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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B7BB9 it is the complementary color #E48446. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B7BB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1B7BB9: #207BB4, #318DC7, #429FDA, #53B1ED and #64C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B7BB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1B7BB9: #1B7BB9, #0A69A6, #005793, #004580 and #00336D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 34 / 0 / 27

HEX #1B7BB9

RGB 27 123 185

HSL 203.54, 0.75%, 0.42%

LAB 49.38, -4.05, -40.02

 

Complementary color

CMYK 0 / 42 / 69 / 11

HEX #E48446

RGB 228 132 70

HSL 23.54, 0.75%, 0.58%

LAB 64.51, 31.82, 48.38

 

CMYK 82 / 32 / 0 / 29

HEX #207BB4

RGB 32 123 180

HSL 203.11, 0.7%, 0.42%

LAB 49.21, -5.5, -37.38

 

CMYK 75 / 29 / 0 / 22

HEX #318DC7

RGB 49 141 199

HSL 203.2, 0.6%, 0.49%

LAB 55.91, -7.22, -37.69

 

CMYK 70 / 27 / 0 / 15

HEX #429FDA

RGB 66 159 218

HSL 203.29, 0.67%, 0.56%

LAB 62.52, -8.56, -37.95

 

CMYK 65 / 25 / 0 / 7

HEX #53B1ED

RGB 83 177 237

HSL 203.38, 0.81%, 0.63%

LAB 69.04, -9.62, -38.19

 

CMYK 61 / 24 / 0 / 0

HEX #64C3FF

RGB 100 195 255

HSL 203.23, 1%, 0.7%

LAB 75.43, -10.78, -37.93

 

CMYK 85 / 34 / 0 / 27

HEX #1B7BB9

RGB 27 123 185

HSL 203.54, 0.75%, 0.42%

LAB 49.38, -4.05, -40.02

 

CMYK 94 / 37 / 0 / 35

HEX #0A69A6

RGB 10 105 166

HSL 203.46, 0.89%, 0.35%

LAB 42.64, -1.53, -39.62

 

CMYK 100 / 41 / 0 / 42

HEX #005793

RGB 0 87 147

HSL 204.49, 1%, 0.29%

LAB 35.84, 1.69, -39.11

 

CMYK 100 / 46 / 0 / 50

HEX #004580

RGB 0 69 128

HSL 207.66, 1%, 0.25%

LAB 28.94, 5.65, -38.49

 

CMYK 100 / 53 / 0 / 57

HEX #00336D

RGB 0 51 109

HSL 211.93, 1%, 0.21%

LAB 21.84, 9.99, -37.89

 

CMYK 85 / 34 / 0 / 27

HEX #1B7BB9

RGB 27 123 185

HSL 203.54, 0.75%, 0.42%

LAB 49.38, -4.05, -40.02

 

CMYK 86 / 47 / 0 / 27

HEX #1A63BB

RGB 26 99 187

HSL 212.8, 0.76%, 0.42%

LAB 42.36, 11.63, -52.38

 

CMYK 86 / 61 / 0 / 27

HEX #1A48BB

RGB 26 72 187

HSL 222.86, 0.76%, 0.42%

LAB 34.89, 29.47, -64.51

 

CMYK 86 / 76 / 0 / 27

HEX #1A2DBB

RGB 26 45 187

HSL 232.92, 0.76%, 0.42%

LAB 28.6, 46.39, -74.86

 

CMYK 82 / 86 / 0 / 27

HEX #221ABB

RGB 34 26 187

HSL 242.98, 0.76%, 0.42%

LAB 25.76, 56.02, -79.56

 

CMYK 85 / 34 / 0 / 27

HEX #1B7BB9

RGB 27 123 185

HSL 203.54, 0.75%, 0.42%

LAB 49.38, -4.05, -40.02

 

CMYK 86 / 33 / 0 / 7

HEX #229DEC

RGB 34 157 236

HSL 203.47, 0.84%, 0.53%

LAB 62.09, -4.48, -48.63

 

CMYK 84 / 34 / 0 / 87

HEX #051520

RGB 5 21 32

HSL 204.44, 0.73%, 0.07%

LAB 6.08, -1.97, -9.51

 

CMYK 86 / 34 / 0 / 67

HEX #0C3753

RGB 12 55 83

HSL 203.66, 0.75%, 0.19%

LAB 21.71, -3.14, -21.08

 

CMYK 85 / 34 / 0 / 47

HEX #145986

RGB 20 89 134

HSL 203.68, 0.74%, 0.3%

LAB 36.01, -3.58, -30.91

 

CMYK 85 / 34 / 0 / 27

HEX #1B7BB9

RGB 27 123 185

HSL 203.54, 0.75%, 0.42%

LAB 49.38, -4.05, -40.02

 

CMYK 36 / 86 / 0 / 27

HEX #781ABB

RGB 120 26 187

HSL 275.03, 0.76%, 0.42%

LAB 34.64, 63.9, -64.61

 

CMYK 0 / 2 / 86 / 27

HEX #BBB81A

RGB 187 184 26

HSL 58.88, 0.76%, 0.42%

LAB 72.84, -15.17, 70.63

 

CMYK 85 / 34 / 0 / 27

HEX #1B7BB9

RGB 27 123 185

HSL 203.54, 0.75%, 0.42%

LAB 49.38, -4.05, -40.02

 

CMYK 0 / 86 / 33 / 27

HEX #BB1A7D

RGB 187 26 125

HSL 323.11, 0.76%, 0.42%

LAB 42.44, 66.61, -14.02

 

CMYK 33 / 0 / 86 / 27

HEX #7DBB1A

RGB 125 187 26

HSL 83.11, 0.76%, 0.42%

LAB 69.45, -42.04, 66.08

 

CMYK 85 / 34 / 0 / 27

HEX #1B7BB9

RGB 27 123 185

HSL 203.54, 0.75%, 0.42%

LAB 49.38, -4.05, -40.02

 

CMYK 36 / 86 / 0 / 27

HEX #781ABB

RGB 120 26 187

HSL 275.03, 0.76%, 0.42%

LAB 34.64, 63.9, -64.61

 

CMYK 0 / 53 / 86 / 27

HEX #BB581A

RGB 187 88 26

HSL 23.11, 0.76%, 0.42%

LAB 49.03, 36.47, 51.02

 

CMYK 50 / 0 / 86 / 27

HEX #5DBB1A

RGB 93 187 26

HSL 95.03, 0.76%, 0.42%

LAB 67.98, -52.8, 64.23

 

CMYK 85 / 34 / 0 / 27

HEX #1B7BB9

RGB 27 123 185

HSL 203.54, 0.75%, 0.42%

LAB 49.38, -4.05, -40.02

 

CMYK 10 / 86 / 0 / 27

HEX #A81ABB

RGB 168 26 187

HSL 292.92, 0.76%, 0.42%

LAB 42.23, 71.42, -51.93

 

CMYK 0 / 53 / 86 / 27

HEX #BB581A

RGB 187 88 26

HSL 23.11, 0.76%, 0.42%

LAB 49.03, 36.47, 51.02

 

CMYK 76 / 0 / 86 / 27

HEX #2DBB1A

RGB 45 187 26

HSL 112.92, 0.76%, 0.42%

LAB 66.65, -63.71, 62.55

 

Description

Color code: HEX #1B7BB9 | qconv.com Color code: HEX #1B7BB9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 123 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 123 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 34 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 34% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to PANTONE®

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