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Color name
RGB 21 243 128

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 243 128 it is the complementary color RGB 234 12 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 243 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 243 128 shade: RGB 26 243 123, RGB 43 255 142, RGB 60 255 161, RGB 77 255 180 and RGB 94 255 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 243 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 243 128 shade: RGB 21 243 128, RGB 4 225 109, RGB 0 207 90, RGB 0 189 71 and RGB 0 171 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 243 128 shade: RGB 22 242 128, RGB 22 242 69, RGB 35 242 22, RGB 94 242 22 and RGB 153 242 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 243 128 shade: RGB 22 242 128, RGB 22 242 188, RGB 22 238 242, RGB 22 178 242 and RGB 22 119 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 243 128 shade matches the following richer shades: RGB 22 242 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 243 128 shade: RGB 22 242 128, RGB 42 222 129, RGB 62 203 130, RGB 81 183 130 and RGB 101 163 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 243 128 shade: RGB 37 242 22, RGB 22 242 66, RGB 22 242 125, RGB 22 242 184 and RGB 22 242 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 243 128 shade: RGB 9 173 88, RGB 11 212 108, RGB 22 242 128, RGB 61 244 149 and RGB 100 246 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 243 128 shade: RGB 21 243 128, RGB 22 95 242 and RGB 242 37 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 243 128 shade: RGB 21 243 128, RGB 125 22 242 and RGB 242 125 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 243 128 shade: RGB 21 243 128, RGB 22 95 242, RGB 242 22 139 and RGB 242 169 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 243 128 shade: RGB 21 243 128, RGB 22 29 242, RGB 242 22 139 and RGB 242 235 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 47 / 5

HEX #15F380

RGB 21 243 128

HSL 148.92, 0.9%, 0.52%

LAB 84.9, -72.31, 42.1

 

Complementary color

CMYK 0 / 95 / 46 / 8

HEX #EA0C7F

RGB 234 12 127

HSL 328.92, 0.9%, 0.48%

LAB 51.02, 79.11, -1.46

 

CMYK 89 / 0 / 49 / 5

HEX #1AF37B

RGB 26 243 123

HSL 146.82, 0.9%, 0.53%

LAB 84.87, -72.84, 44.45

 

CMYK 83 / 0 / 44 / 0

HEX #2BFF8E

RGB 43 255 142

HSL 148.02, 1%, 0.58%

LAB 88.92, -72.48, 40.48

 

CMYK 76 / 0 / 37 / 0

HEX #3CFFA1

RGB 60 255 161

HSL 151.08, 1%, 0.62%

LAB 89.42, -67.43, 31.81

 

CMYK 70 / 0 / 29 / 0

HEX #4DFFB4

RGB 77 255 180

HSL 154.72, 1%, 0.65%

LAB 90.04, -61.52, 23.12

 

CMYK 63 / 0 / 22 / 0

HEX #5EFFC7

RGB 94 255 199

HSL 159.13, 1%, 0.68%

LAB 90.79, -54.84, 14.5

 

CMYK 91 / 0 / 47 / 5

HEX #15F380

RGB 21 243 128

HSL 148.92, 0.9%, 0.52%

LAB 84.9, -72.31, 42.1

 

CMYK 98 / 0 / 52 / 12

HEX #04E16D

RGB 4 225 109

HSL 148.51, 0.97%, 0.45%

LAB 79.03, -70.18, 43.85

 

CMYK 100 / 0 / 57 / 19

HEX #00CF5A

RGB 0 207 90

HSL 146.09, 1%, 0.41%

LAB 73.13, -67.46, 45.65

 

CMYK 100 / 0 / 62 / 26

HEX #00BD47

RGB 0 189 71

HSL 142.54, 1%, 0.37%

LAB 67.16, -64.41, 47.35

 

CMYK 100 / 0 / 70 / 33

HEX #00AB34

RGB 0 171 52

HSL 138.25, 1%, 0.34%

LAB 61.11, -61.08, 48.77

 

CMYK 91 / 0 / 47 / 5

HEX #16F280

RGB 22 242 128

HSL 148.91, 0.89%, 0.52%

LAB 84.6, -71.94, 41.72

 

CMYK 91 / 0 / 71 / 5

HEX #16F245

RGB 22 242 69

HSL 132.82, 0.89%, 0.52%

LAB 84.02, -79.14, 66.35

 

CMYK 86 / 0 / 91 / 5

HEX #23F216

RGB 35 242 22

HSL 116.45, 0.89%, 0.52%

LAB 83.92, -80.75, 78.08

 

CMYK 61 / 0 / 91 / 5

HEX #5EF216

RGB 94 242 22

HSL 100.36, 0.89%, 0.52%

LAB 84.97, -71.73, 79.37

 

CMYK 37 / 0 / 91 / 5

HEX #99F216

RGB 153 242 22

HSL 84.27, 0.89%, 0.52%

LAB 87.16, -54.86, 82.08

 

CMYK 91 / 0 / 47 / 5

HEX #16F280

RGB 22 242 128

HSL 148.91, 0.89%, 0.52%

LAB 84.6, -71.94, 41.72

 

CMYK 91 / 0 / 22 / 5

HEX #16F2BC

RGB 22 242 188

HSL 165.27, 0.89%, 0.52%

LAB 85.66, -59.9, 12.78

 

CMYK 91 / 2 / 0 / 5

HEX #16EEF2

RGB 22 238 242

HSL 181.09, 0.89%, 0.52%

LAB 85.87, -43.9, -15.2

 

CMYK 91 / 26 / 0 / 5

HEX #16B2F2

RGB 22 178 242

HSL 197.45, 0.89%, 0.52%

LAB 68.33, -14.65, -42.1

 

CMYK 91 / 51 / 0 / 5

HEX #1677F2

RGB 22 119 242

HSL 213.55, 0.89%, 0.52%

LAB 51.58, 20.07, -68.79

 

CMYK 91 / 0 / 47 / 5

HEX #16F280

RGB 22 242 128

HSL 148.91, 0.89%, 0.52%

LAB 84.6, -71.94, 41.72

 

CMYK 91 / 0 / 47 / 5

HEX #16F280

RGB 22 242 128

HSL 148.91, 0.89%, 0.52%

LAB 84.6, -71.94, 41.72

 

CMYK 81 / 0 / 42 / 13

HEX #2ADE81

RGB 42 222 129

HSL 149, 0.73%, 0.52%

LAB 78.65, -63.65, 33.6

 

CMYK 69 / 0 / 36 / 20

HEX #3ECB82

RGB 62 203 130

HSL 148.94, 0.58%, 0.52%

LAB 73.12, -53.95, 25.83

 

CMYK 56 / 0 / 29 / 28

HEX #51B782

RGB 81 183 130

HSL 148.82, 0.41%, 0.52%

LAB 67.45, -42.1, 18.19

 

CMYK 38 / 0 / 20 / 36

HEX #65A383

RGB 101 163 131

HSL 149.03, 0.25%, 0.52%

LAB 62.17, -27.35, 10.39

 

CMYK 85 / 0 / 91 / 5

HEX #25F216

RGB 37 242 22

HSL 115.91, 0.89%, 0.52%

LAB 83.94, -80.58, 78.1

 

CMYK 91 / 0 / 73 / 5

HEX #16F242

RGB 22 242 66

HSL 132, 0.89%, 0.52%

LAB 84, -79.38, 67.37

 

CMYK 91 / 0 / 48 / 5

HEX #16F27D

RGB 22 242 125

HSL 148.09, 0.89%, 0.52%

LAB 84.56, -72.42, 43.11

 

CMYK 91 / 0 / 24 / 5

HEX #16F2B8

RGB 22 242 184

HSL 164.18, 0.89%, 0.52%

LAB 85.57, -60.84, 14.73

 

CMYK 91 / 0 / 0 / 5

HEX #16F2F2

RGB 22 242 242

HSL 180, 0.89%, 0.52%

LAB 87.04, -45.66, -13.46

 

CMYK 95 / 0 / 49 / 32

HEX #09AD58

RGB 9 173 88

HSL 148.9, 0.9%, 0.36%

LAB 62.21, -56.41, 33.27

 

CMYK 95 / 0 / 49 / 17

HEX #0BD46C

RGB 11 212 108

HSL 148.96, 0.9%, 0.44%

LAB 74.98, -65.96, 39.31

 

CMYK 91 / 0 / 47 / 5

HEX #16F280

RGB 22 242 128

HSL 148.91, 0.89%, 0.52%

LAB 84.6, -71.94, 41.72

 

CMYK 75 / 0 / 39 / 4

HEX #3DF495

RGB 61 244 149

HSL 148.85, 0.89%, 0.6%

LAB 85.94, -65.63, 33.19

 

CMYK 59 / 0 / 30 / 4

HEX #64F6AB

RGB 100 246 171

HSL 149.18, 0.89%, 0.68%

LAB 87.76, -55.91, 24.65

 

CMYK 91 / 0 / 47 / 5

HEX #15F380

RGB 21 243 128

HSL 148.92, 0.9%, 0.52%

LAB 84.9, -72.31, 42.1

 

CMYK 91 / 61 / 0 / 5

HEX #165FF2

RGB 22 95 242

HSL 220.09, 0.89%, 0.52%

LAB 45.31, 35.33, -79

 

CMYK 0 / 85 / 91 / 5

HEX #F22516

RGB 242 37 22

HSL 4.09, 0.89%, 0.52%

LAB 52.13, 72.82, 59.16

 

CMYK 91 / 0 / 47 / 5

HEX #15F380

RGB 21 243 128

HSL 148.92, 0.9%, 0.52%

LAB 84.9, -72.31, 42.1

 

CMYK 48 / 91 / 0 / 5

HEX #7D16F2

RGB 125 22 242

HSL 268.09, 0.89%, 0.52%

LAB 40.15, 77.33, -87.26

 

CMYK 0 / 48 / 91 / 5

HEX #F27D16

RGB 242 125 22

HSL 28.09, 0.89%, 0.52%

LAB 64.65, 39.46, 67.8

 

CMYK 91 / 0 / 47 / 5

HEX #15F380

RGB 21 243 128

HSL 148.92, 0.9%, 0.52%

LAB 84.9, -72.31, 42.1

 

CMYK 91 / 61 / 0 / 5

HEX #165FF2

RGB 22 95 242

HSL 220.09, 0.89%, 0.52%

LAB 45.31, 35.33, -79

 

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

CMYK 0 / 30 / 91 / 5

HEX #F2A916

RGB 242 169 22

HSL 40.09, 0.89%, 0.52%

LAB 74.39, 16.56, 74.94

 

CMYK 91 / 0 / 47 / 5

HEX #15F380

RGB 21 243 128

HSL 148.92, 0.9%, 0.52%

LAB 84.9, -72.31, 42.1

 

CMYK 91 / 88 / 0 / 5

HEX #161DF2

RGB 22 29 242

HSL 238.09, 0.89%, 0.52%

LAB 32.83, 70.1, -99.64

 

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

CMYK 0 / 3 / 91 / 5

HEX #F2EB16

RGB 242 235 22

HSL 58.09, 0.89%, 0.52%

LAB 90.94, -17.13, 87.49

 

Description

Color code: RGB 21 243 128 | qconv.com Color code: RGB 21 243 128 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 243 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 243 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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