.81

 

CMYK 67 / 0 / 74 / 64

HEX #1F5D18

RGB 31 93 24

HSL 113.91, 0.59%, 0.23%

LAB 34.37, -34.31, 32.37

 

CMYK 74 / 6 / 0 / 64

HEX #18575D

RGB 24 87 93

HSL 185.22, 0.59%, 0.23%

LAB 33.56, -17.24, -9.24

 

CMYK 9 / 74 / 0 / 64

HEX #55185D

RGB 85 24 93

HSL 293.04, 0.59%, 0.23%

LAB 21.49, 38.04, -27.63

 

CMYK 0 / 69 / 74 / 64

HEX #5D1D18

RGB 93 29 24

HSL 4.35, 0.59%, 0.23%

LAB 21.1, 28.9, 19.14

 

CMYK 67 / 0 / 74 / 64

HEX #1F5D18

RGB 31 93 24

HSL 113.91, 0.59%, 0.23%

LAB 34.37, -34.31, 32.37

 

CMYK 74 / 29 / 0 / 64

HEX #18425D

RGB 24 66 93

HSL 203.48, 0.59%, 0.23%

LAB 26.39, -4.56, -20.26

 

CMYK 9 / 74 / 0 / 64

HEX #55185D

RGB 85 24 93

HSL 293.04, 0.59%, 0.23%

LAB 21.49, 38.04, -27.63

 

CMYK 0 / 46 / 74 / 64

HEX #5D3218

RGB 93 50 24

HSL 22.61, 0.59%, 0.23%

LAB 25.79, 16.96, 24.53

 

Description

Color code: HEX #1F5D18 | qconv.com Color code: HEX #1F5D18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 93 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 93 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 74 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 74% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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