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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DF413 it is the complementary color #E20BEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DF413. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DF413 shade: #22F40E, #33FF21, #44FF34, #55FF47 and #66FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DF413. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DF413 shade: #1DF413, #0CE200, #00D000, #00BE00 and #00AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DF413 shade: #1FF315, #5BF315, #97F315, #D3F315 and #F3D815

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DF413 shade: #1FF315, #15F347, #15F383, #15F3BF and #15ECF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DF413 shade matches the following richer shades: #1FF315

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DF413 shade: #1FF315, #31E029, #43CC3C, #55B850 and #67A464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DF413 shade: #97F315, #5BF315, #20F315, #15F345 and #15F380

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DF413 shade: #0FAE08, #13D50A, #1FF315, #44F53C and #6AF764

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DF413 shade: #1DF413, #15D2F3 and #F31579

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DF413 shade: #1DF413, #1520F3 and #F31520

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DF413 shade: #1DF413, #15D2F3, #E815F3 and #F33615

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DF413 shade: #1DF413, #158FF3, #E815F3 and #F37915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 92 / 4

HEX #1DF413

RGB 29 244 19

HSL 117.33, 0.91%, 0.52%

LAB 84.49, -81.81, 78.92

 

Complementary color

CMYK 4 / 95 / 0 / 7

HEX #E20BEC

RGB 226 11 236

HSL 297.33, 0.91%, 0.48%

LAB 54.52, 90.38, -59.82

 

CMYK 86 / 0 / 94 / 4

HEX #22F40E

RGB 34 244 14

HSL 114.78, 0.91%, 0.51%

LAB 84.52, -81.54, 79.51

 

CMYK 80 / 0 / 87 / 0

HEX #33FF21

RGB 51 255 33

HSL 115.14, 1%, 0.56%

LAB 88.13, -82.44, 79.98

 

CMYK 73 / 0 / 80 / 0

HEX #44FF34

RGB 68 255 52

HSL 115.27, 1%, 0.6%

LAB 88.45, -79.41, 76.11

 

CMYK 67 / 0 / 72 / 0

HEX #55FF47

RGB 85 255 71

HSL 115.43, 1%, 0.64%

LAB 88.88, -75.37, 70.89

 

CMYK 60 / 0 / 65 / 0

HEX #66FF5A

RGB 102 255 90

HSL 115.64, 1%, 0.68%

LAB 89.43, -70.36, 64.61

 

CMYK 88 / 0 / 92 / 4

HEX #1DF413

RGB 29 244 19

HSL 117.33, 0.91%, 0.52%

LAB 84.49, -81.81, 78.92

 

CMYK 95 / 0 / 100 / 11

HEX #0CE200

RGB 12 226 0

HSL 116.81, 1%, 0.44%

LAB 78.74, -78.25, 75.98

 

CMYK 100 / 0 / 100 / 18

HEX #00D000

RGB 0 208 0

HSL 120, 1%, 0.41%

LAB 72.97, -73.91, 71.34

 

CMYK 100 / 0 / 100 / 25

HEX #00BE00

RGB 0 190 0

HSL 120, 1%, 0.37%

LAB 67.15, -69.08, 66.67

 

CMYK 100 / 0 / 100 / 33

HEX #00AC00

RGB 0 172 0

HSL 120, 1%, 0.34%

LAB 61.22, -64.16, 61.92

 

CMYK 87 / 0 / 91 / 5

HEX #1FF315

RGB 31 243 21

HSL 117.3, 0.9%, 0.52%

LAB 84.2, -81.35, 78.43

 

CMYK 63 / 0 / 91 / 5

HEX #5BF315

RGB 91 243 21

HSL 101.08, 0.9%, 0.52%

LAB 85.19, -72.73, 79.66

 

CMYK 38 / 0 / 91 / 5

HEX #97F315

RGB 151 243 21

HSL 84.86, 0.9%, 0.52%

LAB 87.36, -55.95, 82.33

 

CMYK 13 / 0 / 91 / 5

HEX #D3F315

RGB 211 243 21

HSL 68.65, 0.9%, 0.52%

LAB 90.78, -33.62, 86.51

 

CMYK 0 / 11 / 91 / 5

HEX #F3D815

RGB 243 216 21

HSL 52.7, 0.9%, 0.52%

LAB 86.12, -7.34, 83.98

 

CMYK 87 / 0 / 91 / 5

HEX #1FF315

RGB 31 243 21

HSL 117.3, 0.9%, 0.52%

LAB 84.2, -81.35, 78.43

 

CMYK 91 / 0 / 71 / 5

HEX #15F347

RGB 21 243 71

HSL 133.51, 0.9%, 0.52%

LAB 84.34, -79.31, 65.97

 

CMYK 91 / 0 / 46 / 5

HEX #15F383

RGB 21 243 131

HSL 149.73, 0.9%, 0.52%

LAB 84.95, -71.82, 40.7

 

CMYK 91 / 0 / 21 / 5

HEX #15F3BF

RGB 21 243 191

HSL 165.95, 0.9%, 0.52%

LAB 86.02, -59.61, 11.72

 

CMYK 91 / 3 / 0 / 5

HEX #15ECF3

RGB 21 236 243

HSL 181.89, 0.9%, 0.52%

LAB 85.31, -42.76, -16.57

 

CMYK 87 / 0 / 91 / 5

HEX #1FF315

RGB 31 243 21

HSL 117.3, 0.9%, 0.52%

LAB 84.2, -81.35, 78.43

 

CMYK 87 / 0 / 91 / 5

HEX #1FF315

RGB 31 243 21

HSL 117.3, 0.9%, 0.52%

LAB 84.2, -81.35, 78.43

 

CMYK 78 / 0 / 82 / 12

HEX #31E029

RGB 49 224 41

HSL 117.38, 0.75%, 0.52%

LAB 78.53, -73.51, 69.69

 

CMYK 67 / 0 / 71 / 20

HEX #43CC3C

RGB 67 204 60

HSL 117.08, 0.59%, 0.52%

LAB 72.7, -63.14, 58.11

 

CMYK 54 / 0 / 57 / 28

HEX #55B850

RGB 85 184 80

HSL 117.12, 0.42%, 0.52%

LAB 67.12, -49.73, 43.55

 

CMYK 37 / 0 / 39 / 36

HEX #67A464

RGB 103 164 100

HSL 117.19, 0.26%, 0.52%

LAB 61.96, -32.95, 27.14

 

CMYK 38 / 0 / 91 / 5

HEX #97F315

RGB 151 243 21

HSL 84.86, 0.9%, 0.52%

LAB 87.36, -55.95, 82.33

 

CMYK 63 / 0 / 91 / 5

HEX #5BF315

RGB 91 243 21

HSL 101.08, 0.9%, 0.52%

LAB 85.19, -72.73, 79.66

 

CMYK 87 / 0 / 91 / 5

HEX #20F315

RGB 32 243 21

HSL 117.03, 0.9%, 0.52%

LAB 84.21, -81.28, 78.44

 

CMYK 91 / 0 / 72 / 5

HEX #15F345

RGB 21 243 69

HSL 132.97, 0.9%, 0.52%

LAB 84.32, -79.47, 66.66

 

CMYK 91 / 0 / 47 / 5

HEX #15F380

RGB 21 243 128

HSL 148.92, 0.9%, 0.52%

LAB 84.9, -72.31, 42.1

 

CMYK 91 / 0 / 95 / 32

HEX #0FAE08

RGB 15 174 8

HSL 117.47, 0.91%, 0.36%

LAB 61.99, -63.72, 61.51

 

CMYK 91 / 0 / 95 / 16

HEX #13D50A

RGB 19 213 10

HSL 117.34, 0.91%, 0.44%

LAB 74.67, -74.26, 71.75

 

CMYK 87 / 0 / 91 / 5

HEX #1FF315

RGB 31 243 21

HSL 117.3, 0.9%, 0.52%

LAB 84.2, -81.35, 78.43

 

CMYK 72 / 0 / 76 / 4

HEX #44F53C

RGB 68 245 60

HSL 117.41, 0.9%, 0.6%

LAB 85.43, -75.95, 70.93

 

CMYK 57 / 0 / 60 / 3

HEX #6AF764

RGB 106 247 100

HSL 117.55, 0.9%, 0.68%

LAB 87.24, -65.68, 58.08

 

CMYK 88 / 0 / 92 / 4

HEX #1DF413

RGB 29 244 19

HSL 117.33, 0.91%, 0.52%

LAB 84.49, -81.81, 78.92

 

CMYK 91 / 14 / 0 / 5

HEX #15D2F3

RGB 21 210 243

HSL 188.92, 0.9%, 0.52%

LAB 77.71, -30.7, -28.11

 

CMYK 0 / 91 / 50 / 5

HEX #F31579

RGB 243 21 121

HSL 332.97, 0.9%, 0.52%

LAB 52.92, 79.75, 5.15

 

CMYK 88 / 0 / 92 / 4

HEX #1DF413

RGB 29 244 19

HSL 117.33, 0.91%, 0.52%

LAB 84.49, -81.81, 78.92

 

CMYK 91 / 87 / 0 / 5

HEX #1520F3

RGB 21 32 243

HSL 237.03, 0.9%, 0.52%

LAB 33.27, 69.35, -99.47

 

CMYK 0 / 91 / 87 / 5

HEX #F31520

RGB 243 21 32

HSL 357.03, 0.9%, 0.52%

LAB 51.49, 75.78, 54.69

 

CMYK 88 / 0 / 92 / 4

HEX #1DF413

RGB 29 244 19

HSL 117.33, 0.91%, 0.52%

LAB 84.49, -81.81, 78.92

 

CMYK 91 / 14 / 0 / 5

HEX #15D2F3

RGB 21 210 243

HSL 188.92, 0.9%, 0.52%

LAB 77.71, -30.7, -28.11

 

CMYK 5 / 91 / 0 / 5

HEX #E815F3

RGB 232 21 243

HSL 297.03, 0.9%, 0.52%

LAB 56.25, 91.46, -60.9

 

CMYK 0 / 78 / 91 / 5

HEX #F33615

RGB 243 54 21

HSL 8.92, 0.9%, 0.52%

LAB 53.76, 69, 60.67

 

CMYK 88 / 0 / 92 / 4

HEX #1DF413

RGB 29 244 19

HSL 117.33, 0.91%, 0.52%

LAB 84.49, -81.81, 78.92

 

CMYK 91 / 41 / 0 / 5

HEX #158FF3

RGB 21 143 243

HSL 207.03, 0.9%, 0.52%

LAB 58.3, 5.61, -58.53

 

CMYK 5 / 91 / 0 / 5

HEX #E815F3

RGB 232 21 243

HSL 297.03, 0.9%, 0.52%

LAB 56.25, 91.46, -60.9

 

CMYK 0 / 50 / 91 / 5

HEX #F37915

RGB 243 121 21

HSL 27.03, 0.9%, 0.52%

LAB 63.99, 41.83, 67.64

 

Description

Color code: HEX #1DF413 | qconv.com Color code: HEX #1DF413 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 244 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 244 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 92 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 92% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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