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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E73BE it is the complementary color #E18C41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E73BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1E73BE: #2373B9, #3485CC, #4597DF, #56A9F2 and #67BBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E73BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1E73BE: #1E73BE, #0D61AB, #004F98, #003D85 and #002B72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 39 / 0 / 25

HEX #1E73BE

RGB 30 115 190

HSL 208.13, 0.73%, 0.43%

LAB 47.31, 2.97, -46.18

 

Complementary color

CMYK 0 / 38 / 71 / 12

HEX #E18C41

RGB 225 140 65

HSL 28.13, 0.73%, 0.57%

LAB 65.86, 26.11, 52.11

 

CMYK 81 / 38 / 0 / 27

HEX #2373B9

RGB 35 115 185

HSL 208, 0.68%, 0.43%

LAB 47.13, 1.52, -43.56

 

CMYK 75 / 35 / 0 / 20

HEX #3485CC

RGB 52 133 204

HSL 208.03, 0.6%, 0.5%

LAB 53.88, -0.38, -43.71

 

CMYK 69 / 32 / 0 / 13

HEX #4597DF

RGB 69 151 223

HSL 208.05, 0.71%, 0.57%

LAB 60.54, -1.88, -43.83

 

CMYK 64 / 30 / 0 / 5

HEX #56A9F2

RGB 86 169 242

HSL 208.08, 0.86%, 0.64%

LAB 67.1, -3.07, -43.94

 

CMYK 60 / 27 / 0 / 0

HEX #67BBFF

RGB 103 187 255

HSL 206.84, 1%, 0.7%

LAB 73.31, -5.92, -41.21

 

CMYK 84 / 39 / 0 / 25

HEX #1E73BE

RGB 30 115 190

HSL 208.13, 0.73%, 0.43%

LAB 47.31, 2.97, -46.18

 

CMYK 92 / 43 / 0 / 33

HEX #0D61AB

RGB 13 97 171

HSL 208.1, 0.86%, 0.36%

LAB 40.53, 5.69, -45.94

 

CMYK 100 / 48 / 0 / 40

HEX #004F98

RGB 0 79 152

HSL 208.82, 1%, 0.3%

LAB 33.69, 9.11, -45.59

 

CMYK 100 / 54 / 0 / 48

HEX #003D85

RGB 0 61 133

HSL 212.48, 1%, 0.26%

LAB 26.82, 13.42, -45.02

 

CMYK 100 / 62 / 0 / 55

HEX #002B72

RGB 0 43 114

HSL 217.37, 1%, 0.22%

LAB 19.81, 18.11, -44.41

 

CMYK 84 / 39 / 0 / 25

HEX #1E73BE

RGB 30 115 190

HSL 208.13, 0.73%, 0.43%

LAB 47.31, 2.97, -46.18

 

CMYK 85 / 53 / 0 / 26

HEX #1D58BD

RGB 29 88 189

HSL 217.88, 0.73%, 0.43%

LAB 39.44, 19.86, -58.26

 

CMYK 85 / 68 / 0 / 26

HEX #1D3DBD

RGB 29 61 189

HSL 228, 0.73%, 0.43%

LAB 32.42, 37.59, -69.73

 

CMYK 85 / 82 / 0 / 26

HEX #1D22BD

RGB 29 34 189

HSL 238.13, 0.73%, 0.43%

LAB 26.96, 52.93, -78.76

 

CMYK 74 / 85 / 0 / 26

HEX #321DBD

RGB 50 29 189

HSL 247.88, 0.73%, 0.43%

LAB 27.38, 56.22, -78.02

 

CMYK 84 / 39 / 0 / 25

HEX #1E73BE

RGB 30 115 190

HSL 208.13, 0.73%, 0.43%

LAB 47.31, 2.97, -46.18

 

CMYK 84 / 39 / 0 / 5

HEX #2692F1

RGB 38 146 241

HSL 208.08, 0.88%, 0.55%

LAB 59.27, 4.06, -55.86

 

CMYK 84 / 41 / 0 / 85

HEX #061625

RGB 6 22 37

HSL 209.03, 0.72%, 0.08%

LAB 6.74, -0.54, -12.28

 

CMYK 84 / 40 / 0 / 65

HEX #0E3558

RGB 14 53 88

HSL 208.38, 0.73%, 0.2%

LAB 21.37, 0.63, -24.91

 

CMYK 84 / 40 / 0 / 45

HEX #16548B

RGB 22 84 139

HSL 208.21, 0.73%, 0.32%

LAB 34.75, 1.83, -35.96

 

CMYK 84 / 39 / 0 / 25

HEX #1E73BE

RGB 30 115 190

HSL 208.13, 0.73%, 0.43%

LAB 47.31, 2.97, -46.18

 

CMYK 28 / 85 / 0 / 26

HEX #881DBD

RGB 136 29 189

HSL 280.13, 0.73%, 0.43%

LAB 37.46, 65.87, -61.09

 

CMYK 5 / 0 / 85 / 26

HEX #B3BD1D

RGB 179 189 29

HSL 63.75, 0.73%, 0.43%

LAB 73.59, -21.05, 70.34

 

CMYK 84 / 39 / 0 / 25

HEX #1E73BE

RGB 30 115 190

HSL 208.13, 0.73%, 0.43%

LAB 47.31, 2.97, -46.18

 

CMYK 0 / 85 / 40 / 26

HEX #BD1D72

RGB 189 29 114

HSL 328.13, 0.73%, 0.43%

LAB 42.63, 65.33, -6.86

 

CMYK 40 / 0 / 85 / 26

HEX #72BD1D

RGB 114 189 29

HSL 88.13, 0.73%, 0.43%

LAB 69.51, -46.71, 65.24

 

CMYK 84 / 39 / 0 / 25

HEX #1E73BE

RGB 30 115 190

HSL 208.13, 0.73%, 0.43%

LAB 47.31, 2.97, -46.18

 

CMYK 28 / 85 / 0 / 26

HEX #881DBD

RGB 136 29 189

HSL 280.13, 0.73%, 0.43%

LAB 37.46, 65.87, -61.09

 

CMYK 0 / 45 / 85 / 26

HEX #BD681D

RGB 189 104 29

HSL 28.13, 0.73%, 0.43%

LAB 52.74, 28.94, 53.16

 

CMYK 57 / 0 / 85 / 26

HEX #52BD1D

RGB 82 189 29

HSL 100.13, 0.73%, 0.43%

LAB 68.22, -56.51, 63.61

 

CMYK 84 / 39 / 0 / 25

HEX #1E73BE

RGB 30 115 190

HSL 208.13, 0.73%, 0.43%

LAB 47.31, 2.97, -46.18

 

CMYK 3 / 85 / 0 / 26

HEX #B81DBD

RGB 184 29 189

HSL 298.13, 0.73%, 0.43%

LAB 45.28, 73.98, -48.07

 

CMYK 0 / 45 / 85 / 26

HEX #BD681D

RGB 189 104 29

HSL 28.13, 0.73%, 0.43%

LAB 52.74, 28.94, 53.16

 

CMYK 82 / 0 / 85 / 26

HEX #22BD1D

RGB 34 189 29

HSL 118.13, 0.73%, 0.43%

LAB 67.14, -65.62, 62.24

 

Description

Color code: HEX #1E73BE | qconv.com Color code: HEX #1E73BE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 115 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 115 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 39 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 39% 0% 25% C M Y K



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