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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FADE0 it is the complementary color #E0521F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FADE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FADE0 shade: #24ADDB, #35BFEE, #46D1FF, #57E3FF and #68F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FADE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FADE0 shade: #1FADE0, #0E9BCD, #0089BA, #0077A7 and #006594

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FADE0 shade: #1FADE0, #1F79E0, #1F45E0, #2D1FE0 and #611FE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FADE0 shade: #1FADE0, #1F79E0, #1F45E0 and #1F1FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FADE0 shade matches the following richer shades: #1FADE0 and #0AB7F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FADE0 shade: #1FADE0, #33A3CC, #489AB7, #5C90A3 and #71868E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FADE0 shade: #1FE0A9, #1FE0DD, #1FB0E0, #1F7CE0 and #1F49E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FADE0 shade: #157598, #1A91BC, #1FADE0, #43BAE5 and #67C8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FADE0 shade: #1FADE0, #761FE0 and #E0C31F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FADE0 shade: #1FADE0, #E01FB0 and #B0E01F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FADE0 shade: #1FADE0, #761FE0, #E04F1F and #89E01F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FADE0 shade: #1FADE0, #B01FE0, #E04F1F and #4FE01F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

Complementary color

CMYK 0 / 63 / 86 / 12

HEX #E0521F

RGB 224 82 31

HSL 15.85, 0.76%, 0.5%

LAB 54.01, 53.2, 55.65

 

CMYK 84 / 21 / 0 / 14

HEX #24ADDB

RGB 36 173 219

HSL 195.08, 0.72%, 0.5%

LAB 66.04, -19.13, -33.07

 

CMYK 78 / 20 / 0 / 7

HEX #35BFEE

RGB 53 191 238

HSL 195.24, 0.84%, 0.57%

LAB 72.36, -20.66, -33.64

 

CMYK 73 / 18 / 0 / 0

HEX #46D1FF

RGB 70 209 255

HSL 194.92, 1%, 0.64%

LAB 78.53, -22.52, -33.2

 

CMYK 66 / 11 / 0 / 0

HEX #57E3FF

RGB 87 227 255

HSL 190, 1%, 0.67%

LAB 84.06, -29.16, -24.69

 

CMYK 59 / 4 / 0 / 0

HEX #68F5FF

RGB 104 245 255

HSL 183.97, 1%, 0.7%

LAB 89.61, -35.03, -16.26

 

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

CMYK 93 / 24 / 0 / 20

HEX #0E9BCD

RGB 14 155 205

HSL 195.71, 0.87%, 0.43%

LAB 59.84, -15.66, -34.96

 

CMYK 100 / 26 / 0 / 27

HEX #0089BA

RGB 0 137 186

HSL 195.81, 1%, 0.36%

LAB 53.42, -13.13, -34.25

 

CMYK 100 / 29 / 0 / 35

HEX #0077A7

RGB 0 119 167

HSL 197.25, 1%, 0.33%

LAB 46.95, -10.01, -33.41

 

CMYK 100 / 32 / 0 / 42

HEX #006594

RGB 0 101 148

HSL 199.05, 1%, 0.29%

LAB 40.32, -6.73, -32.6

 

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

CMYK 86 / 46 / 0 / 12

HEX #1F79E0

RGB 31 121 224

HSL 212.02, 0.76%, 0.5%

LAB 51.09, 12.4, -59.49

 

CMYK 86 / 69 / 0 / 12

HEX #1F45E0

RGB 31 69 224

HSL 228.19, 0.76%, 0.5%

LAB 37.72, 45.39, -81.3

 

CMYK 80 / 86 / 0 / 12

HEX #2D1FE0

RGB 45 31 224

HSL 244.35, 0.76%, 0.5%

LAB 31.62, 65.09, -91.38

 

CMYK 57 / 86 / 0 / 12

HEX #611FE0

RGB 97 31 224

HSL 260.52, 0.76%, 0.5%

LAB 35.8, 68.44, -84.33

 

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

CMYK 86 / 46 / 0 / 12

HEX #1F79E0

RGB 31 121 224

HSL 212.02, 0.76%, 0.5%

LAB 51.09, 12.4, -59.49

 

CMYK 86 / 69 / 0 / 12

HEX #1F45E0

RGB 31 69 224

HSL 228.19, 0.76%, 0.5%

LAB 37.72, 45.39, -81.3

 

CMYK 86 / 86 / 0 / 12

HEX #1F1FE0

RGB 31 31 224

HSL 240, 0.76%, 0.5%

LAB 31, 64.62, -92.42

 

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

CMYK 96 / 25 / 0 / 4

HEX #0AB7F5

RGB 10 183 245

HSL 195.83, 0.92%, 0.5%

LAB 69.84, -16.68, -41.38

 

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

CMYK 75 / 20 / 0 / 20

HEX #33A3CC

RGB 51 163 204

HSL 196.08, 0.6%, 0.5%

LAB 62.72, -17.43, -29.88

 

CMYK 61 / 16 / 0 / 28

HEX #489AB7

RGB 72 154 183

HSL 195.68, 0.44%, 0.5%

LAB 59.81, -16.19, -22.55

 

CMYK 44 / 12 / 0 / 36

HEX #5C90A3

RGB 92 144 163

HSL 196.06, 0.28%, 0.5%

LAB 56.94, -12.16, -15.47

 

CMYK 20 / 6 / 0 / 44

HEX #71868E

RGB 113 134 142

HSL 196.55, 0.11%, 0.5%

LAB 54.57, -5.7, -6.82

 

CMYK 86 / 0 / 25 / 12

HEX #1FE0A9

RGB 31 224 169

HSL 162.9, 0.76%, 0.5%

LAB 79.88, -57.01, 14.56

 

CMYK 86 / 0 / 1 / 12

HEX #1FE0DD

RGB 31 224 221

HSL 179.07, 0.76%, 0.5%

LAB 81.19, -43.4, -11.1

 

CMYK 86 / 21 / 0 / 12

HEX #1FB0E0

RGB 31 176 224

HSL 194.92, 0.76%, 0.5%

LAB 67.07, -19.35, -34.23

 

CMYK 86 / 45 / 0 / 12

HEX #1F7CE0

RGB 31 124 224

HSL 211.09, 0.76%, 0.5%

LAB 51.94, 10.53, -58.14

 

CMYK 86 / 67 / 0 / 12

HEX #1F49E0

RGB 31 73 224

HSL 226.94, 0.76%, 0.5%

LAB 38.62, 42.95, -79.81

 

CMYK 86 / 23 / 0 / 40

HEX #157598

RGB 21 117 152

HSL 196.03, 0.76%, 0.34%

LAB 45.84, -13.38, -26.33

 

CMYK 86 / 23 / 0 / 26

HEX #1A91BC

RGB 26 145 188

HSL 195.93, 0.76%, 0.42%

LAB 56.19, -15.62, -31.06

 

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

CMYK 71 / 19 / 0 / 10

HEX #43BAE5

RGB 67 186 229

HSL 195.93, 0.76%, 0.58%

LAB 70.85, -19.36, -31.06

 

CMYK 56 / 15 / 0 / 8

HEX #67C8EA

RGB 103 200 234

HSL 195.57, 0.76%, 0.66%

LAB 76.15, -19.11, -25.53

 

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

CMYK 47 / 86 / 0 / 12

HEX #761FE0

RGB 118 31 224

HSL 267.05, 0.76%, 0.5%

LAB 38.22, 70.53, -80.24

 

CMYK 0 / 13 / 86 / 12

HEX #E0C31F

RGB 224 195 31

HSL 50.98, 0.76%, 0.5%

LAB 79.03, -4.63, 75.93

 

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

CMYK 0 / 86 / 21 / 12

HEX #E01FB0

RGB 224 31 176

HSL 314.92, 0.76%, 0.5%

LAB 51.79, 79.54, -29.7

 

CMYK 21 / 0 / 86 / 12

HEX #B0E01F

RGB 176 224 31

HSL 74.92, 0.76%, 0.5%

LAB 83.25, -38.67, 77.91

 

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

CMYK 47 / 86 / 0 / 12

HEX #761FE0

RGB 118 31 224

HSL 267.05, 0.76%, 0.5%

LAB 38.22, 70.53, -80.24

 

CMYK 0 / 65 / 86 / 12

HEX #E04F1F

RGB 224 79 31

HSL 14.92, 0.76%, 0.5%

LAB 53.53, 54.47, 55.26

 

CMYK 39 / 0 / 86 / 12

HEX #89E01F

RGB 137 224 31

HSL 87.05, 0.76%, 0.5%

LAB 81.14, -52.91, 75.28

 

CMYK 86 / 23 / 0 / 12

HEX #1FADE0

RGB 31 173 224

HSL 195.85, 0.76%, 0.5%

LAB 66.18, -17.77, -35.61

 

CMYK 21 / 86 / 0 / 12

HEX #B01FE0

RGB 176 31 224

HSL 285.08, 0.76%, 0.5%

LAB 46.43, 78.17, -66.48

 

CMYK 0 / 65 / 86 / 12

HEX #E04F1F

RGB 224 79 31

HSL 14.92, 0.76%, 0.5%

LAB 53.53, 54.47, 55.26

 

CMYK 65 / 0 / 86 / 12

HEX #4FE01F

RGB 79 224 31

HSL 105.08, 0.76%, 0.5%

LAB 79.08, -68.93, 72.69

 

Description

Color code: HEX #1FADE0 | qconv.com Color code: HEX #1FADE0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 173 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 173 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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