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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DBDB9 it is the complementary color #E24246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DBDB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DBDB9 shade: #22BDB4, #33CFC7, #44E1DA, #55F3ED and #66FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DBDB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DBDB9 shade: #1DBDB9, #0CABA6, #009993, #008780 and #00756D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DBDB9 shade: #1EBEBA, #1EBE8F, #1EBE63, #1EBE38 and #2EBE1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DBDB9 shade: #1EBEBA, #1E97BE, #1E6BBE, #1E40BE and #1E1EBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DBDB9 shade matches the following richer shades: #1EBEBA and #0CCFCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DBDB9 shade: #1EBEBA, #2FACA9, #419A98, #538887 and #657776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DBDB9 shade: #1EBE63, #1EBE8E, #1EBEB8, #1E98BE and #1E6EBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DBDB9 shade: #127674, #189A97, #1EBEBA, #27DDD9 and #4BE3DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DBDB9 shade: #1DBDB9, #381EBE and #BE781E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DBDB9 shade: #1DBDB9, #B81EBE and #BEB81E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DBDB9 shade: #1DBDB9, #381EBE, #BE1E23 and #A3BE1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DBDB9 shade: #1DBDB9, #681EBE, #BE1E23 and #73BE1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 2 / 26

HEX #1DBDB9

RGB 29 189 185

HSL 178.5, 0.73%, 0.43%

LAB 69.58, -38.35, -8.98

 

Complementary color

CMYK 0 / 71 / 69 / 11

HEX #E24246

RGB 226 66 70

HSL 358.5, 0.73%, 0.57%

LAB 52.41, 61.53, 34.39

 

CMYK 82 / 0 / 5 / 26

HEX #22BDB4

RGB 34 189 180

HSL 176.52, 0.7%, 0.44%

LAB 69.49, -39.43, -6.36

 

CMYK 75 / 0 / 4 / 19

HEX #33CFC7

RGB 51 207 199

HSL 176.92, 0.62%, 0.51%

LAB 75.73, -40.51, -7.42

 

CMYK 70 / 0 / 3 / 12

HEX #44E1DA

RGB 68 225 218

HSL 177.32, 0.72%, 0.57%

LAB 81.91, -41.32, -8.38

 

CMYK 65 / 0 / 2 / 5

HEX #55F3ED

RGB 85 243 237

HSL 177.72, 0.87%, 0.64%

LAB 88.04, -41.92, -9.26

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 85 / 0 / 2 / 26

HEX #1DBDB9

RGB 29 189 185

HSL 178.5, 0.73%, 0.43%

LAB 69.58, -38.35, -8.98

 

CMYK 93 / 0 / 3 / 33

HEX #0CABA6

RGB 12 171 166

HSL 178.11, 0.87%, 0.36%

LAB 63.31, -36.73, -7.81

 

CMYK 100 / 0 / 4 / 40

HEX #009993

RGB 0 153 147

HSL 177.65, 1%, 0.3%

LAB 56.97, -34.7, -6.51

 

CMYK 100 / 0 / 5 / 47

HEX #008780

RGB 0 135 128

HSL 176.89, 1%, 0.26%

LAB 50.55, -32.19, -5.06

 

CMYK 100 / 0 / 7 / 54

HEX #00756D

RGB 0 117 109

HSL 175.9, 1%, 0.23%

LAB 43.98, -29.63, -3.54

 

CMYK 84 / 0 / 2 / 25

HEX #1EBEBA

RGB 30 190 186

HSL 178.5, 0.73%, 0.43%

LAB 69.93, -38.44, -9.01

 

CMYK 84 / 0 / 25 / 25

HEX #1EBE8F

RGB 30 190 143

HSL 162.38, 0.73%, 0.43%

LAB 68.81, -49.96, 12.88

 

CMYK 84 / 0 / 48 / 25

HEX #1EBE63

RGB 30 190 99

HSL 145.88, 0.73%, 0.43%

LAB 68.02, -58.94, 35.06

 

CMYK 84 / 0 / 71 / 25

HEX #1EBE38

RGB 30 190 56

HSL 129.75, 0.73%, 0.43%

LAB 67.57, -64.49, 54.08

 

CMYK 76 / 0 / 84 / 25

HEX #2EBE1E

RGB 46 190 30

HSL 114, 0.73%, 0.43%

LAB 67.65, -64.29, 62.52

 

CMYK 84 / 0 / 2 / 25

HEX #1EBEBA

RGB 30 190 186

HSL 178.5, 0.73%, 0.43%

LAB 69.93, -38.44, -9.01

 

CMYK 84 / 21 / 0 / 25

HEX #1E97BE

RGB 30 151 190

HSL 194.63, 0.73%, 0.43%

LAB 58.16, -17.87, -29.13

 

CMYK 84 / 44 / 0 / 25

HEX #1E6BBE

RGB 30 107 190

HSL 211.13, 0.73%, 0.43%

LAB 44.95, 7.99, -49.94

 

CMYK 84 / 66 / 0 / 25

HEX #1E40BE

RGB 30 64 190

HSL 227.25, 0.73%, 0.43%

LAB 33.27, 36.11, -68.93

 

CMYK 84 / 84 / 0 / 25

HEX #1E1EBE

RGB 30 30 190

HSL 240, 0.73%, 0.43%

LAB 26.51, 55.09, -80.1

 

CMYK 84 / 0 / 2 / 25

HEX #1EBEBA

RGB 30 190 186

HSL 178.5, 0.73%, 0.43%

LAB 69.93, -38.44, -9.01

 

CMYK 94 / 0 / 2 / 19

HEX #0CCFCB

RGB 12 207 203

HSL 178.77, 0.89%, 0.43%

LAB 75.46, -41.94, -10.02

 

CMYK 84 / 0 / 2 / 25

HEX #1EBEBA

RGB 30 190 186

HSL 178.5, 0.73%, 0.43%

LAB 69.93, -38.44, -9.01

 

CMYK 73 / 0 / 2 / 33

HEX #2FACA9

RGB 47 172 169

HSL 178.56, 0.57%, 0.43%

LAB 64.14, -33.46, -8.2

 

CMYK 58 / 0 / 1 / 40

HEX #419A98

RGB 65 154 152

HSL 178.65, 0.41%, 0.43%

LAB 58.51, -26.76, -6.95

 

CMYK 39 / 0 / 1 / 47

HEX #538887

RGB 83 136 135

HSL 178.87, 0.24%, 0.43%

LAB 53.16, -17.83, -5.04

 

CMYK 15 / 0 / 1 / 53

HEX #657776

RGB 101 119 118

HSL 176.67, 0.08%, 0.43%

LAB 48.6, -6.84, -1.69

 

CMYK 84 / 0 / 48 / 25

HEX #1EBE63

RGB 30 190 99

HSL 145.88, 0.73%, 0.43%

LAB 68.02, -58.94, 35.06

 

CMYK 84 / 0 / 25 / 25

HEX #1EBE8E

RGB 30 190 142

HSL 162, 0.73%, 0.43%

LAB 68.79, -50.19, 13.4

 

CMYK 84 / 0 / 3 / 25

HEX #1EBEB8

RGB 30 190 184

HSL 177.75, 0.73%, 0.43%

LAB 69.87, -39.02, -8

 

CMYK 84 / 20 / 0 / 25

HEX #1E98BE

RGB 30 152 190

HSL 194.25, 0.73%, 0.43%

LAB 58.46, -18.41, -28.66

 

CMYK 84 / 42 / 0 / 25

HEX #1E6EBE

RGB 30 110 190

HSL 210, 0.73%, 0.43%

LAB 45.83, 6.09, -48.54

 

CMYK 85 / 0 / 2 / 54

HEX #127674

RGB 18 118 116

HSL 178.8, 0.74%, 0.27%

LAB 44.73, -26.65, -6.61

 

CMYK 84 / 0 / 2 / 40

HEX #189A97

RGB 24 154 151

HSL 178.62, 0.73%, 0.35%

LAB 57.6, -32.68, -7.84

 

CMYK 84 / 0 / 2 / 25

HEX #1EBEBA

RGB 30 190 186

HSL 178.5, 0.73%, 0.43%

LAB 69.93, -38.44, -9.01

 

CMYK 82 / 0 / 2 / 13

HEX #27DDD9

RGB 39 221 217

HSL 178.68, 0.73%, 0.51%

LAB 80.27, -42.71, -10.35

 

CMYK 67 / 0 / 2 / 11

HEX #4BE3DF

RGB 75 227 223

HSL 178.42, 0.73%, 0.59%

LAB 82.79, -39.92, -9.72

 

CMYK 85 / 0 / 2 / 26

HEX #1DBDB9

RGB 29 189 185

HSL 178.5, 0.73%, 0.43%

LAB 69.58, -38.35, -8.98

 

CMYK 71 / 84 / 0 / 25

HEX #381EBE

RGB 56 30 190

HSL 249.75, 0.73%, 0.43%

LAB 28.08, 56.51, -77.45

 

CMYK 0 / 37 / 84 / 25

HEX #BE781E

RGB 190 120 30

HSL 33.75, 0.73%, 0.43%

LAB 56.56, 20.67, 56.12

 

CMYK 85 / 0 / 2 / 26

HEX #1DBDB9

RGB 29 189 185

HSL 178.5, 0.73%, 0.43%

LAB 69.58, -38.35, -8.98

 

CMYK 3 / 84 / 0 / 25

HEX #B81EBE

RGB 184 30 190

HSL 297.75, 0.73%, 0.43%

LAB 45.41, 73.93, -48.45

 

CMYK 0 / 3 / 84 / 25

HEX #BEB81E

RGB 190 184 30

HSL 57.75, 0.73%, 0.43%

LAB 73.1, -13.76, 70.06

 

CMYK 85 / 0 / 2 / 26

HEX #1DBDB9

RGB 29 189 185

HSL 178.5, 0.73%, 0.43%

LAB 69.58, -38.35, -8.98

 

CMYK 71 / 84 / 0 / 25

HEX #381EBE

RGB 56 30 190

HSL 249.75, 0.73%, 0.43%

LAB 28.08, 56.51, -77.45

 

CMYK 0 / 84 / 82 / 25

HEX #BE1E23

RGB 190 30 35

HSL 358.13, 0.73%, 0.43%

LAB 41.21, 60.41, 39.99

 

CMYK 14 / 0 / 84 / 25

HEX #A3BE1E

RGB 163 190 30

HSL 70.13, 0.73%, 0.43%

LAB 72.7, -28.25, 68.89

 

CMYK 85 / 0 / 2 / 26

HEX #1DBDB9

RGB 29 189 185

HSL 178.5, 0.73%, 0.43%

LAB 69.58, -38.35, -8.98

 

CMYK 45 / 84 / 0 / 25

HEX #681EBE

RGB 104 30 190

HSL 267.75, 0.73%, 0.43%

LAB 33.11, 61.29, -68.97

 

CMYK 0 / 84 / 82 / 25

HEX #BE1E23

RGB 190 30 35

HSL 358.13, 0.73%, 0.43%

LAB 41.21, 60.41, 39.99

 

CMYK 39 / 0 / 84 / 25

HEX #73BE1E

RGB 115 190 30

HSL 88.13, 0.73%, 0.43%

LAB 69.87, -46.73, 65.34

 

Description

Color code: HEX #1DBDB9 | qconv.com Color code: HEX #1DBDB9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 189 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 189 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 2 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 2% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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