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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C6E9B it is the complementary color #E39164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C6E9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1C6E9B: #216E96, #3280A9, #4392BC, #54A4CF and #65B6E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C6E9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1C6E9B: #1C6E9B, #0B5C88, #004A75, #003862 and #00264F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 29 / 0 / 39

HEX #1C6E9B

RGB 28 110 155

HSL 201.26, 0.69%, 0.36%

LAB 43.89, -7.53, -31.13

 

Complementary color

CMYK 0 / 36 / 56 / 11

HEX #E39164

RGB 227 145 100

HSL 21.26, 0.69%, 0.64%

LAB 67.65, 26.53, 36.59

 

CMYK 78 / 27 / 0 / 41

HEX #216E96

RGB 33 110 150

HSL 200.51, 0.64%, 0.36%

LAB 43.77, -8.83, -28.35

 

CMYK 70 / 24 / 0 / 34

HEX #3280A9

RGB 50 128 169

HSL 200.67, 0.54%, 0.43%

LAB 50.66, -10.15, -28.71

 

CMYK 64 / 22 / 0 / 26

HEX #4392BC

RGB 67 146 188

HSL 200.83, 0.47%, 0.5%

LAB 57.45, -11.12, -29.03

 

CMYK 59 / 21 / 0 / 19

HEX #54A4CF

RGB 84 164 207

HSL 200.98, 0.56%, 0.57%

LAB 64.11, -11.85, -29.32

 

CMYK 55 / 19 / 0 / 11

HEX #65B6E2

RGB 101 182 226

HSL 201.12, 0.68%, 0.64%

LAB 70.67, -12.42, -29.61

 

CMYK 82 / 29 / 0 / 39

HEX #1C6E9B

RGB 28 110 155

HSL 201.26, 0.69%, 0.36%

LAB 43.89, -7.53, -31.13

 

CMYK 92 / 32 / 0 / 47

HEX #0B5C88

RGB 11 92 136

HSL 201.12, 0.85%, 0.29%

LAB 36.94, -5.37, -30.68

 

CMYK 100 / 37 / 0 / 54

HEX #004A75

RGB 0 74 117

HSL 202.05, 1%, 0.23%

LAB 29.87, -2.45, -30.12

 

CMYK 100 / 43 / 0 / 62

HEX #003862

RGB 0 56 98

HSL 205.71, 1%, 0.19%

LAB 22.69, 1.44, -29.4

 

CMYK 100 / 52 / 0 / 69

HEX #00264F

RGB 0 38 79

HSL 211.14, 1%, 0.15%

LAB 15.23, 5.8, -28.73

 

CMYK 82 / 29 / 0 / 39

HEX #1C6E9B

RGB 28 110 155

HSL 201.26, 0.69%, 0.36%

LAB 43.89, -7.53, -31.13

 

CMYK 82 / 43 / 0 / 39

HEX #1C599B

RGB 28 89 155

HSL 211.18, 0.69%, 0.36%

LAB 37.4, 5.59, -41.4

 

CMYK 82 / 56 / 0 / 39

HEX #1C449B

RGB 28 68 155

HSL 221.1, 0.69%, 0.36%

LAB 31.23, 19.71, -51.36

 

CMYK 82 / 70 / 0 / 39

HEX #1C2F9B

RGB 28 47 155

HSL 231.02, 0.69%, 0.36%

LAB 25.7, 33.86, -60.4

 

CMYK 81 / 82 / 0 / 39

HEX #1E1C9B

RGB 30 28 155

HSL 240.94, 0.69%, 0.36%

LAB 21.85, 45.12, -66.77

 

CMYK 82 / 29 / 0 / 39

HEX #1C6E9B

RGB 28 110 155

HSL 201.26, 0.69%, 0.36%

LAB 43.89, -7.53, -31.13

 

CMYK 82 / 29 / 0 / 19

HEX #2592CE

RGB 37 146 206

HSL 201.3, 0.7%, 0.48%

LAB 57.47, -8.84, -39.21

 

CMYK 100 / 50 / 0 / 99

HEX #000102

RGB 0 1 2

HSL 210, 1%, 0%

LAB 0.24, -0.12, -0.47

 

CMYK 81 / 28 / 0 / 79

HEX #0A2635

RGB 10 38 53

HSL 200.93, 0.68%, 0.12%

LAB 13.87, -4.44, -12.81

 

CMYK 82 / 29 / 0 / 59

HEX #134A68

RGB 19 74 104

HSL 201.18, 0.69%, 0.24%

LAB 29.5, -6.12, -22.46

 

CMYK 82 / 29 / 0 / 39

HEX #1C6E9B

RGB 28 110 155

HSL 201.26, 0.69%, 0.36%

LAB 43.89, -7.53, -31.13

 

CMYK 37 / 82 / 0 / 39

HEX #621C9B

RGB 98 28 155

HSL 273.07, 0.69%, 0.36%

LAB 28.89, 52.88, -54.93

 

CMYK 0 / 5 / 82 / 39

HEX #9B941C

RGB 155 148 28

HSL 56.69, 0.69%, 0.36%

LAB 60.1, -10.59, 58.33

 

CMYK 82 / 29 / 0 / 39

HEX #1C6E9B

RGB 28 110 155

HSL 201.26, 0.69%, 0.36%

LAB 43.89, -7.53, -31.13

 

CMYK 0 / 82 / 29 / 39

HEX #9B1C6E

RGB 155 28 110

HSL 321.26, 0.69%, 0.36%

LAB 35.84, 56.87, -15.26

 

CMYK 29 / 0 / 82 / 39

HEX #6E9B1C

RGB 110 155 28

HSL 81.26, 0.69%, 0.36%

LAB 58.83, -33.49, 55.93

 

CMYK 82 / 29 / 0 / 39

HEX #1C6E9B

RGB 28 110 155

HSL 201.26, 0.69%, 0.36%

LAB 43.89, -7.53, -31.13

 

CMYK 37 / 82 / 0 / 39

HEX #621C9B

RGB 98 28 155

HSL 273.07, 0.69%, 0.36%

LAB 28.89, 52.88, -54.93

 

CMYK 0 / 54 / 82 / 39

HEX #9B481C

RGB 155 72 28

HSL 20.79, 0.69%, 0.36%

LAB 40.71, 31.87, 40.87

 

CMYK 45 / 0 / 82 / 39

HEX #559B1C

RGB 85 155 28

HSL 93.07, 0.69%, 0.36%

LAB 57.52, -42.68, 54.26

 

CMYK 82 / 29 / 0 / 39

HEX #1C6E9B

RGB 28 110 155

HSL 201.26, 0.69%, 0.36%

LAB 43.89, -7.53, -31.13

 

CMYK 12 / 82 / 0 / 39

HEX #881C9B

RGB 136 28 155

HSL 291.02, 0.69%, 0.36%

LAB 34.87, 59.59, -44.95

 

CMYK 0 / 54 / 82 / 39

HEX #9B481C

RGB 155 72 28

HSL 20.79, 0.69%, 0.36%

LAB 40.71, 31.87, 40.87

 

CMYK 70 / 0 / 82 / 39

HEX #2F9B1C

RGB 47 155 28

HSL 111.02, 0.69%, 0.36%

LAB 56.22, -52.99, 52.58

 

Description

Color code: HEX #1C6E9B | qconv.com Color code: HEX #1C6E9B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 110 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 110 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 29 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 29% 0% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Ballroom Dance Shoes...
Link: http://danceplus.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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