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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33CFC7 it is the complementary color #CC3038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33CFC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33CFC7 shade: #38CFC2, #49E1D5, #5AF3E8, #6BFFFB and #7CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33CFC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33CFC7 shade: #33CFC7, #22BDB4, #11ABA1, #00998E and #00877B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33CFC7 shade: #35D0C8, #35D09E, #35D074, #35D04A and #49D035

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33CFC7 shade: #35D0C8, #35AED0, #3584D0, #355AD0 and #3535D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33CFC7 shade matches the following richer shades: #35D0C8, #20E4DA and #0CF8EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33CFC7 shade: #35D0C8, #49BBB5, #5DA7A3, #719391 and #857F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33CFC7 shade: #35D073, #35D09C, #35D0C5, #35B1D0 and #3587D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33CFC7 shade: #22908A, #2AB1AA, #35D0C8, #56D7D1 and #77DFDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33CFC7 shade: #33CFC7, #4935D0 and #D08735

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33CFC7 shade: #33CFC7, #C535D0 and #D0C535

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33CFC7 shade: #33CFC7, #4935D0, #D0353F and #BBD035

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33CFC7 shade: #33CFC7, #7835D0, #D0353F and #8CD035

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 4 / 19

HEX #33CFC7

RGB 51 207 199

HSL 176.92, 0.62%, 0.51%

LAB 75.73, -40.51, -7.42

 

Complementary color

CMYK 0 / 76 / 73 / 20

HEX #CC3038

RGB 204 48 56

HSL 356.92, 0.62%, 0.49%

LAB 45.96, 60.29, 33.91

 

CMYK 73 / 0 / 6 / 19

HEX #38CFC2

RGB 56 207 194

HSL 174.83, 0.61%, 0.52%

LAB 75.68, -41.33, -4.8

 

CMYK 68 / 0 / 5 / 12

HEX #49E1D5

RGB 73 225 213

HSL 175.26, 0.72%, 0.58%

LAB 81.88, -42, -5.77

 

CMYK 63 / 0 / 5 / 5

HEX #5AF3E8

RGB 90 243 232

HSL 175.69, 0.86%, 0.65%

LAB 88.02, -42.49, -6.66

 

CMYK 58 / 0 / 2 / 0

HEX #6BFFFB

RGB 107 255 251

HSL 178.38, 1%, 0.71%

LAB 92.4, -40.16, -10

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 75 / 0 / 4 / 19

HEX #33CFC7

RGB 51 207 199

HSL 176.92, 0.62%, 0.51%

LAB 75.73, -40.51, -7.42

 

CMYK 82 / 0 / 5 / 26

HEX #22BDB4

RGB 34 189 180

HSL 176.52, 0.7%, 0.44%

LAB 69.49, -39.43, -6.36

 

CMYK 90 / 0 / 6 / 33

HEX #11ABA1

RGB 17 171 161

HSL 176.1, 0.82%, 0.37%

LAB 63.19, -37.99, -5.18

 

CMYK 100 / 0 / 7 / 40

HEX #00998E

RGB 0 153 142

HSL 175.69, 1%, 0.3%

LAB 56.82, -36.22, -3.88

 

CMYK 100 / 0 / 9 / 47

HEX #00877B

RGB 0 135 123

HSL 174.67, 1%, 0.26%

LAB 50.4, -33.73, -2.36

 

CMYK 75 / 0 / 4 / 18

HEX #35D0C8

RGB 53 208 200

HSL 176.9, 0.62%, 0.51%

LAB 76.09, -40.46, -7.42

 

CMYK 75 / 0 / 24 / 18

HEX #35D09E

RGB 53 208 158

HSL 160.65, 0.62%, 0.51%

LAB 75.04, -51.23, 13.62

 

CMYK 75 / 0 / 44 / 18

HEX #35D074

RGB 53 208 116

HSL 144.39, 0.62%, 0.51%

LAB 74.27, -59.71, 34.52

 

CMYK 75 / 0 / 64 / 18

HEX #35D04A

RGB 53 208 74

HSL 128.13, 0.62%, 0.51%

LAB 73.78, -65.52, 53.62

 

CMYK 65 / 0 / 75 / 18

HEX #49D035

RGB 73 208 53

HSL 112.26, 0.62%, 0.51%

LAB 74.05, -63.81, 62.03

 

CMYK 75 / 0 / 4 / 18

HEX #35D0C8

RGB 53 208 200

HSL 176.9, 0.62%, 0.51%

LAB 76.09, -40.46, -7.42

 

CMYK 75 / 16 / 0 / 18

HEX #35AED0

RGB 53 174 208

HSL 193.16, 0.62%, 0.51%

LAB 66.2, -21.66, -26.74

 

CMYK 75 / 37 / 0 / 18

HEX #3584D0

RGB 53 132 208

HSL 209.42, 0.62%, 0.51%

LAB 53.83, 1.79, -46.06

 

CMYK 75 / 57 / 0 / 18

HEX #355AD0

RGB 53 90 208

HSL 225.68, 0.62%, 0.51%

LAB 42.19, 28.16, -64.76

 

CMYK 75 / 75 / 0 / 18

HEX #3535D0

RGB 53 53 208

HSL 240, 0.62%, 0.51%

LAB 33.68, 50.7, -78.71

 

CMYK 75 / 0 / 4 / 18

HEX #35D0C8

RGB 53 208 200

HSL 176.9, 0.62%, 0.51%

LAB 76.09, -40.46, -7.42

 

CMYK 86 / 0 / 4 / 11

HEX #20E4DA

RGB 32 228 218

HSL 176.94, 0.78%, 0.51%

LAB 82.3, -45.94, -7.86

 

CMYK 95 / 0 / 5 / 3

HEX #0CF8EC

RGB 12 248 236

HSL 176.95, 0.94%, 0.51%

LAB 88.58, -50.22, -8.03

 

CMYK 75 / 0 / 4 / 18

HEX #35D0C8

RGB 53 208 200

HSL 176.9, 0.62%, 0.51%

LAB 76.09, -40.46, -7.42

 

CMYK 61 / 0 / 3 / 27

HEX #49BBB5

RGB 73 187 181

HSL 176.84, 0.46%, 0.51%

LAB 69.68, -33.24, -6.55

 

CMYK 44 / 0 / 2 / 35

HEX #5DA7A3

RGB 93 167 163

HSL 176.76, 0.3%, 0.51%

LAB 63.84, -24.03, -5.14

 

CMYK 23 / 0 / 1 / 42

HEX #719391

RGB 113 147 145

HSL 176.47, 0.14%, 0.51%

LAB 58.44, -12.21, -2.82

 

CMYK 0 / 5 / 5 / 48

HEX #857F7F

RGB 133 127 127

HSL 0, 0.02%, 0.51%

LAB 53.7, 2.27, 0.8

 

CMYK 75 / 0 / 45 / 18

HEX #35D073

RGB 53 208 115

HSL 144, 0.62%, 0.51%

LAB 74.26, -59.88, 35

 

CMYK 75 / 0 / 25 / 18

HEX #35D09C

RGB 53 208 156

HSL 159.87, 0.62%, 0.51%

LAB 74.99, -51.69, 14.62

 

CMYK 75 / 0 / 5 / 18

HEX #35D0C5

RGB 53 208 197

HSL 175.74, 0.62%, 0.51%

LAB 76.01, -41.29, -5.93

 

CMYK 75 / 15 / 0 / 18

HEX #35B1D0

RGB 53 177 208

HSL 192, 0.62%, 0.51%

LAB 67.09, -23.2, -25.37

 

CMYK 75 / 35 / 0 / 18

HEX #3587D0

RGB 53 135 208

HSL 208.26, 0.62%, 0.51%

LAB 54.7, -0, -44.68

 

CMYK 76 / 0 / 4 / 44

HEX #22908A

RGB 34 144 138

HSL 176.73, 0.62%, 0.35%

LAB 54.16, -30.88, -5.48

 

CMYK 76 / 0 / 4 / 31

HEX #2AB1AA

RGB 42 177 170

HSL 176.89, 0.62%, 0.43%

LAB 65.62, -36.09, -6.56

 

CMYK 75 / 0 / 4 / 18

HEX #35D0C8

RGB 53 208 200

HSL 176.9, 0.62%, 0.51%

LAB 76.09, -40.46, -7.42

 

CMYK 60 / 0 / 3 / 16

HEX #56D7D1

RGB 86 215 209

HSL 177.21, 0.62%, 0.59%

LAB 79.15, -36.53, -7.65

 

CMYK 47 / 0 / 2 / 13

HEX #77DFDA

RGB 119 223 218

HSL 177.12, 0.62%, 0.67%

LAB 82.79, -31.39, -6.93

 

CMYK 75 / 0 / 4 / 19

HEX #33CFC7

RGB 51 207 199

HSL 176.92, 0.62%, 0.51%

LAB 75.73, -40.51, -7.42

 

CMYK 65 / 75 / 0 / 18

HEX #4935D0

RGB 73 53 208

HSL 247.74, 0.62%, 0.51%

LAB 35.04, 52.63, -76.43

 

CMYK 0 / 35 / 75 / 18

HEX #D08735

RGB 208 135 53

HSL 31.74, 0.62%, 0.51%

LAB 62.5, 21.09, 53.41

 

CMYK 75 / 0 / 4 / 19

HEX #33CFC7

RGB 51 207 199

HSL 176.92, 0.62%, 0.51%

LAB 75.73, -40.51, -7.42

 

CMYK 5 / 75 / 0 / 18

HEX #C535D0

RGB 197 53 208

HSL 295.74, 0.62%, 0.51%

LAB 50.65, 73.41, -50.37

 

CMYK 0 / 5 / 75 / 18

HEX #D0C535

RGB 208 197 53

HSL 55.74, 0.62%, 0.51%

LAB 78.23, -11.83, 68.59

 

CMYK 75 / 0 / 4 / 19

HEX #33CFC7

RGB 51 207 199

HSL 176.92, 0.62%, 0.51%

LAB 75.73, -40.51, -7.42

 

CMYK 65 / 75 / 0 / 18

HEX #4935D0

RGB 73 53 208

HSL 247.74, 0.62%, 0.51%

LAB 35.04, 52.63, -76.43

 

CMYK 0 / 75 / 70 / 18

HEX #D0353F

RGB 208 53 63

HSL 356.13, 0.62%, 0.51%

LAB 47.39, 60.2, 31.66

 

CMYK 10 / 0 / 75 / 18

HEX #BBD035

RGB 187 208 53

HSL 68.13, 0.62%, 0.51%

LAB 79.58, -26.08, 69.27

 

CMYK 75 / 0 / 4 / 19

HEX #33CFC7

RGB 51 207 199

HSL 176.92, 0.62%, 0.51%

LAB 75.73, -40.51, -7.42

 

CMYK 42 / 75 / 0 / 18

HEX #7835D0

RGB 120 53 208

HSL 265.94, 0.62%, 0.51%

LAB 39.74, 59.14, -68.54

 

CMYK 0 / 75 / 70 / 18

HEX #D0353F

RGB 208 53 63

HSL 356.13, 0.62%, 0.51%

LAB 47.39, 60.2, 31.66

 

CMYK 33 / 0 / 75 / 18

HEX #8CD035

RGB 140 208 53

HSL 86.32, 0.62%, 0.51%

LAB 76.65, -44.35, 65.45

 

Description

Color code: HEX #33CFC7 | qconv.com Color code: HEX #33CFC7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 207 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 207 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 4 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 4% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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