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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EE340 it is the complementary color #E11CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EE340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EE340 shade: #23E33B, #34F54E, #45FF61, #56FF74 and #67FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EE340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EE340 shade: #1EE340, #0DD12D, #00BF1A, #00AD07 and #009B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EE340 shade: #1CE33E, #2FE31C, #65E31C, #9BE31C and #D0E31C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EE340 shade: #1CE33E, #1CE374, #1CE3AA, #1CE3DF and #1CB1E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EE340 shade matches the following richer shades: #1CE33E and #07F831

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EE340 shade: #1CE33E, #31CE4C, #45BA59, #5AA567 and #6F9074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EE340 shade: #65E31C, #30E31C, #1CE33D, #1CE372 and #1CE3A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EE340 shade: #139A2A, #18BE34, #1CE33E, #41E75E and #65EC7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EE340 shade: #1EE340, #1C9AE3 and #E31C4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EE340 shade: #1EE340, #3D1CE3 and #E33D1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EE340 shade: #1EE340, #1C9AE3, #E31CC2 and #E3651C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EE340 shade: #1EE340, #1C5EE3, #E31CC2 and #E3A11C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 72 / 11

HEX #1EE340

RGB 30 227 64

HSL 130.36, 0.78%, 0.5%

LAB 79.38, -74.77, 63.37

 

Complementary color

CMYK 0 / 88 / 15 / 12

HEX #E11CBF

RGB 225 28 191

HSL 310.36, 0.78%, 0.5%

LAB 52.51, 82.1, -37.32

 

CMYK 85 / 0 / 74 / 11

HEX #23E33B

RGB 35 227 59

HSL 127.5, 0.77%, 0.51%

LAB 79.39, -74.75, 65.12

 

CMYK 79 / 0 / 68 / 4

HEX #34F54E

RGB 52 245 78

HSL 128.08, 0.91%, 0.58%

LAB 85.29, -76.72, 64.49

 

CMYK 73 / 0 / 62 / 0

HEX #45FF61

RGB 69 255 97

HSL 129.03, 1%, 0.64%

LAB 88.76, -75.68, 60.82

 

CMYK 66 / 0 / 55 / 0

HEX #56FF74

RGB 86 255 116

HSL 130.65, 1%, 0.67%

LAB 89.28, -70.7, 53.28

 

CMYK 60 / 0 / 47 / 0

HEX #67FF87

RGB 103 255 135

HSL 132.63, 1%, 0.7%

LAB 89.93, -64.81, 45.36

 

CMYK 87 / 0 / 72 / 11

HEX #1EE340

RGB 30 227 64

HSL 130.36, 0.78%, 0.5%

LAB 79.38, -74.77, 63.37

 

CMYK 94 / 0 / 78 / 18

HEX #0DD12D

RGB 13 209 45

HSL 129.8, 0.88%, 0.44%

LAB 73.46, -72.07, 63.71

 

CMYK 100 / 0 / 86 / 25

HEX #00BF1A

RGB 0 191 26

HSL 128.17, 1%, 0.37%

LAB 67.53, -68.62, 63.17

 

CMYK 100 / 0 / 96 / 32

HEX #00AD07

RGB 0 173 7

HSL 122.43, 1%, 0.34%

LAB 61.57, -64.26, 61.26

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 88 / 0 / 73 / 11

HEX #1CE33E

RGB 28 227 62

HSL 130.25, 0.78%, 0.5%

LAB 79.35, -75.08, 64.03

 

CMYK 79 / 0 / 88 / 11

HEX #2FE31C

RGB 47 227 28

HSL 114.27, 0.78%, 0.5%

LAB 79.4, -75.18, 73.31

 

CMYK 56 / 0 / 88 / 11

HEX #65E31C

RGB 101 227 28

HSL 97.99, 0.78%, 0.5%

LAB 80.62, -64.89, 74.84

 

CMYK 32 / 0 / 88 / 11

HEX #9BE31C

RGB 155 227 28

HSL 81.71, 0.78%, 0.5%

LAB 82.91, -47.94, 77.69

 

CMYK 8 / 0 / 88 / 11

HEX #D0E31C

RGB 208 227 28

HSL 65.73, 0.78%, 0.5%

LAB 86.22, -27.29, 81.77

 

CMYK 88 / 0 / 73 / 11

HEX #1CE33E

RGB 28 227 62

HSL 130.25, 0.78%, 0.5%

LAB 79.35, -75.08, 64.03

 

CMYK 88 / 0 / 49 / 11

HEX #1CE374

RGB 28 227 116

HSL 146.53, 0.78%, 0.5%

LAB 79.87, -68.67, 41.56

 

CMYK 88 / 0 / 25 / 11

HEX #1CE3AA

RGB 28 227 170

HSL 162.81, 0.78%, 0.5%

LAB 80.79, -58.11, 15.31

 

CMYK 88 / 0 / 2 / 11

HEX #1CE3DF

RGB 28 227 223

HSL 178.79, 0.78%, 0.5%

LAB 82.12, -44.3, -10.79

 

CMYK 88 / 22 / 0 / 11

HEX #1CB1E3

RGB 28 177 227

HSL 195.08, 0.78%, 0.5%

LAB 67.45, -19.04, -35.28

 

CMYK 88 / 0 / 73 / 11

HEX #1CE33E

RGB 28 227 62

HSL 130.25, 0.78%, 0.5%

LAB 79.35, -75.08, 64.03

 

CMYK 97 / 0 / 80 / 3

HEX #07F831

RGB 7 248 49

HSL 130.46, 0.95%, 0.5%

LAB 85.71, -82.73, 74.14

 

CMYK 88 / 0 / 73 / 11

HEX #1CE33E

RGB 28 227 62

HSL 130.25, 0.78%, 0.5%

LAB 79.35, -75.08, 64.03

 

CMYK 76 / 0 / 63 / 19

HEX #31CE4C

RGB 49 206 76

HSL 130.32, 0.62%, 0.5%

LAB 73.1, -65.23, 51.99

 

CMYK 63 / 0 / 52 / 27

HEX #45BA59

RGB 69 186 89

HSL 130.26, 0.46%, 0.5%

LAB 67.36, -53.15, 39.37

 

CMYK 45 / 0 / 38 / 35

HEX #5AA567

RGB 90 165 103

HSL 130.4, 0.29%, 0.5%

LAB 61.71, -36.96, 25.09

 

CMYK 23 / 0 / 19 / 44

HEX #6F9074

RGB 111 144 116

HSL 129.09, 0.13%, 0.5%

LAB 56.67, -17.43, 11.17

 

CMYK 56 / 0 / 88 / 11

HEX #65E31C

RGB 101 227 28

HSL 97.99, 0.78%, 0.5%

LAB 80.62, -64.89, 74.84

 

CMYK 79 / 0 / 88 / 11

HEX #30E31C

RGB 48 227 28

HSL 113.97, 0.78%, 0.5%

LAB 79.41, -75.06, 73.33

 

CMYK 88 / 0 / 73 / 11

HEX #1CE33D

RGB 28 227 61

HSL 129.95, 0.78%, 0.5%

LAB 79.34, -75.16, 64.37

 

CMYK 88 / 0 / 50 / 11

HEX #1CE372

RGB 28 227 114

HSL 145.93, 0.78%, 0.5%

LAB 79.84, -68.99, 42.49

 

CMYK 88 / 0 / 26 / 11

HEX #1CE3A7

RGB 28 227 167

HSL 161.91, 0.78%, 0.5%

LAB 80.72, -58.8, 16.8

 

CMYK 88 / 0 / 73 / 40

HEX #139A2A

RGB 19 154 42

HSL 130.22, 0.78%, 0.34%

LAB 55.5, -55.68, 46.89

 

CMYK 87 / 0 / 73 / 25

HEX #18BE34

RGB 24 190 52

HSL 130.12, 0.78%, 0.42%

LAB 67.48, -65.38, 55.47

 

CMYK 88 / 0 / 73 / 11

HEX #1CE33E

RGB 28 227 62

HSL 130.25, 0.78%, 0.5%

LAB 79.35, -75.08, 64.03

 

CMYK 72 / 0 / 59 / 9

HEX #41E75E

RGB 65 231 94

HSL 130.48, 0.78%, 0.58%

LAB 81.34, -68.93, 53.63

 

CMYK 57 / 0 / 47 / 7

HEX #65EC7D

RGB 101 236 125

HSL 130.67, 0.78%, 0.66%

LAB 84.09, -59.67, 42.8

 

CMYK 87 / 0 / 72 / 11

HEX #1EE340

RGB 30 227 64

HSL 130.36, 0.78%, 0.5%

LAB 79.38, -74.77, 63.37

 

CMYK 88 / 32 / 0 / 11

HEX #1C9AE3

RGB 28 154 227

HSL 202.01, 0.78%, 0.5%

LAB 60.7, -6.43, -45.86

 

CMYK 0 / 88 / 67 / 11

HEX #E31C4A

RGB 227 28 74

HSL 346.13, 0.78%, 0.5%

LAB 49.08, 72.09, 27.98

 

CMYK 87 / 0 / 72 / 11

HEX #1EE340

RGB 30 227 64

HSL 130.36, 0.78%, 0.5%

LAB 79.38, -74.77, 63.37

 

CMYK 73 / 88 / 0 / 11

HEX #3D1CE3

RGB 61 28 227

HSL 249.95, 0.78%, 0.5%

LAB 32.63, 67.63, -91.39

 

CMYK 0 / 73 / 88 / 11

HEX #E33D1C

RGB 227 61 28

HSL 9.95, 0.78%, 0.5%

LAB 51.56, 62.2, 55.13

 

CMYK 87 / 0 / 72 / 11

HEX #1EE340

RGB 30 227 64

HSL 130.36, 0.78%, 0.5%

LAB 79.38, -74.77, 63.37

 

CMYK 88 / 32 / 0 / 11

HEX #1C9AE3

RGB 28 154 227

HSL 202.01, 0.78%, 0.5%

LAB 60.7, -6.43, -45.86

 

CMYK 0 / 88 / 15 / 11

HEX #E31CC2

RGB 227 28 194

HSL 309.95, 0.78%, 0.5%

LAB 53.01, 82.87, -38.24

 

CMYK 0 / 56 / 88 / 11

HEX #E3651C

RGB 227 101 28

HSL 22.01, 0.78%, 0.5%

LAB 57.77, 45.59, 59.95

 

CMYK 87 / 0 / 72 / 11

HEX #1EE340

RGB 30 227 64

HSL 130.36, 0.78%, 0.5%

LAB 79.38, -74.77, 63.37

 

CMYK 88 / 59 / 0 / 11

HEX #1C5EE3

RGB 28 94 227

HSL 220.1, 0.78%, 0.5%

LAB 43.94, 30.59, -72.78

 

CMYK 0 / 88 / 15 / 11

HEX #E31CC2

RGB 227 28 194

HSL 309.95, 0.78%, 0.5%

LAB 53.01, 82.87, -38.24

 

CMYK 0 / 29 / 88 / 11

HEX #E3A11C

RGB 227 161 28

HSL 40.1, 0.78%, 0.5%

LAB 70.81, 14.48, 70.18

 

Description

Color code: HEX #1EE340 | qconv.com Color code: HEX #1EE340 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 227 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 227 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 72 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 72% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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