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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CA962 it is the complementary color #E3569D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CA962. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1CA962: #21A95D, #32BB70, #43CD83, #54DF96 and #65F1A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CA962. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1CA962: #1CA962, #0B974F, #00853C, #007329 and #006116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 42 / 34

HEX #1CA962

RGB 28 169 98

HSL 149.79, 0.72%, 0.39%

LAB 61.22, -51.86, 26.82

 

Complementary color

CMYK 0 / 62 / 31 / 11

HEX #E3569D

RGB 227 86 157

HSL 329.79, 0.72%, 0.61%

LAB 57.48, 61.34, -9.84

 

CMYK 80 / 0 / 45 / 34

HEX #21A95D

RGB 33 169 93

HSL 146.47, 0.67%, 0.4%

LAB 61.21, -52.25, 29.46

 

CMYK 73 / 0 / 40 / 27

HEX #32BB70

RGB 50 187 112

HSL 147.15, 0.58%, 0.46%

LAB 67.57, -53.16, 27.83

 

CMYK 67 / 0 / 36 / 20

HEX #43CD83

RGB 67 205 131

HSL 147.83, 0.58%, 0.53%

LAB 73.87, -53.7, 26.32

 

CMYK 62 / 0 / 33 / 13

HEX #54DF96

RGB 84 223 150

HSL 148.49, 0.68%, 0.6%

LAB 80.1, -53.99, 24.94

 

CMYK 58 / 0 / 30 / 5

HEX #65F1A9

RGB 101 241 169

HSL 149.14, 0.83%, 0.67%

LAB 86.28, -54.11, 23.65

 

CMYK 83 / 0 / 42 / 34

HEX #1CA962

RGB 28 169 98

HSL 149.79, 0.72%, 0.39%

LAB 61.22, -51.86, 26.82

 

CMYK 93 / 0 / 48 / 41

HEX #0B974F

RGB 11 151 79

HSL 149.14, 0.86%, 0.32%

LAB 54.83, -50.26, 28.62

 

CMYK 100 / 0 / 55 / 48

HEX #00853C

RGB 0 133 60

HSL 147.07, 1%, 0.26%

LAB 48.39, -47.93, 30.55

 

CMYK 100 / 0 / 64 / 55

HEX #007329

RGB 0 115 41

HSL 141.39, 1%, 0.23%

LAB 41.88, -44.68, 32.48

 

CMYK 100 / 0 / 77 / 62

HEX #006116

RGB 0 97 22

HSL 133.61, 1%, 0.19%

LAB 35.22, -40.97, 33.94

 

CMYK 83 / 0 / 42 / 34

HEX #1CA962

RGB 28 169 98

HSL 149.79, 0.72%, 0.39%

LAB 61.22, -51.86, 26.82

 

CMYK 84 / 0 / 30 / 33

HEX #1BAB78

RGB 27 171 120

HSL 158.75, 0.73%, 0.39%

LAB 62.27, -48.08, 16.3

 

CMYK 84 / 0 / 16 / 33

HEX #1BAB90

RGB 27 171 144

HSL 168.75, 0.73%, 0.39%

LAB 62.82, -42.11, 3.78

 

CMYK 84 / 0 / 2 / 33

HEX #1BABA8

RGB 27 171 168

HSL 178.75, 0.73%, 0.39%

LAB 63.5, -35.28, -8.63

 

CMYK 84 / 13 / 0 / 33

HEX #1B95AB

RGB 27 149 171

HSL 189.17, 0.73%, 0.39%

LAB 56.75, -23.55, -20.52

 

CMYK 83 / 0 / 42 / 34

HEX #1CA962

RGB 28 169 98

HSL 149.79, 0.72%, 0.39%

LAB 61.22, -51.86, 26.82

 

CMYK 84 / 0 / 42 / 14

HEX #24DC80

RGB 36 220 128

HSL 150, 0.72%, 0.5%

LAB 77.95, -63.69, 33.17

 

CMYK 81 / 0 / 44 / 94

HEX #031009

RGB 3 16 9

HSL 147.69, 0.68%, 0.04%

LAB 3.7, -4.8, 1.76

 

CMYK 84 / 0 / 42 / 74

HEX #0B4327

RGB 11 67 39

HSL 150, 0.72%, 0.15%

LAB 24.42, -25.32, 12.07

 

CMYK 83 / 0 / 42 / 54

HEX #147644

RGB 20 118 68

HSL 149.39, 0.71%, 0.27%

LAB 43.54, -39.26, 20.07

 

CMYK 83 / 0 / 42 / 34

HEX #1CA962

RGB 28 169 98

HSL 149.79, 0.72%, 0.39%

LAB 61.22, -51.86, 26.82

 

CMYK 84 / 57 / 0 / 33

HEX #1B49AB

RGB 27 73 171

HSL 220.83, 0.73%, 0.39%

LAB 33.85, 22.6, -56.71

 

CMYK 0 / 77 / 84 / 33

HEX #AB271B

RGB 171 39 27

HSL 5, 0.73%, 0.39%

LAB 38.18, 52.1, 40.04

 

CMYK 83 / 0 / 42 / 34

HEX #1CA962

RGB 28 169 98

HSL 149.79, 0.72%, 0.39%

LAB 61.22, -51.86, 26.82

 

CMYK 43 / 84 / 0 / 33

HEX #611BAB

RGB 97 27 171

HSL 269.17, 0.73%, 0.39%

LAB 30.07, 56.84, -62.68

 

CMYK 0 / 43 / 84 / 33

HEX #AB611B

RGB 171 97 27

HSL 29.17, 0.73%, 0.39%

LAB 48.62, 25.02, 49.36

 

CMYK 83 / 0 / 42 / 34

HEX #1CA962

RGB 28 169 98

HSL 149.79, 0.72%, 0.39%

LAB 61.22, -51.86, 26.82

 

CMYK 84 / 57 / 0 / 33

HEX #1B49AB

RGB 27 73 171

HSL 220.83, 0.73%, 0.39%

LAB 33.85, 22.6, -56.71

 

CMYK 0 / 84 / 41 / 33

HEX #AB1B65

RGB 171 27 101

HSL 329.17, 0.73%, 0.39%

LAB 38.52, 60.08, -5.2

 

CMYK 0 / 27 / 84 / 33

HEX #AB7D1B

RGB 171 125 27

HSL 40.83, 0.73%, 0.39%

LAB 55.49, 9.32, 55.29

 

CMYK 83 / 0 / 42 / 34

HEX #1CA962

RGB 28 169 98

HSL 149.79, 0.72%, 0.39%

LAB 61.22, -51.86, 26.82

 

CMYK 84 / 82 / 0 / 33

HEX #1B1EAB

RGB 27 30 171

HSL 238.75, 0.73%, 0.39%

LAB 24.01, 49.1, -72.92

 

CMYK 0 / 84 / 41 / 33

HEX #AB1B65

RGB 171 27 101

HSL 329.17, 0.73%, 0.39%

LAB 38.52, 60.08, -5.2

 

CMYK 0 / 2 / 84 / 33

HEX #ABA81B

RGB 171 168 27

HSL 58.75, 0.73%, 0.39%

LAB 67.08, -13.96, 65.1

 

Description

Color code: HEX #1CA962 | qconv.com Color code: HEX #1CA962 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 169 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 169 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 42 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 42% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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