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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EDFDF it is the complementary color #E12020. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EDFDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EDFDF shade: #23DFDA, #34F1ED, #45FFFF, #56FFFF and #67FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EDFDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EDFDF shade: #1EDFDF, #0DCDCC, #00BBB9, #00A9A6 and #009793

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EDFDF shade: #1EE0E0, #1EE0AC, #1EE077, #1EE043 and #2DE01E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EDFDF shade: #1EE0E0, #1EACE0, #1E77E0, #1E43E0 and #1E1EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EDFDF shade matches the following richer shades: #1EE0E0 and #09F5F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EDFDF shade: #1EE0E0, #33CBCB, #47B7B7, #5CA2A2 and #718D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EDFDF shade: #1EE079, #1EE0AC, #1EE0E0, #1EACE0 and #1E79E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EDFDF shade: #149797, #19BCBC, #1EE0E0, #42E5E5 and #67EAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EDFDF shade: #1EDFDF, #451EE0 and #E0921E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EDFDF shade: #1EDFDF, #E01EE0 and #E0E01E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EDFDF shade: #1EDFDF, #451EE0, #E01E1E and #B9E01E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EDFDF shade: #1EDFDF, #7F1EE0, #E01E1E and #7FE01E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 0 / 13

HEX #1EDFDF

RGB 30 223 223

HSL 180, 0.76%, 0.5%

LAB 80.95, -42.43, -12.53

 

Complementary color

CMYK 0 / 86 / 86 / 12

HEX #E12020

RGB 225 32 32

HSL 0, 0.76%, 0.5%

LAB 48.44, 69.45, 50.71

 

CMYK 84 / 0 / 2 / 13

HEX #23DFDA

RGB 35 223 218

HSL 178.4, 0.75%, 0.51%

LAB 80.85, -43.58, -10.02

 

CMYK 78 / 0 / 2 / 5

HEX #34F1ED

RGB 52 241 237

HSL 178.73, 0.87%, 0.57%

LAB 86.88, -44.83, -11.05

 

CMYK 73 / 0 / 0 / 0

HEX #45FFFF

RGB 69 255 255

HSL 180, 1%, 0.64%

LAB 91.69, -44.34, -13.23

 

CMYK 66 / 0 / 0 / 0

HEX #56FFFF

RGB 86 255 255

HSL 180, 1%, 0.67%

LAB 92.01, -42.31, -12.72

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 87 / 0 / 0 / 13

HEX #1EDFDF

RGB 30 223 223

HSL 180, 0.76%, 0.5%

LAB 80.95, -42.43, -12.53

 

CMYK 94 / 0 / 0 / 20

HEX #0DCDCC

RGB 13 205 204

HSL 179.69, 0.88%, 0.43%

LAB 74.89, -40.73, -11.41

 

CMYK 100 / 0 / 1 / 27

HEX #00BBB9

RGB 0 187 185

HSL 179.36, 1%, 0.37%

LAB 68.78, -38.69, -10.19

 

CMYK 100 / 0 / 2 / 34

HEX #00A9A6

RGB 0 169 166

HSL 178.93, 1%, 0.33%

LAB 62.62, -36.25, -8.85

 

CMYK 100 / 0 / 3 / 41

HEX #009793

RGB 0 151 147

HSL 178.41, 1%, 0.3%

LAB 56.33, -33.77, -7.46

 

CMYK 87 / 0 / 0 / 12

HEX #1EE0E0

RGB 30 224 224

HSL 180, 0.76%, 0.5%

LAB 81.27, -42.59, -12.58

 

CMYK 87 / 0 / 23 / 12

HEX #1EE0AC

RGB 30 224 172

HSL 163.92, 0.76%, 0.5%

LAB 79.93, -56.37, 13.06

 

CMYK 87 / 0 / 47 / 12

HEX #1EE077

RGB 30 224 119

HSL 147.53, 0.76%, 0.5%

LAB 78.99, -67.07, 39

 

CMYK 87 / 0 / 70 / 12

HEX #1EE043

RGB 30 224 67

HSL 131.44, 0.76%, 0.5%

LAB 78.46, -73.64, 61.33

 

CMYK 80 / 0 / 87 / 12

HEX #2DE01E

RGB 45 224 30

HSL 115.36, 0.76%, 0.5%

LAB 78.44, -74.49, 72.08

 

CMYK 87 / 0 / 0 / 12

HEX #1EE0E0

RGB 30 224 224

HSL 180, 0.76%, 0.5%

LAB 81.27, -42.59, -12.58

 

CMYK 87 / 23 / 0 / 12

HEX #1EACE0

RGB 30 172 224

HSL 196.08, 0.76%, 0.5%

LAB 65.88, -17.3, -36.09

 

CMYK 87 / 47 / 0 / 12

HEX #1E77E0

RGB 30 119 224

HSL 212.47, 0.76%, 0.5%

LAB 50.51, 13.58, -60.43

 

CMYK 87 / 70 / 0 / 12

HEX #1E43E0

RGB 30 67 224

HSL 228.56, 0.76%, 0.5%

LAB 37.25, 46.55, -82.07

 

CMYK 87 / 87 / 0 / 12

HEX #1E1EE0

RGB 30 30 224

HSL 240, 0.76%, 0.5%

LAB 30.85, 64.96, -92.69

 

CMYK 87 / 0 / 0 / 12

HEX #1EE0E0

RGB 30 224 224

HSL 180, 0.76%, 0.5%

LAB 81.27, -42.59, -12.58

 

CMYK 96 / 0 / 0 / 4

HEX #09F5F5

RGB 9 245 245

HSL 180, 0.93%, 0.5%

LAB 87.95, -46.46, -13.67

 

CMYK 87 / 0 / 0 / 12

HEX #1EE0E0

RGB 30 224 224

HSL 180, 0.76%, 0.5%

LAB 81.27, -42.59, -12.58

 

CMYK 75 / 0 / 0 / 20

HEX #33CBCB

RGB 51 203 203

HSL 180, 0.6%, 0.5%

LAB 74.65, -37.55, -11.19

 

CMYK 61 / 0 / 0 / 28

HEX #47B7B7

RGB 71 183 183

HSL 180, 0.44%, 0.5%

LAB 68.48, -31.13, -9.44

 

CMYK 43 / 0 / 0 / 36

HEX #5CA2A2

RGB 92 162 162

HSL 180, 0.28%, 0.5%

LAB 62.27, -22, -6.9

 

CMYK 20 / 0 / 0 / 45

HEX #718D8D

RGB 113 141 141

HSL 180, 0.11%, 0.5%

LAB 56.57, -9.84, -3.28

 

CMYK 87 / 0 / 46 / 12

HEX #1EE079

RGB 30 224 121

HSL 148.14, 0.76%, 0.5%

LAB 79.02, -66.74, 38.05

 

CMYK 87 / 0 / 23 / 12

HEX #1EE0AC

RGB 30 224 172

HSL 163.92, 0.76%, 0.5%

LAB 79.93, -56.37, 13.06

 

CMYK 87 / 0 / 0 / 12

HEX #1EE0E0

RGB 30 224 224

HSL 180, 0.76%, 0.5%

LAB 81.27, -42.59, -12.58

 

CMYK 87 / 23 / 0 / 12

HEX #1EACE0

RGB 30 172 224

HSL 196.08, 0.76%, 0.5%

LAB 65.88, -17.3, -36.09

 

CMYK 87 / 46 / 0 / 12

HEX #1E79E0

RGB 30 121 224

HSL 211.86, 0.76%, 0.5%

LAB 51.07, 12.33, -59.52

 

CMYK 87 / 0 / 0 / 41

HEX #149797

RGB 20 151 151

HSL 180, 0.77%, 0.34%

LAB 56.6, -31.55, -9.33

 

CMYK 87 / 0 / 0 / 26

HEX #19BCBC

RGB 25 188 188

HSL 180, 0.77%, 0.42%

LAB 69.33, -37.26, -11.01

 

CMYK 87 / 0 / 0 / 12

HEX #1EE0E0

RGB 30 224 224

HSL 180, 0.76%, 0.5%

LAB 81.27, -42.59, -12.58

 

CMYK 71 / 0 / 0 / 10

HEX #42E5E5

RGB 66 229 229

HSL 180, 0.76%, 0.58%

LAB 83.37, -40.32, -12.05

 

CMYK 56 / 0 / 0 / 8

HEX #67EAEA

RGB 103 234 234

HSL 180, 0.76%, 0.66%

LAB 85.84, -35.7, -10.9

 

CMYK 87 / 0 / 0 / 13

HEX #1EDFDF

RGB 30 223 223

HSL 180, 0.76%, 0.5%

LAB 80.95, -42.43, -12.53

 

CMYK 69 / 87 / 0 / 12

HEX #451EE0

RGB 69 30 224

HSL 252.06, 0.76%, 0.5%

LAB 33.08, 66.64, -88.9

 

CMYK 0 / 35 / 87 / 12

HEX #E0921E

RGB 224 146 30

HSL 35.88, 0.76%, 0.5%

LAB 66.9, 21.24, 66.41

 

CMYK 87 / 0 / 0 / 13

HEX #1EDFDF

RGB 30 223 223

HSL 180, 0.76%, 0.5%

LAB 80.95, -42.43, -12.53

 

CMYK 0 / 87 / 0 / 12

HEX #E01EE0

RGB 224 30 224

HSL 300, 0.76%, 0.5%

LAB 54.19, 86.15, -53.58

 

CMYK 0 / 0 / 87 / 12

HEX #E0E01E

RGB 224 224 30

HSL 60, 0.76%, 0.5%

LAB 86.63, -19.17, 82.25

 

CMYK 87 / 0 / 0 / 13

HEX #1EDFDF

RGB 30 223 223

HSL 180, 0.76%, 0.5%

LAB 80.95, -42.43, -12.53

 

CMYK 69 / 87 / 0 / 12

HEX #451EE0

RGB 69 30 224

HSL 252.06, 0.76%, 0.5%

LAB 33.08, 66.64, -88.9

 

CMYK 0 / 87 / 87 / 12

HEX #E01E1E

RGB 224 30 30

HSL 0, 0.76%, 0.5%

LAB 48.1, 69.52, 51.28

 

CMYK 17 / 0 / 87 / 12

HEX #B9E01E

RGB 185 224 30

HSL 72.06, 0.76%, 0.5%

LAB 83.82, -35.16, 78.8

 

CMYK 87 / 0 / 0 / 13

HEX #1EDFDF

RGB 30 223 223

HSL 180, 0.76%, 0.5%

LAB 80.95, -42.43, -12.53

 

CMYK 43 / 87 / 0 / 12

HEX #7F1EE0

RGB 127 30 224

HSL 270, 0.76%, 0.5%

LAB 39.28, 71.81, -78.46

 

CMYK 0 / 87 / 87 / 12

HEX #E01E1E

RGB 224 30 30

HSL 0, 0.76%, 0.5%

LAB 48.1, 69.52, 51.28

 

CMYK 43 / 0 / 87 / 12

HEX #7FE01E

RGB 127 224 30

HSL 90, 0.76%, 0.5%

LAB 80.69, -56.22, 74.91

 

Description

Color code: HEX #1EDFDF | qconv.com Color code: HEX #1EDFDF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 223 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 223 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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