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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E5896 it is the complementary color #E1A769. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E5896. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1E5896: #235891, #346AA4, #457CB7, #568ECA and #67A0DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E5896. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1E5896: #1E5896, #0D4683, #003470, #00225D and #00104A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 41 / 0 / 41

HEX #1E5896

RGB 30 88 150

HSL 211, 0.67%, 0.35%

LAB 36.85, 4.48, -39.28

 

Complementary color

CMYK 0 / 26 / 53 / 12

HEX #E1A769

RGB 225 167 105

HSL 31, 0.67%, 0.65%

LAB 72.67, 14.36, 40.17

 

CMYK 76 / 39 / 0 / 43

HEX #235891

RGB 35 88 145

HSL 211.09, 0.61%, 0.35%

LAB 36.71, 3.16, -36.47

 

CMYK 68 / 35 / 0 / 36

HEX #346AA4

RGB 52 106 164

HSL 211.07, 0.52%, 0.42%

LAB 43.83, 1.52, -36.5

 

CMYK 62 / 32 / 0 / 28

HEX #457CB7

RGB 69 124 183

HSL 211.05, 0.45%, 0.49%

LAB 50.8, 0.29, -36.53

 

CMYK 57 / 30 / 0 / 21

HEX #568ECA

RGB 86 142 202

HSL 211.03, 0.52%, 0.56%

LAB 57.64, -0.65, -36.58

 

CMYK 53 / 28 / 0 / 13

HEX #67A0DD

RGB 103 160 221

HSL 211.02, 0.63%, 0.64%

LAB 64.36, -1.41, -36.64

 

CMYK 80 / 41 / 0 / 41

HEX #1E5896

RGB 30 88 150

HSL 211, 0.67%, 0.35%

LAB 36.85, 4.48, -39.28

 

CMYK 90 / 47 / 0 / 49

HEX #0D4683

RGB 13 70 131

HSL 211.02, 0.82%, 0.28%

LAB 29.67, 7.1, -39.16

 

CMYK 100 / 54 / 0 / 56

HEX #003470

RGB 0 52 112

HSL 212.14, 1%, 0.22%

LAB 22.39, 10.61, -38.92

 

CMYK 100 / 63 / 0 / 64

HEX #00225D

RGB 0 34 93

HSL 218.06, 1%, 0.18%

LAB 15.14, 15.42, -38.3

 

CMYK 100 / 78 / 0 / 71

HEX #00104A

RGB 0 16 74

HSL 227.03, 1%, 0.15%

LAB 7.81, 20.54, -37.39

 

CMYK 80 / 41 / 0 / 41

HEX #1E5896

RGB 30 88 150

HSL 211, 0.67%, 0.35%

LAB 36.85, 4.48, -39.28

 

CMYK 81 / 55 / 0 / 42

HEX #1D4395

RGB 29 67 149

HSL 221, 0.67%, 0.35%

LAB 30.51, 18.09, -48.87

 

CMYK 81 / 68 / 0 / 42

HEX #1D2F95

RGB 29 47 149

HSL 231, 0.67%, 0.35%

LAB 25.15, 31.69, -57.63

 

CMYK 79 / 81 / 0 / 42

HEX #1F1D95

RGB 31 29 149

HSL 241, 0.67%, 0.35%

LAB 21.36, 42.7, -63.88

 

CMYK 66 / 81 / 0 / 42

HEX #331D95

RGB 51 29 149

HSL 251, 0.67%, 0.35%

LAB 22.84, 44.45, -61.39

 

CMYK 80 / 41 / 0 / 41

HEX #1E5896

RGB 30 88 150

HSL 211, 0.67%, 0.35%

LAB 36.85, 4.48, -39.28

 

CMYK 80 / 41 / 0 / 21

HEX #2876C9

RGB 40 118 201

HSL 210.93, 0.67%, 0.47%

LAB 49.04, 6.24, -49.73

 

CMYK 80 / 41 / 0 / 1

HEX #3294FC

RGB 50 148 252

HSL 210.89, 0.97%, 0.59%

LAB 60.68, 7.92, -59.65

 

CMYK 79 / 42 / 0 / 81

HEX #0A1C30

RGB 10 28 48

HSL 211.58, 0.66%, 0.11%

LAB 9.86, 0.71, -15.5

 

CMYK 80 / 41 / 0 / 61

HEX #143A63

RGB 20 58 99

HSL 211.14, 0.66%, 0.23%

LAB 23.92, 2.62, -28.06

 

CMYK 80 / 41 / 0 / 41

HEX #1E5896

RGB 30 88 150

HSL 211, 0.67%, 0.35%

LAB 36.85, 4.48, -39.28

 

CMYK 23 / 81 / 0 / 42

HEX #731D95

RGB 115 29 149

HSL 283, 0.67%, 0.35%

LAB 31.1, 54.17, -47.54

 

CMYK 9 / 0 / 81 / 42

HEX #87951D

RGB 135 149 29

HSL 67, 0.67%, 0.35%

LAB 58.73, -20.02, 56.2

 

CMYK 80 / 41 / 0 / 41

HEX #1E5896

RGB 30 88 150

HSL 211, 0.67%, 0.35%

LAB 36.85, 4.48, -39.28

 

CMYK 0 / 81 / 42 / 42

HEX #951D57

RGB 149 29 87

HSL 331, 0.67%, 0.35%

LAB 33.89, 52.45, -3.56

 

CMYK 42 / 0 / 81 / 42

HEX #57951D

RGB 87 149 29

HSL 91, 0.67%, 0.35%

LAB 55.7, -39.43, 52.31

 

CMYK 80 / 41 / 0 / 41

HEX #1E5896

RGB 30 88 150

HSL 211, 0.67%, 0.35%

LAB 36.85, 4.48, -39.28

 

CMYK 23 / 81 / 0 / 42

HEX #731D95

RGB 115 29 149

HSL 283, 0.67%, 0.35%

LAB 31.1, 54.17, -47.54

 

CMYK 0 / 39 / 81 / 42

HEX #955B1D

RGB 149 91 29

HSL 31, 0.67%, 0.35%

LAB 44.18, 18.74, 43.38

 

CMYK 58 / 0 / 81 / 42

HEX #3F951D

RGB 63 149 29

HSL 103, 0.67%, 0.35%

LAB 54.7, -47, 51.02

 

CMYK 80 / 41 / 0 / 41

HEX #1E5896

RGB 30 88 150

HSL 211, 0.67%, 0.35%

LAB 36.85, 4.48, -39.28

 

CMYK 0 / 81 / 1 / 42

HEX #951D93

RGB 149 29 147

HSL 301, 0.67%, 0.35%

LAB 36.7, 60.52, -37.02

 

CMYK 0 / 39 / 81 / 42

HEX #955B1D

RGB 149 91 29

HSL 31, 0.67%, 0.35%

LAB 44.18, 18.74, 43.38

 

CMYK 81 / 0 / 79 / 42

HEX #1D951F

RGB 29 149 31

HSL 121, 0.67%, 0.35%

LAB 53.87, -53.87, 49.29

 

Description

Color code: HEX #1E5896 | qconv.com Color code: HEX #1E5896 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 88 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 88 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 41 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 41% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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